| | J Church One Mississippi CD J Church Discography of CDs
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J Church's fifth proper studio record, One Mississippi, is the result of one of their longest recording hiatuses in their prolific career, but never ones to disappoint, mastermind Lance Hahn and company happily unleash 26 new pop-punk gems on this release. As usual the topics are monumentally diverse, ranging from Thoreau to the devil to the New York Times Book Review, and, interestingly enough, this time around so is the music. With the assistance of former Jawbreaker drummer Adam Pfahler, the group tumbles through everything from straight punk anthems to atypical marching-style progressions. Hahn's vocals on this release sound even better than usual, and whether he's pushing the limit with a scream or two or singing quietly over a subdued acoustic guitar, his sharp wit and smooth delivery make for a highly engaging listen. It can easily be argued that the early raw recording of J Church marked the band's highest point, but tracks like "Diet Coke" and "No Jazz" show a much more mature and equally talented group who are only complemented by better recording techniques and a more experimental attitude. One Mississippi is also one of the longer punk rock albums out there, and its wide array of styles makes for an extensive LP that, while at times almost overwhelming, contains no shortage of catchy tunes and might arguably contain something for everyone. ~ Peter J. D'Angelo
Personnel: Lance Hahn (vocals, guitar, piano); Adam Pfahler (drums, percussion).
Recording information: Lucky Cat Recordings.
J Church: Lance (vocals, guitar, piano); Jeff (bass); Adam (drums).
Additional personnel: Kelly Green (vocals).
Magnet (8-9/00, p.80) - "...[His] most compelling record to date...Hahn has never has never sounded so alive."
CMJ (7/24/00, p.22) - "...[They] run the gamut here, moving from hook-laden punk to indie rock to country-inflected pop to dark psychedelia....retaining a brooding edge..." J Church One Mississippi Songs | 1. | No Jazz | |
| 2. | New York Times Book Review | |
| 3. | Track, The | |
| 4. | Where the Trains Go | |
| 5. | Sunshine | |
| 6. | Quickstep | |
| 7. | Your Mother | |
| 8. | She Says | |
| 9. | Never Happy | |
| 10. | She's So Mean | |
| 11. | Diet Coke | |
| 12. | Imaginary Friends | |
| 13. | Anybody | |
| 14. | I Reach for Her Hand | |
| 15. | Doctor, The | |
| 16. | Cut the Shit | |
| 17. | Leni Riefenstahl's Tinder Box | |
| 18. | Sadie Mae Glutz | |
| 19. | Jane, Vanessa and I | |
| 20. | Gulf Breeze, Florida | |
| 21. | Devil and I, The | |
| 22. | Rich and Young and Dumb | |
| 23. | J Church Sucks | |
| 24. | Reaching for Thoreau | |
| 25. | Christmas Lights | |
| 26. | Stars Are Exploding | |
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One Mississippi Review
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After years of recording with such diverse talents as Quincy Jones, Mark Mothersbaugh, Danny Kortchmar, John Prine and Joe Cocker, as well as writing and recording theme songs for TV, film and commercials, Sarah Taylor decided it was time to record an album of her own. Long time friends and collaborators, Sarah Taylor and Bill Mumy decided to go into the studio and get to work on a collection of songs mostly penned by Mumy that would become, “The Cure To Everything”. They agreed to cut the basic tracks live to keep a spontaneous and honest energy in the music. Sarah and Bill assembled a crack team of musicians in the studio for what became a week of tracking. The core rhythm section was blues/rock guitarist Doug Hamblin (Albert King, Johnny Rivers, Koko Taylor, Dr. John), bassist David Sutton (Lucinda Williams, Liz Phair, Ben Harper), with Fritz Lewak (Melissa Etheridge, Jackson Browne), and Chris Ross (Sam Moore, The Jenerators) on drums and percussion. Guiding the process was producer and guitarist Bill Mumy, who played on every track. Sarah’s husband, Paul Horabin engineered and mixed the album. His patience and talent delivered a sonic treat. The album sounds great.Recorded at Paul and Sarah’s “Ready Mix” studio, the musicians had the luxury of letting the creative process unfold without the pressure of a clock ticking. In an interview, Sarah discussed the recording process, “Because we recorded in our studio, and had no interference from a label, this allowed us to throw out a ball of string, so to speak, and meander down that road and see where it took us. I figured we could record a couple of songs a day. This minimally structured “no plan” plan allowed everyone to contribute ideas and work on arrangements, sounds and, basically, make changes as they happened.”The prolific Mumy wrote several new songs during the sessions that were often recorded the same day they were written. Numerous times they thought they were done recording basic tracks, and then a new song would find its way into the mix. Ultimately, it was whittled down to the thirteen songs on the album. Apart from the core group, there are an eclectic variety of other musicians who contribute greatly to the album. “Weird Al” Yankovic ...
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