| | Arias CD Cura, Jose / Puccini CDS
Live Recording Arias Music | List Price | $16.99 (You save $3.90) | | Label | Erato | | Orig Year | 10/28/1997 | | All Time Sales Rank |  1285  | | CD Universe Part number | 1224113 | | Catalog number | 18838 | | Discs | 1 | | Release Date | Oct 28, 1997 | | Recording Time | 1 11 |
Arias Review
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Arias Songs | 1. Turandot, opera: Nessun dorma (3:04) | | Common Name | Nessun Dorma, Turandot Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1926 | | Period | Romantic | | Notes | Composition written: 1926.
Composition revised: Italy. | | 2. Turandot, opera: Non pianere Liu! (2:32) | | Common Name | Turandot Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1926 | | Period | Romantic | | Notes | Composition written: 1926.
Composition revised: Italy. | | 3. Gianni Schicchi, opera: Firenze e come un albero fiorito (3:19) | | Common Name | Gianni Schicchi Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1918 | | Period | Romantic | | Country | Italy | | 4. Il tabarro (The Cloak), opera: Hai ben ragione (2:49) | | Common Name | Hai Ben Ragione, Il Tabarro The Cloak | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | circa 1916-1918 | | Period | Romantic | | Country | Italy | | 5. Il tabarro (The Cloak), opera: Folle di gelosia (1:56) | | Common Name | Il Tabarro The Cloak | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | circa 1916-1918 | | Period | Romantic | | Country | Italy | | 6. La Rondine (The Swallow), opera: Parigi! e la citta dei desideri (2:21) | | Common Name | La Rondine The Swallow | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1917 | | Period | Romantic | | Country | Italy | | 7. La Rondine (The Swallow), opera: Dimmi che vuoi seguirmi (3:30) | | Common Name | La Rondine The Swallow | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1917 | | Period | Romantic | | Country | Italy | | 8. La fanciulla del West (The Girl of the Golden West), opera: Or son sei mesi (3:48) | | Common Name | La Fanciulla Del West The Girl Of The Golden West | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1910 | | Period | Romantic | | Notes | Composition written: 1910.
Composition revised: United States of America. | | 9. La fanciulla del West (The Girl of the Golden West), opera: Ch'ella mi creda (4:42) | | Common Name | Ch'ella Mi Creda, La Fanciulla Del West The Girl Of The Golden West | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1910 | | Period | Romantic | | Notes | Composition written: 1910.
Composition revised: United States of America. | | 10. Madama Butterfly (Madame Butterfly), opera: Amore o grillo (1:25) | | Common Name | Madama Butterfly Madame Butterfly | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1904 | | Period | Romantic | | Notes | Composition written: 1904.
Composition revised: United States of America. | | 11. Madama Butterfly (Madame Butterfly), opera: Addio fiorito asil (1:52) | | Common Name | Addio Fiorito Asil, Madama Butterfly Madame Butterfly | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1904 | | Period | Romantic | | Notes | Composition written: 1904.
Composition revised: United States of America. | | 12. Tosca, opera: Recondita armonica (2:44) | | Common Name | Tosca Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1900 | | Period | Romantic | | Country | Italy | | 13. Tosca, opera: E lucevan le stelle (3:23) | | Common Name | E Lucevan Le Stelle, Tosca Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1900 | | Period | Romantic | | Country | Italy | | 14. La boheme, opera: Che gelida manina (4:47) | | Common Name | Che Gelida Manina, La Boheme Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1896 | | Period | Romantic | | Country | Italy | | 15. Manon Lescaut, opera: Tra voi, belle (1:15) | | Common Name | Tra Voi Belle, Manon Lescaut Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1893 | | Period | Romantic | | Notes | Composition written: 1893.
Composition revised: Italy. | | 16. Manon Lescaut, opera: Donna non vidi mai (2:32) | | Common Name | Donna Vidi Mai, Manon Lescaut Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1893 | | Period | Romantic | | Notes | Composition written: 1893.
Composition revised: Italy. | | 17. Manon Lescaut, opera: Ah, Manon mi tradisce (2:37) | | Common Name | Ah Manon Mi Tradisce, Manon Lescaut Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1893 | | Period | Romantic | | Notes | Composition written: 1893.
Composition revised: Italy. | | 18. Manon Lescaut, opera: Ah! non v'avvicinate! no, pazza son (2:56) | | Common Name | Manon Lescaut Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1893 | | Period | Romantic | | Notes | Composition written: 1893.
Composition revised: Italy. | | 19. Manon Lescaut, opera: Vedi, son io che piango (3:06) | | Common Name | Manon Lescaut Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1893 | | Period | Romantic | | Notes | Composition written: 1893.
