| | Motorhead Iron Fist CD Motorhead Discography of CDs
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Our Price: $9.99 CDFor Sale Usually ships in 1-2 days
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+ 5 Bonus Tracks
Motorhead includes: Lemmy Kilmister (vocals, bass); "Fast" Eddie Clarke. Recorded in January and February 1982. Includes liner notes by Steffan Chirazi. All tracks have been digitally remastered. Another first-rate Motörhead album -- the fifth in a row, to be precise -- Iron Fist is the final one to feature the band's classic lineup, as guitarist "Fast" Eddie Clarke would depart following the album's completion. Released in 1982, Iron Fist is mostly distinguished from its predecessors in terms of production, and not favorably. Clarke produced this album himself, whereas industry veterans Jimmy Miller and Vic Maile had respectively manned Motörhead's past four albums. Clarke's production is a bit sterile in comparison, with his guitar in the forefront, sounding slightly more polished than usual. These are minor points, however. Iron Fist is a fine Motörhead album, and there's not much at all to complain about here. As usual, the performance is ferocious and there several standout songs ("Iron Fist," "Heart of Stone," "Speedfreak," "[Don't Let 'Em] Grind You Down") amid a strong selection overall. If Iron Fist falls a little short of its four-star predecessors, it's still in a class with those albums, at least relative to what would follow in the years to come. Sadly, it was downhill from here for Motörhead, slowly but steadily. Not until the '90s would they reach heights near this again. ~ Jason Birchmeier Motorhead were riding high in the early-'80s, courtesy of such big U.K. hit albums as ACE OF SPADES and NO SLEEP 'TIL HAMMERSMITH, so there was no reason to worry about an imminent, career-threatening turmoil. Or so fans thought. Problems were brewing behind the scenes--longtime guitarist "Fast" Eddie Clarke would be exiting the band after only one more studio album, 1982's IRON FIST. Produced by Clarke himself, though it didn't achieve the instant classic status of the previous two, FIST kept Motorhead in the heavy metal spotlight. The title track remains a rapid fire Motorhead classic, while such oft-overlooked rockers as "Got To Hell" and "Sex and Outrage" proved to be highlights. By 1983, Motorhead announced the addition of a new (albeit short lived) line-up, featuring ex-Thin Lizzy guitar slinger Brian Robertson, while Clarke formed a new band, Fastway.
Iron Fist Music | List Price | $10.99 (You save $1.00) | | Category | Rock/Pop Albums, Rock CDs, Heavy Metal | | Label | Sanctuary | | Orig Year | 1982 | | All Time Sales Rank | 11911  | | CD Universe Part number | 1204153 | | Catalog number | 85211 | | Discs | 1 | | Release Date | Sep 11, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Fast Eddie Clarke | | Additional Info | Bonus Tracks; Remastered |
Motorhead Iron Fist Songs Purchase Iron Fist CD To buy, Click on price to add to cart | Motorhead Ace Of Spades CD (1980)
Iron Fist
$9.99 Includes liner notes by Steffan Chirazi. With the 1980 release of Ace of Spades, Motörhead had their anthem of anthems -- that is, the title track -- the one trademark song that would summarize everything that made this early incarnation of the band so legendary, a song that would be blasted by legions of metalheads for generations on end. It's a legendary song, for sure, all two minutes and 49 bracing seconds of it. And the album of the same name is legendary as well, among Motörhead's all-time best, often considered their single best, in fact, along with Overkill. Ace of Spades was Motörhead's third great album in a row, following the 1979 releases of Overkill and Bomber, respectively. ...
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Iron Fist
$9.99 + 5 Bonus Tracks (4 From Golden Years EP)
Motörhead: Lemmy Kilmister (vocals, bass guitar); "Fast" Eddie Clarke (guitar); Phil "Philthy Animal" Taylor (drums, percussion). One of a trifecta of classic Motorhead albums featuring the group's penultimate lineup of Lemmy (bass/vocals), Phil "Philthy Animal" Taylor (drums), and "Fast" Eddie Clarke (guitar), BOMBER (the other two being OVERKILL and ACE OF SPADES) is as loud, fast, raw, and heavy as music gets. The title track and the opener, "Dead Men Tell No Tales," remain two of the group's all-time definitive tracks, both showcasing Lemmy's patented ...
| | Motorhead Overkill CD (1979) Bonus Tracks; Remastered
Iron Fist
$9.99 Includes liner notes by Steffan Chirazi. Motörhead's landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It's a ferocious album, for sure, perfectly showcasing Motörhead's trademark style of no holds barred proto-thrash -- a kind of punk-inflected heavy metal style that is sloppy and raw yet forceful and in your face. Motörhead, the band's self-titled debut from 1977, had been rush-recorded, and its stripped-down, super-raw sound wasn't all that impressive, at ...
| | Motorhead No Sleep 'Til Hammersmith CD (1981)
Iron Fist
$9.99 Motorhead: Lemmy Kilmister, Fast Eddie Clarke, Phil Taylor. Recorded live in England in 1980 & 1981. All tracks have been digitally remastered. Personnel: Lemmy (vocals); "Fast" Eddie Clarke (guitar); Phil "Philthy Animal" Taylor (drums). Liner Note Authors: Garry Bushell; Phil Alexander. Recording information: Studio. Photographers: Ross Halfin; Mick Stevenson. Released in 1981, the live album No Sleep 'Til Hammersmith recaps the highlights from the legendary run of albums Motörhead released during the prior few years, ...
