Eric Gould Miles Away...Wayne In Heavy CD

Miles Away...Wayne In Heavy Music

List Price	$16.97 (You save $3.12)
Category	Rock/Pop Albums, Jazz CDs, Jazz Instrument, Piano
Label	Umoja Productions
Orig Year	1999
All Time Sales Rank	480956
CD Universe Part number	1210903
Discs	1
Release Date	Aug 31, 2000
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Eric Gould
Engineer	Dino DiStefano
Recording Time	56 minutes
Personnel	Eric Gould - piano Also: Greg Bandy, Leon Lee Dorsey

Eric Gould Miles Away...Wayne In Heavy Songs

	1.	Joshua
	2.	Eighty One
	3.	Nefertiti
	4.	Freddie Freeloader
	5.	E.S.P.
	6.	Blue in Green
	7.	Seven Steps to Heaven
	8.	Speak No Evil
	9.	Wildflower
	10.	Fall
	11.	Nardis

Miles Away...Wayne In Heavy Review

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Gil Scott-Heron Winter In America CD (1974)

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One of Gil Scott-Heron's finest 1970s albums, WINTER IN AMERICA finds the ever-provocative vocalist/poet playing off the surprisingly gentle piano arrangements of Brian Jackson. Whereas other records (particularly SMALL TALK AT 125th AND LENOX) focus more on Scott-Heron's spoken-word missives, WINTER highlights the influential African-American performer's abilities as a singer, particularly on the soulful "Back Home" and the smooth, lyrically pointed title track, which superficially evokes a contemporaneous Barry White tune. While the first part of WINTER IN AMERICA consists of studio sessions, the final four numbers feature Scott-Heron playing live in Washington, D.C., with the concert recordings easily on a par with the more polished earlier tracks, as exemplified by his stirring medley of "The Bottle," a funky cautionary tale, and the percussive, chanted "Guan Guanco." Second only to PIECES OF A MAN as an intriguing mix ...

Bill Heid Wet Streets CD (1999)

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Of the three organ combo CD's Heid has recently released he considers this his best. It's different in that he employs two saxophonists, Scott Peterson and Russ Miller. They're excellent foils, for each other and the leader. Add drummer Randy Gelespie, an uncrowned king of the kit, and you have a recording unique unto itself, sporting an ultimately provocative approach beyond that of any other B-3 date you may have ever heard. On this project Heid also sounds out-of-body, even more animated. His approach is more as a space filler, comping and urging his front liners with pungent, stinging lines that swell and expand. In a more orchestral fashion, he supplies the foundation to this rich, meaty stew. All of the eleven compositions are written by Heid, and they're far from typical chitlin laced groove biscuits, going past standard musical nomenclature. You'l hear latin informed numbers, straight ahead or hard funk variations, slow and spooky or hard bop flagwavers, and undeniably bluesy and soulful underpinnings. This group attacks the music, Peterson's wailing tenor solos and Miller's prismatic diversity, shining whether on alto, tenor, soprano or flute. Their contributions make the music happen, especially when they play unison lines as on "Covert Ops." The most impressive piece is the modal, ultra-modern "Tsun Hun" evoking images of Heid's influences, Larry Young and McCoy Tyner. Heid is like greased lightning on his runs, the saxes grind, Peterson on soprano reaches for the stratosphere, and the sound goes way beyond the norm. Heid also has a penchant for dedicational titles like "400,000 Miles" (he's the Guiness record holder for miles hitch-hiked, ) "This Little Puppy" (for his recently deceased Corgi, ) the out-and-out groove number "Big John" (for Big John Patton, ) and the hard bopper "Rubber Marshmallows." ...