Composition revised: Italy. | | 20. Edgar, opera: Orgia, chimera dall'occhio vitreo (5:15) | | Common Name | Edgar Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1889 | | Period | Romantic | | Country | Italy | | 21. Le villi, opera: Ecco la casa... Torna ai felici di (10:56) | | Common Name | Le Villi Opera | | Composer | Giacomo Puccini (1858 - 1924) | | Conductor | Placido Domingo | | Performer | Jose Cura | | Genre | Opera / Romantic Period | | Date Written | 1884 | | Period | Romantic | | Country | Italy |
Purchase Arias To buy, Click on price to add to cart | Bill Evans Intuition CD (1974)
Arias
 $8.69  
Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California.
The fullness of this duet album's sound suffers only slightly from the lack of a drummer, compensating with deeply satisfying intuitive interplay between pianist Evans and longtime collaborator Gomez. Evans experiments on INTUITION with the electric Fender-Rhodes piano for his original tunes, "Show-Type Tune" and "Are You All the Things," but he is at his most assertive and polished when playing acoustic piano. Particular standouts are the two songs by Bronislau Kaper, the romantic ballad "Invitation," and, with particular care and expression, the theme "Hi Lili, Hi Lo," from the musical "Lili." Gomez is a full participant, using the bass the way he did as a member of the Bill Evans Trio, making himself an indispensable part of the equation. INTUITION is a strongly empathetic album which memorializes a deep musical connection between two jazz greats.
Recorded at Fantasy Studios, Berkeley, California from November 7-10, 1974. Originally released on Fantasy (9475). Includes liner notes by George Cleve.
Composer: Claus Ogerman.
Personnel: Bill Evans (piano).
Liner Note Author: George Cleve.
Recording information: Fantasy Studios, Berkeley, CA (11/07/1974-11/10/1974).
Unknown Contributor Role: Bill Evans .
Personnel: Bill Evans (piano); Eddie Gomez (bass).
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Arias
$6.59  | | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Arias
$6.29  
With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often credited to Davis, "Blue In Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Miles fascination with the earthy melodies and brooding metaphors of the Iberian peninsula...a harbinger of his next masterpiece, SKETCHES OF SPAIN. KIND OF BLUE remains M
| | Jose Cura Anhelo CD (1998) (Import) Import
Arias
$13.15
Selections recorded at Maison de l'Orchestre National d'Il de France, Alfortville.
Jose Cura is unique among singers of international standing in that he composes, arranges and conducts, and was doing so long before his name became famous. ANHELO shows him assuming all these roles in a program of Argentine song which focuses on lyrics of nostalgia and longing. It is obviously an undertaking close to his heart, for it is carefully organized and rendered with great tenderness and passion.
Many of the composers represented are not well known outside Argentina, but that may change. The songs of Carlos Guastavino, of which there are eight here, possess a distinctive bittersweetness which is truly haunting. There is also one song by Argentina's best known avant-garde composer, Alberto Ginastera, as well as a piano arrangement of tango master Astor Piazzolla's "Adios Nonino." This is far from your usual superstar tenor's crossover project and is, in fact, a most valuable addition to the catalog.
Personnel: José Cura (vocals); Ernesto Bitetti (guitar); Christophe Guiot, Klodiana Skenderi, Christopher Bruckert, David Naulin, France Dubois , Michele Deschamps, Marie-Paule Vieille, Arnaud Nuvolone, Véronique Marcel, Jeanne Lancien, Patrice Mondon, Eric Chouteau, Laurent Philipp, Yves Melon (violin); Noëlle Santos, Fabrice Leroux, Jonathan Naze, Françoise Gneri (viola); Jean-Philippe Audin, Philippe Nadal (cello); Raymond Guiot (flute); Héloïse Gaillard, Hugo Reyne (recorder); Richard Vieille, Yves Bruchon (clarinet); Christophe Grindel (oboe); Gilbert Audin (bassoon); Eduardo Delgado (piano); Phillippe Noharet (double bass).
Recording information: Maison De L'Orchestre National (12/16/1997-12/23/1997).
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Live Recording
Recorded at Estudios Infinity, Madrid, Spain in March-May 1999.
Personnel: Martirio (vocals); Raul Rodriguez (guitar, tres, percussion); Paco De Amparo (guitar); Jorge Pozas (cello) Chano Dominguez (piano); Javier Colina (bass); Guillermo McGuill (drums, cajon); Rogerio De Souza (percussion); Pepe Torres (feet, compas); Luis Torres (compas).
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