Jazz Heritage Orchestra - Steppin' Out Audio CD

Engineers include: Earl Cohen, Howard Lee Wolen, John Beverly Jones. Personnel includes: Phil Perry, CeCe Winans (vocals); Don Griffin, Carlos Rios, Paul Jackson, Mike Landau, Randy Bowland, Lee Ritenour (guitar); Everette Harp, Andy Najara, Ernie Watts, Brandon Fields, Dave ...

Alan Broadbent has long been appreciated as a fine pianist and arranger, talents he combines on this studio effort with bassist Brian Bromberg and drummer Kendall Kay, along with background color by the Tokyo Strings. "Autumn Variations" is a ...

From free improvisation to contemporary or ethnic music, Sylvain Kassap explores a world that is rich in color and finesse, animated by an unquenchable spirit of freedom. Features Sylvain Kassap on the clarinet, Didier Petit on cello and voices, ...

As the 21st century began, Houston Person was one of the last in a tradition of tough-toned but warm tenors able to straddle the boundaries between soul-jazz, hard bop, and soulful R&B. An expert at caressing and uplifting melodies, ...

As the title suggests, Dance Hits Super Mix 2000 collects 20 of the biggest, shiniest dance pop hits, including the Backstreet Boys' "Everybody (Backstreet's Back)" N Trance's "Do Ya Think I'm Sexy?," and B*Witched's "C'Est La Vie" presented in ...

Recorded live at The Ice House, Pasedena, California.

Recording information: Louisville, KY. Track Listing of songs: Long May You Burn; Red Curtains; Local Boy Makes Good;

Steppin' Out CD music Presented by the folks at the New York-based Crunch gym, this is an invigoratingly entertaining slice of sweaty dance, consisting of full-length tracks at a cardio-constant tempo, most of which will be familiar territory to regular club denizens. However, ...

Steppin' Out album "Brothers Quetico pushes and kicks at the edges of an acoustic-driven swampiness with a fluid and nimble musical grace that's equal parts noise-rock and jug band." -Steve McPherson, The Pulse "It's often tempting to cast aside the relevance of formal properties to the success of pop music, and evaluate its quality solely in terms of its audience appeal. But doing that to Quid Bro Quo would be to stare defiantly away from the subtleties of Quid Bro Quo qua album. It'd be wrong to ignore the inner- and intra-song dynamic range, the attention to sequencing ...