| | Anne Hills Bittersweet Street CD Anne Hills Discography of CDs
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Our Price: $14.29 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Hills possesses a sweet voice and sound songwriting talent, but her approach may be a bit wide-eyed for all but the crunchiest folk fans (singing of the stars, clouds, and apple tree shade). The innocence in these songs is appealing, but it's one of those albums that would cause you to vomit if you tended toward a more cynical worldview. ~ Tim Sheridan
Singer/Songwriter
Photographer: Irene Young.
Personnel: Anne Hills (vocals, guitar); Michael Smith (acoustic guitar); Scott Petito (electric guitar, mandolin, piano); Larry Packer (violin, viola); Joe McGinty (piano); Dean Sharp (percussion).
Audio Mixer: Scott Petito.
Anne Hills Bittersweet Street Songs | 1. | Pleiades | |
| 2. | Yard Dreams | |
| 3. | First Day of Autumn | $0.99 | |
| 4. | Blur in the Photograph, The | |
| 5. | Cloudships | |
| 6. | Bittersweet Street | |
| 7. | Exile | |
| 8. | Just by Offering | |
| 9. | Some Boats | |
| 10. | New Companion | |
| 11. | Wait by the River | |
| 12. | Close the Door Lightly | |
| Bittersweet Street Review
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Purchase Bittersweet Street CD To buy, Click on price to add to cart | Robbie Fulks South Mouth CD (1997)
Bittersweet Street album
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$14.15 William Ash (guitar), Dwayne Burno (bass), Mark Taylor (drums); recorded 12/29/01 at The Studio, NYCNew York has a way of producing dyed-in-the-wool jazz artists, many of whom achieve recognition for prodigious talent at a very young age. Thelonious Monk, whose widespread recognition in the jazz press came only after considerable time, was nevertheless understood as a special musical talent by the time he was accepted at Stuyvesant High School, a magnet school in the New York City school system. Many artists on Smalls Records, such as John Mosca, Chris Byars, Ari Roland, Sacha Perry (all of whom can be heard on Across 7 Street / Made in New York / Smalls Records SRCD-0002), and here William Ash, came by a similar route, and most were already known around the New York scene by age thirteen.By age twelve, William Ash and his friend Ari Roland were already sneaking out of the house late at night to attend Barry Harris's workshops. A number of people recount seeing the two of them performing on the street in front of the Village Vanguard at that age. Over the next four years, the two would find their way into virtually every corner of the New York scene, hitting up all the sessions, and absorbing with discriminating taste everything they could from great masters such as Lou Donaldson, Junior Cook, Tommy Turrentine, Cecil Payne, and of course, Barry Harris. At age sixteen, William was working steadily (along with Ari Roland and Greg Hutchinson) with the late underground saxophone legend, Clarence "C" Sharpe, a musician's musician, who was perhaps the most influential saxophonist of the day to his New York contemporaries, in spite of the fact that he never received widespread public recognition - a tragic injustice. Listening back to tapes made from their extended engagement at Zanzibar, one can hear a shocking amount of guitar coming from the sixteen-year-old prodigy. At one point you can hear Sharpe remark to the house - "You can't find young cats like this anywhere--can't find old cats like this anywhere!"On his own instrument, William acknowledges Wes Montgomery as a major influence, and William has been selected several times to appear in tributes to Montgomery. William's style emerges from his experiences playing with the great bop masters, as well as from playing in hard-driving organ combos with the likes of John Patton and Bobby ...
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