| | Tongue Keep On Truckin' CD Tongue Discography of CDs
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KEEP ON TRUCKIN' contains all the tracks from the original LP of the same title as well as 2 previously unreleased songs recorded in 1970.
Yet another rock band that emerged out of the copious student population of countercultural Wisconsin, Tongue spent ten years developing into one of the most road-savvy ensembles in the state. But Keep on Truckin' was recorded near the beginning of their career, thereby capturing the band during the early peak of their powers. That power doesn't always manifest itself on their sole album, but it remains an enjoyable effort. There are significant similarities between Tongue and fellow Wisconsin band Tayles. Tongue doesn't dip into the good-time roll of Tayles' music too often, but they do have a blues-based, organ-heavy sound that is primarily earnest while verging at times on the musically whimsical, as on songs like "Get Your Shit Together" and the fabulous "Jazz on the Rag," a falsetto beauty like nothing else on the album. On the quickie country interlude "Slap Her Down Again Paw," they even show a comical side. There are bits of country-rock and jugband music (the title track cover of Donovan), and Jerry Garcia personally complimented the band on their version of Tim Rose's "Morning Dew." It is, indeed, a stellar effort, perhaps the best performance on the album, occasionally recalling the Bob Mosley folk-rock ballads of late-'60s Moby Grape. With lovely ringing acoustic guitars and suitably abrasive organ runs, the song is an epic accomplishment that gives some insight into the sort of prettiness Tongue was capable of. At other times the band utilizes some of the atmospherics of psychedelia to dress up its hard rock in an ambience that sounds more edgy than the songs actually are and despite the fact that the band shows itself perfectly adept at drumming up its own earthy brand of Midwestern psych on the momentous "The Earth Song" and the spacy acoustic ballad "The Prophet." Both songs are gorgeous from composition to execution and get at a kind of hazy acid rock that starts to show distinction from either the West Coast or the New York strains of psychedelia. The lead vocals have some of the homespun grit of the Band or Grateful Dead's Pigpen, and they ground the more cosmic qualities of the music, thus making it more palpable and accessible. Perhaps too accessible in the end. Although there is a lot to admire about Tongue, not a whole lot about their album sticks out. A good amount of the songwriting tends toward the unexceptional, and there isn't much production color added to bring out the best traits of the band. The music is certainly competent and the playing above average, and it is a good bet that Tongue was a pretty formidable live unit, but that doesn't come through on Keep on Truckin' strongly or often enough to make it more than a mildly interesting relic from the era. ~ Stanton Swihart
extremely rare 1969 album from Wisconsin-based rock group that toured extensively with SOUP; Tongue cranks up the jam with hard, fuzzed-out guitars, great vocals & harmonies, and wailing organ, showcasing the hard & angry sound so prevalent in 1969 - inc
Personnel: Bob Collins (vocals, bass guitar); Dick Webber (vocals, drums).
Audio Mixer: Doug Cox.
Recording information: Scott Sound Studios, Eau Claire, WI (1969). Tongue Keep On Truckin' Songs | 1. | Homely Man Blues |
| 2. | Get Your Shit Together |
| 3. | Earth Song, The |
| 4. | Prophet, The |
| 5. | Sidewalk Celebration |
| 6. | Slap Her Down Again Paw |
| 7. | Every Time |
| 8. | Get Down |
| 9. | Morning Dew |
| 10. | Jazz on the Rag |
| 11. | Keep on Truckin' |
| 12. | Hashish |
| 13. | Stained Glass Window - (previously unreleased) |
| 14. | Hey Hey Moma - (previously unreleased) |
| Keep On Truckin' Review
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$17.05 Contains 27 tracks of Australian psychedelic rock originally released on Festival Records.
The Australian pop-psychedelia scene of the late '60s was more akin to the British pop-psych scene than the American one, though it borrowed from both of those cousins. Really, however, it wasn't as distinctive as either, nor did it have many tunes to rate on par with the best of those from the U.K. or U.S. Nonetheless, this 27-track anthology of Oz pop-psych from 1967-1970 does cover a scene that's rarely been noted by rock collectors or historians, particularly outside of Australia. Licensed from the Festival label (with the exception of a couple of tracks from Clarion Records), there aren't any names that will strike instant chords with the international pop connoisseur, though some of the writers and performers found wide fame in other contexts. Foremost among those is Bon Scott, who, prior to joining AC/DC, sang on the Valentines' "Peculiar Hole in the Sky," which in turn was written by Harry Vanda and George Young of the Easybeats (who released their own version shortly afterward). Vanda-Young also wrote R. Black & the Rockin' V's' "Walking & Talking," never recorded by the Easybeats, though that song's just OK. Other noted writers are behind some of the better tracks. Mick Bower of the Masters Apprentices, one of the greatest Australian rock bands, wrote the Bucket's very Cream-styled "I Can't Help Thinking of You." Graham Gouldman penned his usually classy pop on Normie Rowe's "Going Home," produced by legendary British impresario Giorgio Gomelsky. Barry Gibb authored Jon's anxious "Upstairs, Downstairs," which sounds much like the Bee Gees' own circa-1966 recordings. Overall, though, the songs tend toward the ordinary with a touch of weirdness in material, sometimes with lingering British Invasion, mod rock, and sunshine pop influences. Once in a while a cut does jump out as worthy of attention, like the Executives' dreamy yet disquieting "Moving in a Circle" with its eerie organ and wispy vocal by Carole King (not that Carole King). ~ Richie Unterberger
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