Neurosis Souls At Zero CD

Neurosis: Scott Kelly, Steve Von Till (vocals, guitar); Dave Edwardson (vocals, bass); Simon McIlroy (keyboards, samples, tapes); Jason Roeder (drums).
Additional personnel: Kris Force (violin, viola); Walter P. Sunday (cello); Sarah Augros (flute); Siovhan King (trumpet).
Recorded at Starlight Sound, Richmond, California between February and March 1992.
Personnel: Scott Kelly, Steve Von Till (vocals, guitar); Dave Edwardson (vocals); Kris Force (violin, viola); Simon McIlroy (keyboards, sampler, tapes); Jason Roeder (drums).
Audio Mixer: Neurosis.
Recording information: Starlight Sound, Richmond, CA (03/1992).
Neurosis's 1991 art-thrash classic, SOULS AT ZERO, was a strange bird even at the time of release. Leaving behind their more conventional punk roots, the band began incorporating samples and electronic textures, as well as a marked tribal folk influence, with their still-monstrous rock. While a legion of atmospheric metal groups including Tool, Isis, and Pelican have since traveled the road Neurosis paved here, it was a virtual wilderness at the time.
Hypnotic and menacing songs like "A Chronology for Survival" build a sense of theatrical dread with repeated spidery guitar lines and cold washes of synths, while "Sterile Vision" and "Stripped" flirt with medieval acoustic folk. The injection of space and silence into what had previously been a more standard hard-rock sound changed Neurosis irrevocably, but that's not to say they didn't leave any room for pounding, industrial-charged heaviness. In fact, the tribal-inflected rhythms on SOULS AT ZERO may well be its defining trait, as the bursts of power hit that much harder when they come less frequently. Mysterious, mesmerizing, and eerie, SOULS AT ZERO is metal for modern druids.
At the time it might have seemed more like Alternative Tentacles' way to get some thrash metal action on its roster, perhaps. But Souls at Zero reveals something else again -- namely, a band able to draw on everything from goth rock drama and medieval folk stylings to a tribal stomp and dub pace to epic howls to the universe, and then able to put it all back together again in one jaw-dropping combination after another. If there's a secret weapon at play, it's the band's ability to orchestrate and construct their songs -- nothing is simply ground out, and there's an obvious ear for silence, calm, and then release track for track. Consider "Sterile Vision" as one standout of many, the acoustic and electric components of the song less opposed in a Pixies/Nirvana style as part of an intrinsic evolution toward the climax. The addition of strings and wind instruments at points really sends some of the songs to even greater heights -- check out the sheer drama of "Flight," the apocalyptic riffs made even more end-of-the-world intense by the addition of violin and cello. "To Crawl Under One's Skin" and "Takeahnase" just as readily suggest early-'80s Cure as they do Wagnerian valkyries, while the monstrous "A Chronology for Survival" takes that threat and multiplies it, even if the chanting vocal parts here and there almost go too over the top. There's also what might be a bit of humor here and there -- consider how the quieter parts on the title track almost sound like a slightly calmer variation of fellow Bay Area musical splicers Mr. Bungle's own first notes on "Travolta." Other sharp touches include the use of fairly obscure samples from Star Wars and Triumph of the Will as atmospheric and musical elements. ~ Ned Raggett
At the time, it might have seemed more like Alternative Tentacles' way to get some thrash metal action on its roster, perhaps. But Souls at Zero reveals something else again -- namely, a band able to draw on everything from goth-rock drama and medieval folk stylings to tribal stomp and dub pace to epic howls to the universe, and then able to put it all back together again in one jaw-dropping combination after another. If there's a secret weapon at play, it'Reflex (11/10/92, p.73) - "..The sound on SOULS is so mammoth, it's difficult to believe the band only consists of five guys...Neurosis seem able and willing to challenge the boundaries of the recording studio and their own minds.."