Tripnotic CD

Tripnotic Music

List Price	$24.99 (You save $4.04)
Category	Rock/Pop Albums, World CDs, Jazz, Electronica, Latin, Dance Collections, Acid Jazz, Trip Hop, Dance
Label	Joey
Orig Year	1999
CD Universe Part number	1195235
Catalog number	773130
Discs	1
Release Date	Nov 20, 2007
Mono/Stereo	Stereo

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The Taylor/Fidyk Big Band includes: Mark Taylor (french horn); Steve Fidyk (drums). Some notes from the CD:"I first heard Steve Fidyk play when he came to Washington, D.C. to be the drummer for 'The Army Blues.' I remember thinking then, 'What a swingin' drummer!' A few years later I had been considering doing a recording of my charts and out of the blue after a gig Steve approached me and said, 'What do you think about recording a CD together?' I immediately replied, 'You get the band and I'll bring the charts!' "So in April and August of 2002 we went into our favorite studio, Bias Recording, for 2 nights of recording the debut CD of 'The Taylor/Fidyk Big Band!'"This band is made up of some of the best players in the D.C. area and I couldn't have asked for a better performance of my music. The energy in the studio was amazing and from the first note to the last this band came out swinging! Of course as any big band fan knows you need a great drummer to make that happen and Steve took charge from the start. Many thanks to Steve, Bob Dawson, and the band for a writer's dream come true!"Mark Taylor"A Perfect Match" represents a journey that began over 20 years ago when I was first introduced to the music of Mark Taylor. An alumnus of the arranging staff of the Stan Kenton Band, Taylor contributed two big band anthems to his library: Samba Da Haps and Granada Smoothie.I had the pleasure of meeting and working with Mark on a daily basis as a member of The Army Blues Jazz Ensemble. As a colleague, I slowly began to understand the intricacies of accompanying and shaping his music. Like Kenton, ...

Glory Trusting In God CD (2002)

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GLORY: "TRUSTING IN GOD" is a musical journey through early America as experienced in the hearts and souls of African Americans. Songs like "Morning Train" and "Wade in the Water" illustrate the desire to be free, to return home to Africa. "Trust In the Lord" and "Stand By Me" are great examples of the faith African Americans held on to while going through some of the most troubled times in this country. "It's Gonna be All Right" illustrates the undying faith and determination to get to the place where things truly will be alright. Take a trip with us and enjoy our jazz-blues-R&B-gospel sound that leaves you inspired, spiritually uplifted and wanting more. GOSPEL IN THE SOUTHERN TRADITIONMEET GLORY, ordained by God and held together by the unifying strength of our belief in one God, this unlikely trio has been together for seven years. Tamir Mubarak, Herbert Sulaman and Bill Nelson are Glory. As the names imply, we are one Christian and two Islamic brothers forming a gospel group. We hope that our union will be a light to others who love God and believe in the brotherhood of all mankind. Glory, for the past six years has been headlining the Gospel Brunch at the HOUSE OF BLUES in Myrtle Beach, South Carolina. Planning a trip to South Carolina? Catch our show at the House of Blues every Sunday from 9:30am to 1:30pm. TAMIR of Conway, South Carolina, plays all the woodwinds ...

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FROM PHOENIX NEW TIMES(FOOLS GOLD 7.6.06):The first time I saw Page the Village Idiot, I was at Hollywood Alley in Mesa on a Saturday to see hip-hoppers Drunken Immortals and Grime; Page was the opening act. The second time I was at the Alley on a Monday to see another band I was writing about, and caught Page playing beforehand.Each time I inadvertently saw Page the Village Idiot play â and the subsequent time when I went on purpose â I was blown away by his razor-sharp humor and by his guitar (and ukulele) shredding. And I kind of felt like a dumb-ass, because, like I said, I'd avoided his shows for the eight years or so Page has played Monday nights at the Alley (he also does Wednesdays at Jugheads).Besides his omnipresence in clubs ads, I was turned off by the name, too â if you call yourself an idiot, I'm prone to call you even worse than that.I caught up with Page on a recent Monday and bullshitted with him before I suffered through the opening act, a snore fest called Sleepwalk (during their set I wrote "Shut Up" on my notepad and held it up so the band could see; I don't think they noticed).Page has been playing in bands since he went to Chaparral High School back in the '80s (he states his age as "late 30s"), but abandoned the band thing in the '90s. "I just got sick of bands breaking up, and I started doing acoustic open mics just with an acoustic guitar. I got laughs, and it was so addictive, just as addictive as starting a mosh pit."Soon after, he got his drum machine, a late '90s Roland MC303, which also provides his loops and MIDI bass lines. "It's a lot more dependable than a real human being," he tells me. "I can practice when I wake up in the morning or when I come home from a gig." Later that night, he gives it props in a song, exclaiming that the machine "doesn't get herpes, and it doesn't smoke all your pot."He's also got an array of pedals he runs his guitar through, which he uses extensively while he's warming up on the last Monday I saw him. He kicks off with a personalized version of Black Sabbath's "War Pigs." After Ozzy's classic "Generals gathered in their masses/Just like witches at black masses," Page continues, "Governments' thumbs are up your asses/Anybody know what the price of gas is?"He soldiers on, running through a song ragging on the west side/Metrocenter white-trash stereotypes, and segues into a track about local bands who think having a laminate around your neck makes you a rock star. A song about Sheriff Arpaio follows, which I'm sure Joe would actually love ("I got 20 years for getting high")."Dead Rock Stars," which Page has managed to get onto the syndicated Dr. Demento radio show in the past year, comes next, where he lists said deceased and how they died ("G.G. Allin ate too much shit/Leave Freddie Mercury out of it")."Check it out yo bitches!" he yells, before launching into "This Song Sucks," which rips about every ...