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Social Distortion - Prison Bound CD Cover Art
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Social Distortion Prison Bound CD

 Social Distortion Discography of CDs
5 stars (1 Customer Review)

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Live Recording

Personnel: Mike Ness (vocals, guitar); John Maurer (guitar, bass guitar, background vocals); Christopher Reece (drums, snare drum).
Recording information: Casbah Studio, Fullerton, CA.
After the long layoff that followed their groundbreaking debut, Mommy's Little Monster, Mike Ness and Social Distortion dropped another seminal punk offering, Prison Bound, in 1988. Slower and more song-driven than their previous disc, this sophomore outing is an absolute triumph. The epic stories of hard living and regret that became Social Distortion's trademark fill Prison Bound's track list. Right off the top, the band adds Ghost Riders-like surf/country guitar riffs to "It's the Law," proclaiming a commitment to their rootsy punk direction. Cautionary tales like the title cut foreshadow future monster hits like "Ball and Chain" off of the group's self-titled 1990 release. Other highlights include "Like an Outlaw" and a raucous cover of the Rolling Stones' "Backstreet Girl." Fans of Social Distortion who have somehow neglected to pick up this gem are encouraged to do just that at their very first opportunity, as the list of West Coast punk offerings more influential than Prison Bound is extremely short. ~ Vincent Jeffries
With the debut MOMMY'S LITTLE MONSTER, Social Distortion emerged as one of the most interesting early-'80s Calpunk bands, mixing punk aggression with crafty songwriting and a rootsy influence. Singer/songwriter Mike Ness's well-publicized drug problems put the group out of commission for a while, but after a six-year wait the band followed MONSTER with the explosive PRISON BOUND. The album's lyrics are full of the wisdom and pain of Ness's travails. "Prison Bound," "Lawless," and others set the tone for much of the group's future work with a mixture of outlaw bravado and former-badboy regret. "Like an Outlaw" and the Stones' "Backstreet Girl" marked the beginning of the group's flirtation with country and roots-rock, which would become more prevalent in future releases.

Prison Bound Music


Detailed Prison Bound Music Information



List Price $13.98 (You save $1.99)
Category Rock/Pop Albums, Rock CDs, Pop, Alternative, Punk, Hard Rock
Label Time Bomb Recordings
Orig Year 1988
All Time Sales Rank   12551  
CD Universe Part number 1224830
Catalog number 43501
Discs 1
Release Date Jul 18, 1995
Studio/Live Studio
Mono/Stereo Stereo
Producer Social Distortion; Chaz Ramirez
Engineer Social Distortion; Chaz Ramirez
Recording Time 41 minutes
Personnel Mike Ness - vocals, guitar
John Maurer - guitar, bass guitar, background vocals
Christopher Reece - drums, snare drum
Social Distortion Prison Bound Songs


Social Distortion Prison Bound Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.It's the Law$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Indulgence$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Like an Outlaw (For You)$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Backstreet Girl  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Prison Bound  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.No Pain No Gain  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.On My Nerves$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.I Want What I Want$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Lawless$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Lost Child$0.99

Prison Bound Music Review


Customer Prison Bound Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Can YOU relate
This CD is pure to the heart. Prison Bound is a song that any Reble can relate to!!!
Submitted by Jimmy Baldez (Charlotte, NC)
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Mommy's Little Monster
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Social Distortion Mommy's Little Monster CD  (1983)

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CD $12.95  4.8 stars Top 500 Audio Samples
Social Distortion: Michael Ness (vocals, electric guitar); Dennis Dannell (electric guitar); Brent Liles (bass); Derek O'Brien (drums, percussion).
Additional personnel: Chazz Ramirez (organ).
Producers include: Social Distortion, Chaz Ramirez, Thom Wilson.
Recorded on December 24, 1982.
Personnel: Mike Ness (vocals, guitar, electric guitar); Derek O'Brien (vocals, drums, percussion); Dennis Danell (guitar, electric guitar).
Recording information: Casbah, Fullerton, CA (1983); Casbah; Fullerton (1983).
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CD $11.69  5 stars Audio Samples
Personnel: Mike Ness, Mike Palm (vocals, guitar); Dennis Danell (guitar); Irvin Jarrett (drums, snare drum); Derek O'Brien (drums).
Recording information: 04/1981-10/1981.
Photographer: Ed Colver.
Mainliner: Wreckage From the Past is a collection of early singles and rare B-sides from Orange County punk legends Social Distortion. Recorded while they were still in their teens, this early material shows no signs of the country-influenced sound that would appear later in the band's career. The main style displayed here is pure punk fury with short, fast songs, lyrics about teen rebellion, and plenty of attitude to go around. "Playpen," "Moral Threat," and "All the Answers" speak of the plight of the early punk rockers who took major abuse from all forms of authority back in a period where the musical style was still considered dangerous. "Mainliner" ...

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CD $11.99  4.6 stars Top 500 Audio Samples
Social Distortion: Mike Ness (vocals, guitar); Dennis Danell (guitar); John Maurer (bass); Chuck Biscuits (drums).
Recorded live at The Roxy, Hollywood, California on April 7-9, 1998. Includes liner notes by Mike Ness.
Personnel: Mike Ness (vocals, guitar); Thomas Nordegg, Mark Haworth, Dennis Danell (guitar); Brad Nichols (drums, snare drum); Chuck Biscuits (drums).
Audio Mixers: James Saez; Mike Ness.
Recording information: Roxy, Hollywood, CA (04/07/1998-04/09/1998); The Roxy; Hollywood, CA (04/07/1998-04/09/1998).
Editor: Andrew Scheps.
Photographers: Jolie Clemens; Gabrielle Geiselman; Mike Ness.
Unknown ...

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Live Recording Social Distortion: Mike Ness (vocals, lead guitar); Dennis Dannell (rhythm guitar); John Maurer, Christopher Reece.
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Recording information: El Durado Studios; Hollywood, C and C Beach (1991).
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Social Distortion finally achieves the perfect balance between their two major influences, the country anguish of Johnny Cash and the furious punk rock ...

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WHITE LIGHT WHITE HEAT WHITE TRASH contains an unlisted track, a cover of the Rolling Stones' "Under My Thumb."
Social Distortion: Mike Ness, Dennis Danell, John Maurer, Chuck Biscuits.
Audio Mixers: John Travis ; Mike Ness.
Illustrator: Kalynn Campbell.
Unknown Contributor Roles: John Maurer; Chuck Biscuits.
With White Light, White Heat, White Trash, Social Distortion made a conscious attempt to cash in on the alternative "revolution" of the early '90s." Underneath the layers of glossy hard rock production, the band still hold fast to some of their punk roots, but too often they sound like a heavy hard rock band. Of course, that commercial sheen is intentional -- it's the only way they could appeal to the legions of post-grunge ...

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Social Distortion: Mike Ness, John Maurer, Jonny Wickersahm, Charlie Quintana.
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Eight years separated the release of Social Distortion's misguided White Light, White Heat, White Trash and their next studio album, 2004's Sex, Love and Rock 'n' Roll, and a fair amount happened to the band in that time. Most notably, Dennis Danell, who had been the only constant in the band's lineup besides leader Mike Ness, died in 2001 at the age of 39, and on a pair of solo albums Ness began digging deeper into the roots music that had long informed his style. After confronting the grief of losing one of his best friends and exploring the less muscular side of his musical personality, Sex, Love and Rock 'n' Roll makes it clear Ness and his bandmates were ready to turn up the amps and make some noise, but while musically this is firmly in the So-Cal punk mode of their best work, lyrically this music reflects the mind of a ...

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