| | Smart Music Series: Cartime CD
Smart Music Series: Cartime Music | List Price | $12.98 (You save $1.79) | | Category | Rock/Pop Albums, Classical CDs, Children's, Children's Collections, Romantic Period, Enhanced CD, Classical Period, Baroque Period, Concerto, Suite, Ballet, Waltz, Serenade, Romance, Rondo, Concerto Grosso, Canon, Gigue | | Label | Baby School Company | | Orig Year | 2000 | | All Time Sales Rank | 26456  | | CD Universe Part number | 1209672 | | Discs | 1 | | Release Date | Feb 17, 2004 | | Mono/Stereo | Stereo | | Recording Time | 50 minutes |
Smart Music Series: Cartime Songs | 1. | Concerto for Horn no 4 in E flat major, K 495: 3rd movement, Rondo |
| 2. | Nutcracker Suite, Op. 71a: no 8, Waltz of the Flowers |
| 3. | Serenade no 13 in G major, K 525 "Eine kleine Nachtmusik": 1st movement, Allegro |
| 4. | Concertos (6) for Organ, Op. 4: no 6 in B flat major - 1st movement, Andante-Allegro |
| 5. | La Cinquantaine |
| 6. | inchanted forrest: Part 1 - no 4, Allegro moderato - Andante/Adagio, The |
| 7. | inchanted forrest: Part 2 - no 3, Allegro moderato, The |
| 8. | Concerto for Piano no 9 in E flat major, K 271 "Jeunehomme": 1st movement, Allegro |
| 9. | Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno": 1st movement, Allegro |
| 10. | Concerto for Horn no 4 in E flat major, K 495: 2nd movement, Andante |
| 11. | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon |
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$12.09 The Glass Farm Ensemble, a chamber music group formed by relatively young musicians, boasts an unusual instrumentation: saxophone (soprano, tenor or baritone, according to the score's requirements), electric guitar, percussion, and piano. This lineup came about because of Louis Andriessen's 1991 piece "Hout," which appropriately opens In Four, the group's first recording. "Hout" is a fun, intricate weaving of four distinct yet related melodies with a strong rhythmic drive, and the Glass Farm Ensemble pulls it off gracefully and lightly. The other four pieces on the CD are all premiere recordings. One comes from the ensemble's inner circle: pianist Yvonne Troxler's three-part "Kaleidoskop," sadly a little too like "Hout" to make a mark right after Andriessen's work. Peter Herbert's "Deafening Silence" kicks off with a few loud guitar chords, hinting at a rock format that will never really crystallize, although things will get very beat-driven, with percussionist Matthew Gold playing the drum kit. Sadly, the kit is recorded classical orchestra-style, which robs the piece of its "oomph" factor. That rock element is better treated in Wolfgang ...
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