| | Sodom Get What You Deserve CD Sodom Discography of CDs
 (1 Customer Review)
Come 1994's rather dreadful Get What You Deserve album, Germany's Sodom weren't just treading creative water, they seemed to be taking a piss! Seriously, or are we to take clever ditties like "Jabba the Hutt" and "Tribute to Moby Dick" with anything but an industrial-sized, proverbial grain of salt? Except for the mildly interesting title track, and the almost convincing "Silence Is Consent," it was abundantly clear that lone remaining founding member Tom Angelripper was running through the motions on this L.P. Making matters worse, any leftover pretense of selling Sodom as a true "band," had been rendered moot by the faceless yabbos that surrounded him, this anonymous pair owning about as much on-stage charisma (never mind contributing songwriting talent) as a pack of cliff-bound lemmings. The bottom line is that Sodom had ceased having anything worth saying in the extreme metal universe at least a half-a-decade prior, making this particular release the sort of stuff for blind idolaters and soft-hearted thrash metal martyrs. ~ Eduardo Rivadavia
Recorded in 1993.
Sodom includes: Tom Angelripper (vocals); Andy Brings (guitar); Atomic Steif (drums).
Get What You Deserve Music Sodom Get What You Deserve Songs | 1. | Get What You Deserve |
| 2. | Jabba the Hut |
| 3. | Jesus Screamer |
| 4. | Delight in Slaying |
| 5. | Die Stumme Ursel |
| 6. | Freaks of Nature |
| 7. | Eat Me |
| 8. | Unbury the Hatched |
| 9. | Into Perdition |
| 10. | Sodomized |
| 11. | Fellows in Misery |
| 12. | Tribute to Moby Dick - (Instr instrumental) |
| 13. | Silence Is Consent |
| 14. | Erwachet! |
| 15. | Gomorrah |
| 16. | Angel Dust |
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Get What You Deserve Music Get What You Deserve Music Review Average Rating: (2 out of 5 stars)  Going Down...
Wow, so this is what a band sounds like when the wheels start to fall off the wagon. After releasing some pretty good thrash albums, Sodom decides to go with punky hardcore and put out "Get What You Deserve." When listening to this album, I felt like I was listening to a bunch of filler B sides. There isn't much on this album that can compete with their older material. The production is Sodom's worst since "Obsessed With Cruelty." The horrendous guitar tone sounds sloppy and unrefined. The bass tone at times actually drowns out the guitar, making the everything sound like one huge blurr. The guitar solos sound like they were improvised and played on the first take. Come on, did these guys go to a actual studio to record this? There are probably allot of mistakes made in the performance, but you would never know, because of the over saturation of reverb. Out of The 16 tracks on here, there were only 2 or 3 I actually found myself getting into. There are deffinate nods to bands like Venom (who are covered here with "Angel Dust") and Motorhead, which is fine, but when Sodom abandons their own sound for idol worship, well, I have a issue with that. Listening to this album is like eating a bowl of grape nuts, it will fill you up, but it tastes bad and will only make you poop.
Submitted by Chevy (Gwinn, MI)
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Purchase Get What You Deserve CD To buy, Click on price to add to cart | Sodom Persecution Mania/In The Sign Of Evil-Obsessed By Cruelty CDs (2000)
Get What You Deserve album
 $13.69   
| | Sodom Agent Orange CD (1989)
Get What You Deserve CD music
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| | Sodom Masquerade In Blood CD (1995)
Get What You Deserve music CDs
$10.59 
Following upon a string of underachieving albums, 1995's Masquerade in Blood was, at the time of its release, considered something of a return to form for Teutonic speed metal pioneers Sodom. Sadly, hindsight reveals that such enthusiasm was rather exaggerated, but then, those had been some pretty abysmal albums. Anyway, more than anything, Masquerade in Blood ushers in yet another attempt to modernize Sodom's post-thrash/pre-death style for the mid-1990s -- and a successful update it is, in style if not quite substance. Surely boasting the heaviest guitar crunch of Sodom's long career, the opening title track mows down eardrums with the efficiency of one of those invisible hedge-cutters (yes, that's a very silly analogy, but you get the picture). So what if frontman Tom Angelripper's vocals are generally buried in the mix because of this? Despite their fairly ambitious-sounding titles, "Fields of Honour" and the same-period Kreator-esque "Gathering of Minds" ...
