| | Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic CD Budapest Philharmonic Orch / Joo / Kodaly CDS
Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic Music | List Price | $9.98 (You save $0.89) | | Label | Arts Music | | Orig Year | 3/17/1998 | | All Time Sales Rank |  28431  | | CD Universe Part number | 1202149 | | Catalog number | 47379 | | Discs | 1 | | Release Date | Mar 17, 1998 | | Recording Time | 1 15 |
Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic Review
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Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic Music Composers on Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic CD : Zoltan Kodaly Conductors on Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic CD : Arpad Joo Purchase Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic To buy, Click on price to add to cart | Capella La Serva Padrona/Pergolesi CD (1989) (Import) Import
Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic
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Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic
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The soundtrack to director Chris Columbus' 1990 monster hit Home Alone features the composing work of the legendary John Williams and continues the Christmas theme of the film with numerous yuletide carols. Williams' main title theme, known as "Somewhere in My Memory," is a typically sweeping affair that incorporates the childlike qualities of the film while suggesting Tchaikovsky's "Dance of the Sugar Plum Fairy." Elsewhere, a children's choir performs "O Holy Night," and the Drifters turn in a heartwarming version of "White Christmas." ~ Johnny Loftus
Music Composed & Conducted By John Williams
Composer: John Williams ...
| | Marc Copland Night Whispers New York Trio Recordings: Volume 3 CD (2009) (Import) Germany
Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic
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From Erroll Garner to Cecil Taylor to Bill Evans, and from Chick Corea to Thelonious Monk, a wide variety of acoustic jazz pianists have thrived in the time-honored piano trio setting (piano, bass, and drums) over the years. It's a setting that has never gone out of style in jazz, and it's a setting that has served acoustic pianist Marc Copland well in his New York Trio Recordings series. The lineup has varied from one volume to the next; on New York Trio Recordings, Vol. 3: Night Whispers, Copland is joined by bassist Drew Gress and drummer Bill Stewart (whereas he was joined by bassist Gary Peacock and Stewart on Vol. 1 and by Peacock and drummer Paul Motian on Vol. 2). The constant in the series, of course, has been Copland, who is in good form throughout this 2008 recording and enjoys a nice rapport with Gress and Stewart. Copland obviously enjoys the role of acoustic trio pianist, and his enthusiasm is evident on three Copland originals ("Scattered Leaves," "The Bell Tolls," and the title track) as well as on impressionistic performances of the standards "Emily" (no less than three different takes are included) and "I Fall in Love Too Easily." The whole album, in fact, is very impressionistic -- even Miles Davis' "So What." The Davis standard has often had a strong groove factor; "So What" has been recorded by countless artists since Davis unveiled it on Kind of Blue back in 1959, and many of them have used it as a chance to groove. But Copland's version is more angular and less groove-minded than most versions. Night Whispers falls short of essential, but it's still an enjoyable addition to Copland's New York Trio Recordings series. ~ Alex Henderson
Personnel: Marc Copland (piano); Drew Gress (bass instrument); Bill ...
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Arranger: John Oddo.
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| | Maurizio Opalio My Cat Is An Alien: The Sound From Space CD (2006)
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There are so many things you cannot experience with My Cat Is an Alien's live recordings: Maurizio Opalio's dead-serious stance as he maims his electric guitar; Roberto Opalio's tongue-in-cheek attitude as he points his toy space guns at the audience, thrashes about on his cymbal and floor tom, or completely stops making music to take Polaroids of the stage and audience, taping the photos to the tables where the brothers' implements are laid out or throwing them to audience members. Then again, there is still a lot to enjoy on this concert from the 2006 FIMAV festival -- the sound quality, for starters. Fans of MCIAA are used to rather crude recordings. Il Suono Venuto Dallo Spazio features the typical recording mastery you can expect from the FIMAV festival and its associated label, Disques Victo. The album also enjoys better distribution (at least in North America) and, unlike most MCIAA releases, will remain in print. If only for those reasons, Il Suono Venuto Dallo Spazio is the best place to start for newcomers, and performance-wise, you certainly could do worse. The Opalio brothers are in fine shape here. The album offers two excerpts from their uninterrupted performance. The set is a few notches noisier than the duo's average, with a lot of overlapping guitars, toys, and alien electronics going on simultaneously, producing a thick and eventful sound texture. If you are looking for contemplative space improv, look elsewhere (The Cosmological Eye Trilogy, for instance). ~ François Couture
Photographers: Martin Savoie; ...
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Kodály: Peacock Variations, Etc / Jóo, Budapest Philharmonic
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