| | Kennedy Brothers I'll Remember April CD Kennedy Brothers Discography of CDs
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Our Price: $14.69  CDFor Sale Limited Availability
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Recorded at Studio S.I.U.E., Edwardsville, Illinois. Includes liner notes by Ray Kennedy.
Liner Note Author: Ray Kennedy.
Recording information: Studio S.I.U.E., Edwardsville, IL.
Photographer: Jeff Appel.
Personnel: Ray Kennedy, Jr. (piano); Tom Kennedy (bass); Todd Strait (drums).
I'll Remember April Music Kennedy Brothers I'll Remember April Songs I'll Remember April Review
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Purchase I'll Remember April CD To buy, Click on price to add to cart | Ray Davies Kinks Choral Collection CD (2009)
I'll Remember April album
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Orchestral and choral arrangements of rock songs have been a curious subgenre ever since the mid-'60s when Andrew Loog Oldham arranged The Rolling Stones Songbook for syrupy strings, but The Kinks Choral Collection stands apart from the pack for the simple reason that it's not the project of some associate or admirer, but rather chief Kink Ray Davies. His very presence as arranger and lead vocal means The Kinks Choral Collection isn't nearly as stuffy and middlebrow as so many of these orchestral rock albums; he manages to inject some semblance of rock & roll by pushing the songs forward with guitar, and letting the rhythms swing instead of plod. This looseness is the first big surprise of the album. The second is its unrepentant but quite possibly accidental silliness, how many of the major guitar riffs are transposed for choir, an audacious idea in concept that's simply goofy in practice. These choral chants hamper the hardest rocking songs here -- "You Really Got Me," "All Day and All of the Night," "Victoria" -- and they're mercifully absent from the slower tunes, songs that benefit from the gentle layered harmonies. In comparison to most orchestral and choral rock albums, ...
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I'll Remember April CD music
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Photographer: Santiago Garfunkel.
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| | Dave Brubeck Time Out CD (1959) Remastered
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Dave Brubeck's TIME OUT ranks alongside Miles Davis' KIND OF BLUE as one of the few advanced jazz masterpieces to achieve great commercial success. In fact, the widespread popularity of TIME OUT, with its cool-toned ambience, smooth style, and elements borrowed from classical music, helped make modern jazz a mainstream phenomenon.
The ubiquitous "Take Five" may be overplayed, but that doesn't diminish the joy of its complex melodic hooks, its perfectly executed solos, or the swinging slink of its 5/4 signature. "Blue Rondo a la Turk" collages Mozart, ...
| | Very Best Of Bert Kaempfert CD (1995)
I'll Remember April album
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Recorded between 1960 and 1967. Includes liner notes by Steve Kolanjian.
Digitally remastered by Eliot Goshman (1995, Taragon Studios, Deer Park, New York).
Beginning with Louis Armstrong, through Harry James and Bobby Hackett of the Jackie Gleason Orchestra, the trumpet was once a king in pop music. This was true even in '60s-era easy listening, as demonstrated by the success of Al Hirt, Herb Alpert, and the ultra-shrewd German musician Bert Kaempfert, who probably was as responsible as anyone else in rehabilitating Germany's post-war world image. The Taragon label is re-releasing all of Kaempfert's many albums in an ambitious reissue project. This excellent compilation is the one to have however.
As well as being a successful composer ("Strangers in the Night," "Spanish Eyes," "Danke Schon," "L.O.V.E" are all his compositions), Kaempfert was an even better producer, superior even to Herb Alpert in that he didn't rely as much on a formula sound as did the Tijuana Brass. His studio work is ultra-clean and efficient, and very pop-modern in the use of a prominently ...
| | Keith Jarrett Koln Concert CD (1975)
I'll Remember April CD music
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Albums that sell vast quantities are not always to be recommended. This exceptional example of solo piano is the biggest selling record in the 25 year history of the pioneering jazz label ECM. It is an almost perfect recording of the art of piano ...
| | Byron Berline Now They Are Four CD (1989)
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| | Gary Brunotte Yesterday's Dream CD (1992)
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The most interesting aspect to this fine straightahead set (which occasionally utilizes Latin rhythms) is that it gives Eric Marienthal ...
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| | Elton Dean Live At The BBC CD (2003)
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Elton Dean's Ninesense grouped members of Chris McGregor's Brotherhood of Breath, Keith Tippett's sextet, and Elton Dean's Just Us players and his quartet. All these groups had much stronger ties to bebop jazz than rock, or even fusion jazz -- which is what Dean is still best known for through his tenure in Soft Machine. And thus the music of Ninesense will surprise more than a few misinformed fans. Live at the BBC expands the timeline of the group as it culls one session recorded ten months before it cut its first LP (May 1975), and another nine months after its second (March 1978). The first set features original trumpeter Mongezi Feza in his only known recording with the band, and includes "Dancin'" and "Soothing," two pieces that would appear on 1976's Oh For the Edge as "Dance" and "Forsoothe," plus two previously undocumented pieces. These light, avant-jazz melodies paired to the Blue Notes' rhythm section (bassist Harry Miller and drummer Louis Moholo) rank among Dean's most accessible (though a bit bland) material. The "Bidet Bebop" is one raucous tune, fast, quirky, and heavy in horn presence (the lineup also includes Alan Skidmore on sax, Marc Charig on cornet, and Radu Malfatti and Paul Nieman on trombones). "Nicra" and "Seven for Me," from the second session, had been recorded for the second and last LP, Happy Daze, under the titles "Nicrotto" and "Seven for Lee." Harry Beckett has replaced Feza since his death in December 1975. Nick Evans subs for Nieman. "Seven for Me" brings the highlight of the disc: both simple and complex (in a Coleman-esque harmolodic way), the tune leaps out of the speakers like the brightest tunes from Soft Machine's Golden Age (that would be the Third/Fourth period) and features pianist Keith Tippett on celeste. With better sound, this rendition would ...
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