| | Ornette Coleman New York Is Now CD Ornette Coleman Discography of CDs
(1 Customer Review)
"New York Is Now," (1968) was one of Ornette Coleman's final sessions for Blue Note. He was joined by Elvin Jones (drums), Jimmy Garrison (bass)--half of John Coltrane's great quartet--and Dewey Redman (tenor sax). Coleman had not been working with another horn player since Don Cherry's departure in 1962.
The music is as light as the light that bounced off the buildings in New York in those days--fractured tales, shifting grooves. "Garden of Souls" is idiosyncratic, written in Ornette's native tongue. The melody recalls ancient Greece and the players seem imbued with Democracy. Ornette's music is designed to free the musicians, yet somehow it all coheres. Dewey Redman's solo is arresting. When he starts, it sounds like a soul frolicking in the graveyard.
"Broad Way Blues" and "Round Trip" sound as familiar as children's songs, or commercials. Elvin Jones and Jimmy Garrison make "Round Trip" swing like hell. Listening to Jones' cymbal work is a lesson in grooves. Ornette's playing throughout is unique: simple but opaque, his melodies make a strong case for something that's hard to put your finger on.
Recorded at A&R Studios, New York, New York on April 29 & May 7, 1968. Includes liner notes by Michael Cuscuna.
Reissue producer: Michael Cuscuna.
Personnel: Ornette Coleman (alto saxophone, trumpet); Dewey Redman (tenor saxophone); Jimmy Garrison (bass); Elvin Jones (drums).
Producer: Francisc Wolff.
Ornette Coleman New York Is Now Songs New York Is Now Music Review Purchase New York Is Now CD To buy, Click on price to add to cart | Sonny Clark Sonny's Crib CD (1959) Bonus Tracks; Limited Edition
New York Is Now
$9.65 Digitally remastered using 20-bit technology by Ron McMaster.
This is part of Blue Note's Limited Edition Connoisseur series.
Recorded in 1957, Sonny's Crib features a front line of Curtis Fuller, Donald Byrd, and John Coltrane with Sonny Clark on piano, Art Taylor on drums, and Paul Chambers on bass. Truly still a bebop recording, done a full year before the landmark Cool Struttin' session, nonetheless the set produced some awesome readings of classic tunes, like the opener, "With a Song in My Heart," with one of the knottiest Byrd solos ever. As Chambers and Taylor up the rhythmic ante and Clark comps with enormous chords ...
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