| | Other Honest Don's Snug Fitting Trousers CD Other Discography of CDs
(2 Customer Reviews)
 |
|
Our Price: $6.95 CDFor Sale Usually ships in 1-2 days (Only 1 available)
Our Price: $9.99
|  |
All tracks have been digitally mastered using HDCD technology.
Recording information: Razor's Edge Studios, San Francisco, CA. Honest Don's Snug Fitting Trousers Music Other Honest Don's Snug Fitting Trousers Songs Honest Don's Snug Fitting Trousers Music Review Buy Honest Don's Snug Fitting Trousers CD Purchase Honest Don's Snug Fitting Trousers CD To buy, Click on price to add to cart | Lagwagon Duh! CD (1992)
Honest Don's Snug Fitting Trousers album
$6.69
| | Lagwagon Hoss CD (1995)
Honest Don's Snug Fitting Trousers CD music
$6.69
| | Lagwagon Let's Talk About Feelings CD (1998)
Honest Don's Snug Fitting Trousers music CDs
$6.65
| | Less Than Jake Losing Streak CD (1996)
Honest Don's Snug Fitting Trousers songs
$9.95
| | Less Than Jake Hello Rockview CD (1998)
Honest Don's Snug Fitting Trousers album
$11.69
| | Ataris Blue Skies, Broken Hearts...Next 12 Exits CD (1999)
Honest Don's Snug Fitting Trousers CD music
$11.29 Santa Barbara's Ataris were among the legions of pop-punk bands to emerge in the late 1990s. Like many of their contemporaries, the Ataris owe something of a debt to the Descendents and the Buzzcocks, but a large part of their sound comes out of the alternative rock of the '90s. BLUE SKIES, BROKEN HEARTS...NEXT 12 EXITS is the Ataris sophomore effort, and the band avoids the notorious second-album slump by cranking out 14 high-energy, concise tunes rife with hooks, power chords, and hopped-up rhythms.
While the Ataris know how to rock (only the acoustic guitar and ...
| | Clapton's Cradle: The Early Yardbirds Recordings CD (1995)
Honest Don's Snug Fitting Trousers music CDs
$10.69
| | Mano Negra In The Hell Of Patchinko CD (1998)
Honest Don's Snug Fitting Trousers songs
$9.79
| | Bobby Bare Bare Tracks CD (1999)
Honest Don's Snug Fitting Trousers album
$10.19 After some steady success on Mercury and RCA in the first half of the '70s, including the Top Ten hit Sings Lullabys, Legends & Lies, Bobby Bare seemed poised for a breakout crossover success, particularly because such colleagues as Waylon Jennings and Willie Nelson had become as popular as rock stars with the ascendancy of outlaw country in the mid-'70s. So, Bare signed with super-manager Bill Graham -- better known for managing rock stars than country singers, possibly best-known as a self-promoter -- rode out his second contract with RCA, and signed with Columbia...where he promptly flamed out on the charts, scoring just four Top 20 country singles over the course of seven LPs in six years, never once cracking the Top Ten. This lack of success may suggest that there was a dip in quality, which is hardly the case, since the Columbia albums were as consistently enjoyable and high-quality as his RCA and Mercury sides, as both Koch's 1999 compilation Bare Tracks and its unofficial companion, Edsel's 2000 The Columbia Years: Bare's Picks, prove. Although they cover the same ground and share seven songs, the two collections are quite different in character and intent, with Koch's sticking closer to the dictates of the charts and favoring his lighter, funnier material. Not that Bare Tracks has nothing but hits -- 11 of the 16 tracks charted, leaving room for a number of great album tracks, such as the surging "Appaloosa Rider," Shel Silverstein's "Rough on the Living," and a version of Don Schlitz's "The Gambler," which not only predates Kenny Rogers' hit version, it's weathered and knowing and much better. (None of these three songs made the Edsel collection.) Then, there are the singles, many of them very funny songs by Silverstein, who may never have had a better interpreter, because Bare brought a gravity to his silliness along with a wry, engaging delivery. "Numbers," where Bare gets subjected to a hilariously humiliating putdown by a woman he's trying to pick up, is perhaps the best example of this, but the rowdy "Tequilia Sheila" (both taken from the wild live album Down & Dirty) is equally good, while the all-star goofy singalong "Greasy Grit Gravy" is as irresistible as "Food Blues" is clever. But it's not just silly songs -- Bare turns in a great version of Guy Clark's raver "New Cut Road," finds the pathos in Boudleaux Bryant's "Take Me as I Am (Or Let Me Go)," and has a fine duet with Charlie Daniels' "Willie Jones." All of these are prime examples of Bare's knack for choosing ...
| | Anthem: The String Quartet Tribute To Good Charlotte CD (2004)
Honest Don's Snug Fitting Trousers CD music
$15.19
| | Ted Daffan Born To Lose CD (2004) (Import) United Kingdom
Honest Don's Snug Fitting Trousers music CDs
$13.15
| | Salsa Total Vol. 7-Salsa Total CD (2006) (Import)
Honest Don's Snug Fitting Trousers songs
$11.79
| | David Bazan Fewer Moving Parts E.P. CD (2006) Extended Play
Honest Don's Snug Fitting Trousers album
$8.99 As a member of Pedro the Lion, David Bazan was responsible for some very stellar tunes. Now under his own name, ...
| | Je Suis France Afrikan Majik CD (2007)
Honest Don's Snug Fitting Trousers CD music
$11.35 The band Je Suis France is not French, and its third full-length album, Afrikan Majik, has nothing, apparently, to do with Africa. It does, however, concern itself with many other things, which may be a product of the size and diversity of a group that began as a quartet in Athens, GA. Consisting of DJ Hammond (aka OJ), Ryan "The Darkness" Martin (aka Darkness), Chris Rogers (aka Crog), and Ryan Bergeron (aka Iceberg), the band expanded into a sextet with the addition of Jeff Griggs and Sean Rawls (aka SA) by the time of its second album, Fantastic Area, in 2003, and now counts itself as a nonet with new members Jon Croxton, Jeremy Weatley (aka the Lord), and Ken Henslee (aka KG). Je Suis France's territory has also grown, with Martin having moved to Boston, Rawls to San Francisco, Rogers to Los Angeles, and Hammond and Bergeron to Atlanta. Listening to Afrikan Majik, it would be easy to assume that the members have come to think of Je Suis France as little more than a clearinghouse for their various ideas, since the record sounds like the work of different artists from ...
| | Naohito Fujiki Reverse CD (2007) (Import)
$51.25 |
|
|