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For sheer musicianship, it is difficult to think of many contemporary guitar playing singer-songwriters who can claim superiority to Peter Mulvey. His third studio album, The Trouble With Poets demonstrates once again the originality and technical proficiency of his guitarwork, incorporating echoes of accomplished fretsmiths like Leo Kottke and Ani DiFranco into a style that is distinctly his own (on "Wings of the Ragman," he even manages an effective impression of the Sundays' David Gavurin). The Trouble With Poets is also more satisfying as a thematic whole than his previous efforts, realizing to a new extent Mulvey's considerable promise as a lyricist. The album opens by defining the poet as one who can "see poetry everywhere." From that point on, Mulvey proves that he fits the definition through an illuminating excavation of metaphysical realities lurking beneath the surface of everyday events. Mulvey sees poetry in a rope slapping against a flagpole, a child sneaking outside late at night, a man waiting for the train in the morning. "It's all around you now," he says in one song. "Still you don't see." Unfortunately, for all his skill as a guitarist, Mulvey's musical compositions only fitfully match the brilliance of his lyrics. Melody has never been his strongest suit, and he is somewhat limited as a singer. But despite the inconsistencies, it doesn't take a poet to see poetry in The Trouble With Poets. ~ Evan Cater.
With this album Mulvey has perfected his innovative amalgamation of beat sensibility with the fervor of modern rock.Featuring guest vocals by Chris Smither and Jennifer Kimball, THE TROUBLE WITH POETS is the most commanding lyrical and musical statement of Peter Mulvey's career.
Recorded at Howz Media Workshop, Allston, Massachusetts from August 10-18, 1999.
Personnel: Peter Mulvey (acoustic guitar); Chris Smither, Jennifer Kimball (vocals); Goody (acoustic guitar); Lou Ulrich (bass instrument); Mike Piehl (drums).
Personnel includes: Peter Mulvey (vocals, acoustic guitar); Jennifer Kimball, Chris Smither (vocals); Goody (acoustic, electric, & slide guitars, mandolin, bass); Lou Ulrich (bass); Mike Piehl (drums).
CMJ (4/10/00, p.32) - "...An acoustic guitar style that encompasses the groove-based approach of Dave Matthews with the hard-edged rhythm of Ani DiFranco..." Mojo (Publisher) (6/00, p.110) - "...Not only an extraordinary fellow but a walking repository of other people's songs....With complex lyrical constructs a specialty, his distillation of funk, folk and rock influences...is unique....Worth the effort." Peter Mulvey Trouble With Poets Songs Trouble With Poets Review
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Purchase Trouble With Poets CD To buy, Click on price to add to cart | Richard Thompson Rumor & Sigh CD (1991)
Trouble With Poets album
$8.85 Richard Thompson's albums with Mitchell Froom in the producer's chair tended to be stylistically varied affairs, and on RUMOR AND SIGH, the singer's distinctive English vocal inflections and biting guitar spar inspiringly with Froom's kitchen-sink approach to production. Froom found intriguing ways to cope with Thompson's own wild stylistic approach, ranging from dark, narrative acoustic ballads ("1952 Vincent Black Lightning"), through radio-friendly, country-tinged rock ("Keep Your Distance," "You Dream Too Much"), to demonic rock & rollers ("I Feel So Good," "Mother Knows Best'). SIGH also showcases Thompson's lyrical extremes, from the intense ("I Misunderstood," "Mystery Wind") to the daffy ("Don't Sit On My Jimmy Shands," "Psycho Street").
Though Richard Thompson's cult following continued to revere the
uniformly high-quality albums he released throughout the 1980s, by the
end of that decade he was finding it difficult to find the wider
audience his work with former wife Linda ...
| | Goldfrapp Felt Mountain CD (2000)
Trouble With Poets CD music
$9.99 Disc Two is an Enhanced CD, which contains both regular audio tracks as well as multimedia computer files.
When Goldfrapp's debut, FELT MOUNTAIN, appeared in 2000, no one was quite sure how to categorize the music, but that didn't stop fans and critics alike from gushing about it. A collaboration between singer-keyboardist-songwriter Allison Goldfrapp and composer/producer Will Gregory, Goldfrapp is rooted in the heavy-lidded, ambient soundscapes of trip-hop, yet exhibits an equal interest in various other styles ranging from jazz to cabaret to film music.
On FELT MOUNTAIN, Goldfrapp sometimes sounds trapped in an Ennio Morricone-styled tableau: all whistling and spooky wind-swept vistas. Elsewhere, the duo exudes the cool, tongue-in-cheek attitude of a Nancy Sinatra and ...
| | Leo Kottke 6 & 12 String Guitar CD (1971)
Trouble With Poets music CDs
$10.89 Recorded in 1969. Originally released on Takoma (1024). Includes liner notes by Mark Humphrey and original release liner notes by Leo Kottke.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
With the 1969 release of 6-AND 12 STRING GUITAR, Leo Kottke established his pre-eminence as a guitar virtuoso and composer of quirky, pop-inflected pieces. Harmonically adventurous and technically dazzling, this album showcases Kottke's penchant for infusing traditional elements of folk guitar with more modern, even impressionistic ...
| | Yo La Tengo I Can Hear The Heart Beating As One CD (1997)
Trouble With Poets songs
$10.15 Yo La Tengo began life as one among hundreds of Velvet Underground-inspired bands, banging out dark, skittish tunes that displayed YLT guitarist/vocalist Ira Kaplan's affection for Uncle Lou as well as Yo La Tengo's commitment to creating a gently subversive groove. Over the years, the band, which also features Kaplan's wife Georgia Hubley on drums and vocals, has gone through more identity changes than David Bowie, from acoustic folk-rock to wailing, Sonic ...
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