| | Louis Spohr: Die Klarinettekonzerte 2 & 3 CD Leister / R.S. / Stuttgart CDS
Louis Spohr: Die Klarinettekonzerte 2 & 3 Music | List Price | $25.98 (You save $3.73) | | Label | Orfeo | | Orig Year | 4/26/1993 | | All Time Sales Rank |  13234  | | CD Universe Part number | 1197060 | | Discs | 1 | | Release Date | May 04, 1989 |
Louis Spohr: Die Klarinettekonzerte 2 & 3 Review
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Louis Spohr: Die Klarinettekonzerte 2 & 3 Music Composers on Louis Spohr: Die Klarinettekonzerte 2 & 3 CD : Louis Spohr Conductors on Louis Spohr: Die Klarinettekonzerte 2 & 3 CD : Rafael Fruhbeck de Burgos Performers on Louis Spohr: Die Klarinettekonzerte 2 & 3 CD : Karl Leister Purchase Louis Spohr: Die Klarinettekonzerte 2 & 3 To buy, Click on price to add to cart | Bill Evans Intuition CD (1974)
Louis Spohr: Die Klarinettekonzerte 2 & 3
 $8.69 
Personnel: Bill Evans (piano); Eddie Gomez (bass).
Recorded at Fantasy Studios, Berkeley, California from November 7-10, 1974. Originally released on Fantasy (9475). Includes liner notes by George Cleve.
Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California.
Composer: Claus Ogerman.
Personnel: Bill Evans (piano).
Liner Note Author: George Cleve.
Recording information: Fantasy Studios, Berkeley, CA (11/07/1974-11/10/1974).
Unknown Contributor Role: Bill Evans .
After having played together on a regular basis for eight years, it is not surprising that this set of duets by pianist Bill Evans and bassist Eddie Gomez are intuitive and bordering on the telepathic. The material is quite fresh. Evans might have recorded "Invitation" and "Show-Type Tune" previously but the other six songs were getting their debut in his hands. Whether it be "Hi Lili, Hi Lo," Claus Ogerman's "A Face Without a Name," Steve Swallow's "Falling Grace" or "Blue Serge," the sensitive and generally introspective playing on this CD reissue definitely holds one's interest. ~ Scott Yanow
The fullness of this duet album's sound suffers only slightly from the lack of a drummer, compensating with deeply satisfying intuitive interplay between pianist Evans and longtime collaborator Gomez. Evans experiments on INTUITION with the electric Fender-Rhodes piano for his original tunes, "Show-Type Tune" and "Are You All the Things," but he is at his most assertive and polished when playing acoustic piano. Particular standouts are the two songs by Bronislau Kaper, the romantic ballad "Invitation," and, with particular care and expression, the theme "Hi Lili, Hi Lo," from the musical "Lili." Gomez is a full participant, using the bass the way he did as a member of the Bill Evans Trio, making himself an indispensable part of the equation. INTUITION is a strongly empathetic album which memorializes a deep musical connection between two jazz greats.
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Louis Spohr: Die Klarinettekonzerte 2 & 3
$6.29   
Personnel: Miles Davis (trumpet); Miles Davis; Julian "Cannonball" Adderley, Cannonball Adderley (alto saxophone); Paul Chambers (double bass); John Coltrane (tenor saxophone); Wynton Kelly, Bill Evans (piano); Jimmy Cobb (drums).
Audio Remixer: Mark Wilder.
Liner Note Authors: Bill Evans ; Robert Palmer; Nat Hentoff; Robert Palmer.
Recording information: Columbia 30th Street Studio, New York, NY (03/02/1959-04/22/1959); Columbia Street Studio, New York, NY (03/02/1959-04/22/1959).
Photographers: Don Hunstein; Jay Maisel.
Unknown Contributor Roles: John Coltrane; Bill Evans ; Wynton Kelly; Paul Chambers; Jimmy Cobb ; Cannonball Adderley.
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band -- Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes before the tape rolled, and then the band improvised. The end results were wondrous and still crackle with vitality. Kind of Blue works
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Live Recording
Personnel: Martirio (vocals); Raul Rodriguez (guitar, tres, percussion); Paco De Amparo (guitar); Jorge Pozas (cello) Chano Dominguez (piano); Javier Colina (bass); Guillermo McGuill (drums, cajon); Rogerio De Souza (percussion); Pepe Torres (feet, compas); Luis Torres (compas).
Recorded at Estudios Infinity, Madrid, Spain in March-May 1999.
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This is a Super Audio CD playable only on Super Audio CD players.
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Includes work(s) by Pyotr Il'yich Tchaikovsky.
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