| | Motorhead Another Perfect Day CD (1983) Bonus Tracks; Remastered
Iron Fist
$9.99 + 3 Bonus Tracks. Feat.Brian Robertson-Thinlizzy
Motorhead includes: Lemmy Kilmister (vocals, bass); Brian Robertson (guitar). Includes liner notes by Steffan Chirazi. All tracks have been digitally remastered. Liner Note Authors: Steffan Chirazi; Lemmy Kilmister. Recording information: 02/??/1983-06/10/1983. Photographer: Mick Stevenson. Unknown Contributor Role: Brian Robertson. To this day, Another Perfect Day remains one of ...
| | Motorhead Rock 'N' Roll CD (1987) Bonus Tracks; Remastered
Iron Fist
$10.15 . 2 Bonus Tracks
Motorhead: Lemmy Kilmeister (vocals, guitar); Wurzel, Phil Campbell (guitar, slide guitar, background vocals); Philthy "Animal" Taylor (drums). Additional personnel: Michael Palin (spoken vocals). Recorded in 1987. Includes liner notes by Stefan Chirazi. All tracks ...
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Iron Fist
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Iron Fist
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| | Nine Inch Nails With Teeth CD (2005) Digipak
Iron Fist
$10.39 Nine Inch Nails: Trent Reznor (vocals, guitar, keyboards, bass guitar). Additional personnel: Dave Grohl (drums). Trent Reznor always was a perfectionist, laboring over his final mixes with a fine-tooth comb, a belabored process that inevitably led to long gaps between albums. About five years a piece, actually, a wait that was sustainable between his 1989 debut, Pretty Hate Machine, and his 1994 breakthrough, The Downward Spiral; a wait, considering the expectations, that was understandable between that record and its 1999 sequel, The Fragile; yet it was a wait that was a little bewildering and frustrating between that record and its long-gestating follow-up, With Teeth. The Fragile was a grandiose, indulgent double album, dense enough to alienate fairweather fans while making advocates of those with enough time, patience, and fanaticism to listen to it repeatedly until it all made sense. It may not have pleased everybody, but it seemed like a record that necessitated half a decade to construct, and arrived with an appropriate sense of drama. That's not the case with With Teeth, which appeared in the spring of 2005 with the requisite deluge of press but without the sense of breathless anticipation that greeted The Fragile. Part of that was changing times -- fans who were 25 in 1999 were now 30 and weren't following pop music as closely -- but it's also true that the double-disc set whittled his audience down to its core, diminishing Nine Inch Nails' stature somewhat. They still had their cult ...
| | Scars Of Life What We Reflect CD (2005)
Iron Fist
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| | Bettye Lavette I've Got My Own Hell To Raise CD (2005)
Iron Fist
$10.69 Personnel: Bettye LaVette (vocals); Lisa Coleman (piano, Wurlitzer piano, organ, Wurlitzer organ); David Piltch (double bass, upright bass); Paul Bryan (electric bass, bass guitar); Valerie Watson, Niki Haris, Niki Harris, Valerie Watson (background vocals); Chris Bruce (acoustic guitar, electric guitar); Doyle Bramhall II (electric guitar); Earl Harvin (drums). Liner Note Author: Rob Bowman. Recording information: The Sound Factory (05/10/2005-05/13/2005). Authors: Elvis Costello; Bonnie Raitt. Photographer: Kevin Estrada. What can be said about Bettye LaVette that hasn't already been said? Like James Carr before her, LaVette has toiled behind the smoke and glitz of the limelight for decades. Her last regular recording contract was in the 1980s, and she hasn't cracked the R&B Top 20 in over three decades. The 21st century has seen LaVette's activity increase, but it is this recording, produced by Joe Henry -- who did wonders with Solomon Burke -- that once more unveils to a large audience LaVette's singular gifts as a singer. She's backed here by a wondrous slate of musicians including bassists Dave Pilch (acoustic, stand-up) and Paul Bryan (electric), Lisa Coleman on organ and piano, and guitarists Chris Bruce and Doyle Bramhall II. I've Got My Own Hell to Raise begins innocently enough with an a cappella read of Sinéad O'Connor's "I Do Not Want What I Haven't Got," radically reinterpreting the song as a gospel number. It's chilling. But it kicks right into a hard soul version of Lucinda Williams "Joy," and careens into another hard soul, straight-from-the-gut interpretation of Joan Armatrading's "Down to Zero." One will be tempted to take the disc off right here; these three cuts are enough to take the listener into the small, unspeakable spaces in the mind and large terrains of the heart where emotion becomes nearly overwhelming. But there's so much more, like the hard, guitar-drenched, Southern-fried funk roiling boil of Rosanne Cash's "On the Surface"; the dark, edgy groove of Dolly Parton's "Little Sparrow"; the gritty, rusty-edged knife funk of "Only Time Will Tell Me," and the glorious closer, a radically re-imagined take on Fiona Apple's "Sleep to Dream," with its deep tom toms, loose-wristed snare, and ...
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Iron Fist
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