| | Kelly Richey Eyes Of Woman CD Kelly Richey Discography of CDs
Kelly Richey showcases her talents not only as a blues/rock guitarist and vocalist but as a songwriter as well. The song, The Blues Don't Lie has been referred to by music critics as a song that deserves to become a blues standard.Also included: My Baby's Gone Crazy and Talk's All Over Town.
Recording information: Fresco's Place, Louisville, KY.
Personnel: Kelly Richey (vocals, guitar); Tom Jolly (horns); Keith Hubbard (organ); Kopana Terry (drums); Robbie Bartlett (background vocals).
Audio Mixers: Scott Mullins; Jeff Carpenter.
Kelly Richey Eyes Of Woman Songs | 1. | Talks All over Town |
| 2. | You Was Wrong |
| 3. | Good Days Bad Days |
| 4. | My Baby's Gone Crazy |
| 5. | Stop Actin' Crazy |
| 6. | Eyes of a Woman |
| 7. | Travelin' |
| 8. | Someday Baby |
| 9. | Blues Don't Lie |
| 10. | It Ain't Easy |
| 11. | Strollin After Hours |
| Eyes Of Woman Review
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Purchase Eyes Of Woman CD To buy, Click on price to add to cart | Lonnie Brooks Lone Star Shootout CD (1999)
Eyes Of Woman album
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Eyes Of Woman songs
$13.29 It is quite appropriate that one of Steve Freund's albums is titled "C" for Chicago. Although the singer/guitarist is a native New Yorker and presently lives in San Francisco, Chicago blues is his specialty. Freund used to live in the Windy City, where he was employed by heavyweights like Sunnyland Slim and Koko Taylor -- and it was where he recorded I'll Be Your Mule in 2000. This CD was produced by guitarist Dave Specter, a bluesman with strong jazz leanings. Specter (who also produced "C" for Chicago) definitely knows his jazz; he could spend hours telling you about the contributions of Charlie Parker and Thelonious Monk. And because some (though certainly not all) parts of I'll Be Your Mule are jazz-influenced, Specter was the perfect producer for this CD. Freund is especially jazz-minded on B.B. King's "Fine Lookin' Woman," Big Bill Broonzy's "Ramblin' Bill," and the instrumental "Bill Reed's Blues." And yet, he isn't a Jimmy Witherspoon type of artist, or a disciple of Jimmy Rushing and Joe Williams. Freund is an electric Chicago-style bluesman ...
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$9.89 In 2006, Marcus Goldhaber made a strong impression with his recording debut, The Moment After. The cool-toned but highly expressive singer displayed a real affinity for vintage standards, tunes taught to him as a child by his mother who was a professional pianist. He has always remembered those times, even while he became involved in theater, musical shows and acting. After five years of steady work as an actor, he realized that singing was his main passion, and that has become the focus of his professional life. Take Me Anywhere not only features Marcus’ singing but his debut as a songwriter. While writing his first lyrics, he often remembered an old trick of Irving Berlin’s; simply think of another way to say “I love you.” Seven songs, including several that have the potential to become standards, were co-written by Marcus and pianist Jon Davis. With Davis, bassist Martin Wind and drummer Marcello Pellitteri forming a very supportive rhythm section and contributing melodic solos, Marcus Goldhaber is free to express himself, both through his words and his singing. The music on Take Me Anywhere forms a unified suite that traces the stages of a love affair. “No Moon At All” has ironic lyrics and serves as a fine introduction for the quartet. “I Get Along Without You Very Well” features unusual words that say the complete opposite of what they really mean. “Take Me” was the first original that Marcus ever recorded, a tribute to his grandparents’ 54-year marriage. The nostalgic piece has a guest spot for Hendrik Meurkens on harmonica. The protagonist sounds joyful on “With Plenty Of Money And You” but is confused and indecisive during “In The Oeuvre Of The In-Between.” “A Walk” gives him a chance to think about love before becoming quite tongue-tied on “You’re Beautiful, You Know That.” Marcus describes “I Fall Apart” as “about being hurt so badly that one fears love and swears it off.” Despite it all, ...
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