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Berg, Kirsten Braten - From Senegal To Setesdal CD Cover Art
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Kirsten Braten Berg From Senegal To Setesdal CD

 Kirsten Braten Berg Discography of CDs

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From Senegal to Setesdal combines Nordic cool and African warmth in a unique collaboration. Norwegian vocalist Kirsten Braten Berg and African musicians Solo Cissokho and Kouame Sereba blend their traditions in a fresh yet timeless sound that ranges from folk songs to fiddle tunes to lullabies. Though the Norwegian sound predominates, enough African spice remains to make From Senegal to Setesdal an unstudied hybrid. ~ Heather Phares

Norwegian Vocalist W/African Musicians

Recording information: Oslo Lydstudio (1996).
From Senegal To Setesdal Music


Detailed From Senegal To Setesdal Music Information



Category Rock/Pop Albums, World CDs, International, African, Norwegian
Label Six Degrees
Orig Year 1999
All Time Sales Rank   186481  
CD Universe Part number 1200864
Catalog number 1014
Discs 1
Release Date Mar 29, 2001
Mono/Stereo Stereo
Recording Time 56 minutes
Kirsten Braten Berg From Senegal To Setesdal Songs


Kirsten Braten Berg From Senegal To Setesdal Album Track Listing



1.Tiramakan/Eg Vippa Meg
2.Havar Heddi/Goe
3.Bitilo
4.Lil Lisa
5.Atolago
6.Horpa/Kono
7.Jegerleik
8.Sordolen/Kody Nadioulo
9.Uppstaden
10.Kouami Ba
11.Bansullar/Ding Ding Ide
12.Halling Jorond
13.Tveitaen/Djatto
From Senegal To Setesdal Review


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Lhasa's earlier work included arrangements that drew on ranchera and Gypsy music, as well as American, Canadian, and Mexican folk, French chanson, and pop. The international flavor is more subtle on LHASA, without vanishing entirely. The songs on the album all deal with love, usually of the obsessive, hopeless, and doomed variety, and even at her most seductive, as on the subtle rock/tango "The Lonely Spider," Lhasa's vocals hint at grief and despair. The song's Latin standup bassline and subtle chiming guitar combine with a muted tango beat to give the song a deeply melancholy air. "Is Anything Wrong" is a bluesy pop song with a haunting melody carried by Lhasa's melisma-drenched vocals. Pedal steel supplies a mournful accent and flamenco handclaps mixed down to the edge of audibility give the song a subtle drive as the singer contemplates the unknowable mysteries of love. "What Kind of Heart" has a vague Eastern European feel; "A Fish on Land" is a folk fable that sounds like ...
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Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the father of the jazz pianist Chucho, has a long history as an innovator in Cuban music. He recorded the first Afro-Cuban jazz session in 1952, and was a tutor to the great bandleader Beny Moré, writing early charts for him. Valdés is also a world-class arranger. Dieguito El Cigala was born in 1960, and has become the undisputed king of Spain's flamenco singers. This recording features nine tracks that meld together cooking son, jazz, Afro-Caribbean, and flamenco rhythms, in tunes by composers such as Lolita de la Colina, Virgilio and Homero Expósito, Ramón Perelló, the grand team of Tom Jobim and Vinícius de Moraes, Caetano Veloso (who makes a guest appearance), Maria Teresa Vera, Miguel Matamoros (who composed the title track), and others. Most are Cuban ballads. Guests such as Veloso, Paquito D'Rivera, Pancho Terry, Tata Güines, and El Niño Josele fall by on different tracks. And while the tunes are top-shelf and the guests make this a very special and historic occasion, it is the unusual dynamic and the integrity with which it is employed that makes this ...
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Take some Benin tradition--namely the sato and sakpato rhythms--then add on heavy layers of electric soul and funk filtered through the prism of West Africa, and you have the sound of the Orchestre Poly Rythmo. The basis of each of the 15 tracks here is a groove so solid you could walk on it (though you'd be more likely to dance) topped with horns and some deliciously wild guitar--admittedly, not always in tune, but it doesn't ...
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An ambitious world fusion project, SIWAN brings together the Norwegian pianist Jon Balke, Moroccan singer Amina Alaoui, the Early Music ensemble Barokksolistene, minimalist trumpeter Jon Hassell, and others in a cross-cultural melange that imagines itself somewhere back in the medieval times of Andalusia, during the era when Spain was dominated by Muslim rule. With the expert help of Barokksolistene (Baroque solists), Balke has composed authentically evocative, Arabic-flavored settings for medieval Christian and Muslim poetic texts, fluently sung by Alaoui who sometimes resembles a serene flamenco singer or, better, a New Age descendant of the great Egyptian diva Oum Kalsoum. Hassell's horn is given ample solo space along with the Algerian violinist Eddine M'Kachiche; they both improvise against the expert zarb (Iranian hand drum) playing of Pedram Khavar Zamini. It's a heady mixture all around, and beautifully produced by ECM founder Manfred Eicher once again. ...
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Audio Remasterer: Michael J. Dutton.
Volume 1
Boswell Sisters Volume 1 CD  (2000)

From Senegal To Setesdal music CDs
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Recorded in New York, New York in 1931 & 1932. Originally released as Columbia Special Products (P3 16493). Includes liner notes by Mark Marymont. The Boswell Sisters formed in New Orleans in the mid-1920s and had disbanded by the mid-'30s. During their career they were backed on record by such as Jimmy and Tommy Dorsey, Joe Venuti, Eddie Lang, and Bunny Berigan. Theirs was a deceptively genteel-sounding take on the hot jazz stylings of the period, their harmonies sweet on first listen, but full of mad yet focused swing, appealingly sassy tartness and amazing vocal gymnastics. Their songs were not merely springboards for improvising. "Shout, Sister, Shout" reflects the influence of Southern ...
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From Senegal To Setesdal songs
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Sorry, there is no artwork available at this time
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Maria Creuza Voce Abusou CD  (2002)

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Arve Henriksen Sakuteiki CD  (2001) (Import) Norway

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Arve Henriksen's first solo CD takes its title from an 11th century Japanese treatise on garden planning. Knowing the care these people put in the conception of their gardens to achieve a perfect level of beauty and balance, one expects something more zen than usual from the Supersilent trumpeter. Well, there are no disappointments in sight. Sakuteiki turns out to be the delicate origami flower its title promised. Recorded in various churches selected for their acoustical properties, the pieces all favor sparse arrangements, acoustic sounds, and an esthetic of open space. The trumpet wails at the stone walls, the slow-decay echo filling the room. At other times Henriksen concentrates on valve or breathing noises. What is more surprising is the very distinctive shakuhachi inflections he produces with his instrument. On a few pieces, particularly during the first half of the album, he also performs on harmonium and church organ. Not a ...
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cdu4asppid music 1200864 cdu4pidall cdu4pls7 ver232cdu cdu4all 12/3/2009 5:36:07 AM