| | Geoff Mann Peace Offering CD Geoff Mann Discography of CDs
Peace Offering Music | List Price | $15.98 (You save $4.29) | | Category | Rock Albums, Rock/Pop CDs, Progressive | | Label | Griffin Music | | Orig Year | 1998 | | CD Universe Part number | 1199093 | | Catalog number | 42 | | Discs | 1 | | Release Date | May 26, 1998 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Geoff Mann Peace Offering Songs | 1. | Gateway Into Heaven |
| 2. | Sob Stories |
| 3. | High Ground |
| 4. | Seriously Siblings |
| 5. | Don't You Wait |
| 6. | Stranded |
| 7. | Looking For Love |
| 8. | Table Talk |
| 9. | Too Modern |
| 10. | Hits Love |
| 11. | After The Storm |
| 12. | Certainly |
| 13. | Willy Welsh |
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Peace Offering Review
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Purchase Peace Offering CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals).
The P.M. All Star Choir includes: Nicki Richards, Stephanie James, Andricka Hall, Deborah Cole, Misa S. Rebel, Keith Fluitt, John James, Andrew Smith, Lawrence Hamilton (background vocals).
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Includes liner notes Peter Guralnick and Ernst Mikael Jorgensen.
Commemorating the 25th anniversary of Elvis Presley's death, 30 #1 HITS presents a career-spanning serving of the King's chart-toppers.
Dating back to "Heartbreak Hotel" (which was inspired by a suicide note printed in the Miami Herald), most of these cuts have become indelibly etched into the fabric of pop culture and each has a unique story behind it. "Love Me Tender" has its origins in the Civil War ballad "Aura Lee," "It's Now Or Never" found Elvis Americanizing the Neapolitan ballad "O ...
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Digitally remastered by Gary Hobish (1994, Fantasy Studios, Berkeley, California).
Digitally remastered by George Horn (Fantasy Studios, Berkeley, California).
Digitally remastered by George Horn (1995, Fantasy Studios, Berkeley, California).
Guided, perhaps, by musical snobbery or roots-rock phobia, some people inexplicably don't like Creedence Clearwater Revival. As the kings of earnest country-inflected rock in an age when radical stances were de rigueur, CCR sported straight-ahead tunes, and may have seemed a bit unhip. But their music stands the test of time with a vengeance. For the doubtful listener, this outstanding, 20-track hits collection has evidence of their greatness in staggering abundance.
Though they produced several excellent albums, ...
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After spending most of the '90s traveling the same adult contemporary path as Michael Bolton by covering the likes of Dan Hill, Rod the Mod reaches back to his critically-respected, early-'70s roots with WHEN WE WERE THE NEW BOYS. This time out, Stewart's choice of credible songsmiths to interpret include Graham Parker ("Hotel Chambermaid"), Ron Sexsmith ("Secret Heart") and Nick Lowe ("Shelly My Love"). He even lends a sympathetic ear to contemporary U.K. groups (Oasis and Primal Scream) whose love of bawdy behavior and gritty rock are in line with what the Faces were doing 25 years before.
Stewart also returns to his youth with a Celtic version of "Ooh La La" overflowing with bodhran and penny whistle, that was recorded as a tribute to the late Ronnie Lane, a longtime friend and former bandmate. As always, Stewart's interpretations remain interesting, particularly his emotive take on Skunk Anansie's "Weak" and the Dylan-flavored reading of Mike Scott's "What Do You Want Me To Do?" that close out the record.
Includes liner notes by Rob Dickins.
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$15.75 | | Tinkerbell's Fairydust CD (1969) Bonus Tracks
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The name of the band and the naked nymph on the cover marshal an appetite for sounds far more psychedelic than you actually get on Tinkerbell's Fairydust's self-titled album (realized in test-pressing form only by Decca in 1969, though issued on CD in 1998). The leadoff cut, "Twenty Ten," is also deceptive -- it's pretty respectable, atmospheric late-'60s British psych with a slightly classical feel and some cool wah-wah guitar and distorted organ. But not only does nothing else on the album match it, not much on the album even sounds like the work of the same band. Covers of the Brooklyn Bridge's "The Worst That Could Happen," the Association's "Never My Love," and Spanky & Our Gang's "Lazy Day" are not only psychedelic, they're not very good, sounding like attempts to closely cover American hits for the British market. Other tracks sound like similar British equivalents to the Happenings and the Tokens -- not exactly among the more exciting American '60s bands to begin with -- but not even doing harmony pop/rock as well as those groups did. "In My Garden" is a half-decent track ...
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