| | Wayne Hancock Thunderstorms And Neon Signs CD Wayne Hancock Discography of CDs
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There are moments on Wayne Hancock's debut album, 1996's Thunderstorms and Neon Signs, where you could swear that the risen ghost of Hank Williams had somehow found its way into this sawed-off drifter from Texas; but beyond the unavoidable vocal similarity between Hancock and Williams, what the two really have in common is a heartfelt love of the honky tonk tradition and a real gift for making the style sound fresh and vital. While the spare, mostly acoustic arrangements on Thunderstorms and Neon Signs are clearly modeled on classic country sounds of the '40s and '50s (with a dash of Western swing thrown in, mostly audible in the occasional appearance of horns), Hancock never sounds like he's aiming for a "retro" sound; this is just what he does, he couldn't sound different if he tried, and there's just enough texture in his rough edges and fiery enthusiasm to convince anyone this isn't a pose, but the real thing. Even better, Hancock can write in the classic style with a breezy confidence and a keen eye for the details. If "Juke Joint Jumping" and "She's My Baby" aren't exactly startlingly original, they show Hancock can find fresh inspiration in traditional country frameworks; while the roadside poetry of the title cut really is something special; and "Double A Daddy" may be one of the only great honky tonk tunes about staying on the wagon. Producer Lloyd Maines and a handful of superb pickers give these songs just the right support, but it's Hancock who's the star of this show, and Thunderstorms and Neon Signs shows he's got the guts, sass, and talent to bring honky tonk music back to America's dancehalls, where it belongs. ~ Mark Deming
Recorded at Cedar Creek Studios, Austin, Texas in June 1995.
Personnel: Wayne Hancock (vocals, acoustic guitar); Paul Skelton (guitar, acoustic guitar); Sue Foley (guitar); Lloyd Maines (steel guitar, background vocals); Herb Steiner (steel guitar); Stan Smith (clarinet); Chris Pérez, Bill Maldonado, Ricardo Ramírez (background vocals).
Audio Mixers: Fred Remmert; Lloyd Maines.
Recording information: Cedar Creek Studios, Austin, TX (06/1995).
Photographer: Jennifer Jaqua.
Unknown Contributor Role: Herb Steiner. Thunderstorms And Neon Signs Music Wayne Hancock Thunderstorms And Neon Signs Songs Thunderstorms And Neon Signs Music Review Purchase Thunderstorms And Neon Signs CD To buy, Click on price to add to cart | Hank Williams, III Risin' Outlaw CD (1999)
Thunderstorms And Neon Signs album
$6.05 Principally recorded at Curb Studios and Woodland Studios, Nashville, Tennessee.
It's often been said that if Hank Williams himself came back to life today, he couldn't get played on mainstream country radio. With his raw, unabashedly twangy voice and simplistic arrangements, he'd be considered "too country" for a generation raised on Garth and Shania. RISIN' OUTLAW, ...
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Thunderstorms And Neon Signs CD music
$10.59 It would be difficult for anybody who loves the post-war music of Honky-Tonk highways and freight-train heartaches to resist the charms ...
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Thunderstorms And Neon Signs album
$12.19 Contains an untitled hidden track following "Flatland Boogie".
Recorded live at The Continental Club, Austin, Texas on March 6 & 7, 2003.
As anyone who has heard him knows, ...
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| | Phil Woods This Is How I Feel About Quincy CD (2004)
Thunderstorms And Neon Signs music CDs
$13.49 On this CD, altoist Phil Woods pays tribute to arranger-composer Quincy Jones with whom he worked on several occasions in the 1950s and '60s. Woods' quintet, consisting of two other major soloists (trumpeter Brian Lynch and pianist Bill Charlap) plus the same bassist and drummer (Steve Gilmore and Bill Goodwin) that he has used since 1974, is augmented by four versatile musicians to form a "little big band." Woods, who is in top form, performs a dozen vintage Quincy Jones songs plus his own "Q's Delight." The leader wrote all but one of the arrangements, which are usually based on Jones' big band charts but adopted for the nonet. Few surprises occur but the music is pretty timeless. Jones obscurities alternate with such familiar pieces as "Stockholm Sweetnin'," "The Quintessence," "For Lena and Lennie," and the beautiful "The Midnight Sun Will Never Set." Woods' tribute works quite well and is easily recommended. ~ Scott Yanow
This session recorded in 2004 features alto sax great Phil Woods and his Little Big Band performing memorable jazz songs written by legendary composer/arranger Quincy Jones. Phil is joined by 8 other jazz musicians including Bill Charlap on piano and Brian Lynch on trumpet:***************"As this marvelous record so eloquently bears out, Phil Woods today is at the very top of his form-and that, my friends, is a claim based on nearly fifty years (help!) of listening to this extraordinary artist, live and on record. Here Phil pays homage to another dear friend, happily very much alive, and Phil's junior by about 16 months, the one and only Quincy Jones. The title is derived from a l956 LP-Quincy's first as a leader-called "This Is How I Feel About Jazz". This is not the place for even a brief resume of Q.'s amazing career; suffice it to say that by then he had already developed an original voice as an arranger and composer and paid his dues as a member of Lionel Hampton's trumpet section, sitting next to Clifford Brown ...
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Thunderstorms And Neon Signs songs
$10.75 Written by faye-marie ellis
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