| | Stavesacre Friction CD Stavesacre Discography of CDs
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Audio Mixer: Bryan Carlstrom.
Recording information: Eldorado Recording Studio, Hollywood, CA.
Photographers: Norman Jean Roy; Jason 71.
Unknown Contributor Role: Bryan Jerden.
Stavesacre: Mark Salomon (vocals); Jeff Bellew (guitar); Dirk Lemmenes (bass); Jeremy Moffett (drums).
Personnel: Jeff Bellew (guitar).
Friction Music | List Price | $10.98 (You save $1.13) | | Category | Rock Albums, Pop CDs, Electronica, Gospel, Alternative, Christian, Contemporary Christian Music, Rock/Pop, Techno, Christian Rock, Enhanced CD | | Label | Tooth & Nail | | Orig Year | 1996 | | All Time Sales Rank |  86683  | | CD Universe Part number | 1209726 | | Catalog number | 71050 | | Discs | 1 | | Release Date | Jun 07, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Stavesacre; Bryan Carlstrom | | Engineer | Bryan Carlstrom | | Personnel | Mark Salomon - vocals
Dirk Lemmenes - bass
Jeff Bellew - guitar
Jeremy Moffett - drums
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About Harmonica JazzA funny thing happened on the way to the 20th Century. This little 10-holed instrument, designed basically for simple melodies, (e.g. "Oh Susanna", etc.), suddenly emerge as a powerfully expressive instrument. Harp players in the early part of this century began discovering new ways of playing the harmonica quite by accident. As these new techniques evolved, the harmonica became perfectly suited to the blues. This was the first paradigm shift.Years later, on the way to the 21st century that same instrument is beginning its own exciting voice in the world of jazz and beyond. This is its second paradigm shift.The methodology for using this 10-hole "Blues Harp" in jazz isn't quite as readily accessible as it is for it's big brother, the 12 or 16-hole chromatic or push button harmonica (e.g. virtuosos Toots Thielmans, Stevie Wonder, etc.), Thanks largely however, to a few modem day pioneers (harp wizard Howard Levy in particular), the 10-hole diatonic harmonica has become a fully chromatic, (3 complete octaves-37 notes) instrument. This is as opposed to its original 19-note limited range.That might sound a little technical, but what's really amazing about all this, is that the basic original design and tuning is exactly the same as it was back then. What has made the difference between then and now however is that all of these modem day pioneers refused to accept the harmonica's "apparent" limitations. In doing so, they discovered challenging and revolutionary playing techniques to advance this, the worlds' most widely played instrument. This recording is my contribution to the endless possibilities and wonderful beginnings of this, the 10-hole harmonica's second paradigm shift. Enjoy! Sandy WeltmanREVIEWS"It's hard to imagine someone being virtuosic on such wildly disparate instruments, but besides harmonica, Weltman is equally known as a banjo player... Unlike the more famous harmonica jazz players such as Toots Thielman, Weltman stretches the limits of the instrument by following his mentor Howard Levy as a pioneer of the basic 10-hole diatonic harmonica brand of blues ...
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