| | Sodom M-16 CD (2001)
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$9.85 
| | Sodom CD (2006)
Get What You Deserve album
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Not many bands manage to endure for over 20 years -- least of all a band whose name would normally draw perfectly blank (and possibly mildly offended) expressions from your average human being, as might Germany's Sodom. But, believe it or not, this eponymous effort from 2006 is something like the 12th studio album released by the ubiquitous Tom "Angelripper" Such and his latest interchangeable henchmen. Sodom's music, too, is a matter of curious interest, since, from the group's very inception, it has represented a rare intersection of styles that experts would normally separate into thrash, speed, death, and black metal (and, depending on how rarely they get laid, even more subdivisions). One listen to Sodom is enough to ascertain that little has changed; most of its songs tend toward the frenetic, dirt-encrusted ends of the extreme metal spectrum, their lyrics wavering between ...
| | Dream Theater - Score - 20th Anniversary World Tour DVDs (2006)
Get What You Deserve CD music
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| | Yngwie Malmsteen Best Of 1990-99 CD (2000) (Import) Bonus Tracks; United Kingdom
Get What You Deserve music CDs
$18.09
Even though the '90s are considered by many longtime Yngwie Malmsteen fans as not necessarily his musical or creative peak (the '80s are usually given the nod), you have to give credit to the Swedish guitar shredder for sticking to his guns throughout the '90s. When just about every veteran rocker was trying to fit in with the musical climate (whether it be donning flannel during the grunge years or donning baggy jeans during the rap-metal years), Malmsteen paid no mind -- continuing merrily on his classic metal path. Since his albums were uneven during this period, the 14-track Best of Yngwie Malmsteen: 1990-1999 will come in handy to casual admirers, who aren't going to track down Concerto Suite for Electric Guitar and Orchestra in E Flat Minor Op. 1 anytime soon. Standouts ...
| | Macabre Electric & Acoustic CDs (2005) Limited Edition
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| | Fail To Follow CD (2005)
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| | Vaughan & Peterson Easy Living CD (2008) (Import)
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| | Steve Rapson Patriotic Guitar CD (2007)
Get What You Deserve music CDs
$16.45
About Steve RapsonNobody wishes on their death bed they had spent more time at the office. Or, in Steve's case, any time at the office. After life in corporate America he is now a recording artist, songwriter, and performing musician.Steve's debut CD, Christmas Guitar, is sold around the world. He has followed up with five more CD's: Romantic Guitar, Half Irish Guitar, Patriotic Guitar, and Original Guitar, each with a companion book of transcriptions. As a producer ...
| | Cancer Bats Hail Destroyer CD (2008)
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$9.79 
| | Notations Archiv 1 CD (Import)
$105.75 | | Oppressed By The Line Kiku CD (2009)
Get What You Deserve album
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Kiku, the third release from Jon Thompson under his Oppressed by the Line moniker, was written while on holiday in Japan during July/August of 2006. The tracks were unearthed and finished during the autumn of 2008. Kiku follows on from the well recieved albums “The Cause of the Colour” on UK label Club AC30 and 2008’s “Soft Focus” (Drifting Falling). "Mountain Mist was written after visiting Fuji and Hakone. Sunset From the 16th Floor was written while sitting on a wide window sill in Oita looking out at a beautiful sunset. Paper Cranes was written in Hiroshima. One Thousand Red Stars was written on a high floor in a hotel in Tokyo over looking the city at night. Shinkansen was written on a bullet train en route to Oita."Thompson grew up in a small industrial town outside of Houston, Texas. Close to the coast, it’s the sort of small American town where his only window into the bigger world of music was staying up until 1am on a Sunday night to ...
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