Motorhead Overkill CD

Includes liner notes by Steffan Chirazi.
Motörhead's landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It's a ferocious album, for sure, perfectly showcasing Motörhead's trademark style of no holds barred proto-thrash -- a kind of punk-inflected heavy metal style that is sloppy and raw yet forceful and in your face. Motörhead, the band's self-titled debut from 1977, had been rush-recorded, and its stripped-down, super-raw sound wasn't all that impressive, at least not relative to what would follow. Overkill is what followed, recorded in December 1978 and January 1979, and released not long thereafter. The band's sound is fully formed here, and it totally explodes right off the bat on the five-minute title track. A number of Motörhead standards follow, among them "Stay Clean" and "No Class." Produced by Jimmy Miller, who had helmed a number of classic Rolling Stones albums (Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St., Goats Head Soup), Overkill sounds wonderful, especially on the numerous remastered editions of this album. The band's classic lineup -- Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and "Philthy Animal" Taylor (drums) -- is well in place here, and they seem eager to rip loose wildly on every single song. This, in addition to the solid track listing and Miller's production, makes Overkill a perfect Motörhead album. Several great ones would follow, of course, but Overkill was the first of the great ones, and quite possibly the greatest of all. ~ Jason Birchmeier
OVERKILL stands as one of Motorhead's greatest albums, an all-time heavy metal classic. After creating a buzz amongst British headbangers with their 1977 self-titled album, Motorhead began seriously assaulting the U.K. charts with this breakout sophomore hit, which was produced by the Rolling Stones' former knob-twiddler Jimmy Miller.
The songwriting and musical direction had become stronger and more focused, as evidenced by such raucous Motorhead classics as the title track, "Stay Clean," "Capricorn," "No Class," and the epic "Metropolis." OVERKILL began a string of hit European albums for the band, which would include such future metal gems as BOMBER, ACE OF SPADES, and NO SLEEP 'TIL HAMMERSMITH.Q (7/01, p.88) - Included in Q's "50 Heaviest Albums of All Time".
Q (10/96, p.187) - 3 Stars - Good - "OVERKILL pretty much set the tone for the next 10 years of Motorhead's career-Clarke's guitars doing their best to expand on Lemmy's extraordinarily terse bass lines...Taylor's drums splashing around like hippos, and Lemmy's...hoarse angry...voice shouting out basic and succinct songs..."
Blender (Magazine) - 5 stars out of 5 -- "No band ever quite matched the lager-and-amphetamine thrill of late-'70s Motorhead as they forged the missing link between punk and heavy metal."