| | Indigenous People Captured Live In Brazil CD Indigenous People Discography of CDs
 (1 Customer Review)
Led by pianist Marc Cary, Indigenous People presents a series of compositions with complex percussion but still a high reliance on melody. ~ Jenna Woolford
Recorded in Sao Paolo, Brazil on October 17, 1998.
Personnel: Yarborough Charles Laws (flute, percussion); Marc Cary (piano, Fender Rhodes piano, Moog synthesizer, percussion); Tarus Mateen (acoustic bass, electric bass); Johan Rucker (drums); Daniel Moreno (percussion).
Recording information: Sao Paulo, Brazil (10/17/1998).
Indigenous People: Yarbrough Charles Laws (flute, percussion); Marc Cary (piano, Fender Rhodes piano, Moog synthesizer, percussion); Taurus Matteen (acoustic & electric basses); Johan Rucker (drums); Daniel Moreno (percussion).
CMJ (4/26/99, p.40) - "...the funky, earthy jazz sound [of the band] as it absorbs the influences, sights and sounds while traveling an performing in Brazil....this is a somking live set of phenomenal jazz..." Captured Live In Brazil Music | List Price | $15.99 (You save $1.30) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Dance, Live Performances | | Label | Jazzateria | | Orig Year | 1999 | | All Time Sales Rank |  414353  | | CD Universe Part number | 1220531 | | Discs | 1 | | Release Date | Mar 23, 1999 | | Studio/Live | Live | | Mono/Stereo | Stereo | | Producer | Taurus Mateen; Marc Cary | | Personnel | Daniel Moreno - percussion
Marc Cary - piano, Fender Rhodes piano, Moog synthesizer, percussion
Tarus Mateen - acoustic bass, electric bass
Johan Rucker - drums
Taurus Matteen - acoustic & electric basses
Yarborough Charles Laws - flute, percussion
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Indigenous People Captured Live In Brazil Songs Captured Live In Brazil Music Review Purchase Captured Live In Brazil CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Captured Live In Brazil album
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less ...
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on ...
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A charming young Brazilian singer/acoustic guitarist with a light, melodic Rio de Janeiro-ish approach, Ana Caram showed ...
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“To have a great idea, have a lot of them.” Thus spake Thomas Edison, inventor of wax paper and the phonograph record. The man could have been describing Ben Vaughn, who’s had a lot of ideas, most of them musical, a lot of them great. Since 1985, the slim frame of Vaughn has entered many a recording studio door (including the driver’s side of his ’65 Rambler). What emerged has been a legion of songs on loads of albums. Songs that people loved, songs that people ...
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