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The Rudy Van Gelder Edition of THE REAL MCCOY includes an essay by Bob Blumenthal.
Digitally remastered by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
Recorded a mere two years after McCoy Tyner's tenure with the great John Coltrane quartet (a group considered by many to be among jazz's best-ever outfits), THE REAL MCCOY finds the pianist continuing to expand as a composer and player. The album marks Tyner's move from Impulse to Blue Note, and he sounds suitably energized, playing challenging post-bop that, while lacking the revolutionary fervor of A LOVE SUPREME, for example, still occupies the front ranks of the forward-thinking jazz of the era.
Tyner is joined by his former Coltrane cohort Elvin Jones on drums, stalwart bassist Ron Carter, and the underrated saxophonist Joe Henderson. The quartet acquits itself admirably on five Tyner compositions, among which "Passion Dance" and "Four By Five" are the best. Coltrane's influence can be heard throughout the album, especially in the sinuous, modal approach and in Henderson's ambitious solos, but Tyner's powerful playing, wholly his own, steals the show.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on April 21, 1967. Originally released on Blue Note (4264). Includes liner notes by Nat Hentoff and Bob Blumenthal.
Personnel: McCoy Tyner (piano); Joe Henderson (tenor saxophone); Ron Carter (bass); Elvin Jones (drums).
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna. Mccoy Tyner Real Mccoy Songs Real Mccoy Review
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Buy Real Mccoy CD  | | Land of Giants, McCoy Tyner, Bobby Hutcherson, Charnett Moffett, Eric Harland
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30.625 x 30.625 inch Framed Photographic Print
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Purchase Real Mccoy CD To buy, Click on price to add to cart | Hank Mobley Soul Station CD (1960) Remastered
Real Mccoy album
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Digitally remastered using 24-bit technology by Rudy Van Gelder (van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
Of all Hank Mobley's classic sessions for Blue Note, the timeless SOUL STATION is by far the most cherished. This 1960 set features a quartet of Mobley and three masters of the rhythm section, Wynton Kelly, Paul Chambers, and Art Blakey. What makes this so special, ...
| | Larry Young Unity CD (1965) Remastered
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Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the groove jazz of Jimmy Smith as you could get, Young hadn't made the complete leap into freeform jazz-rock either. Here he finds himself in very distinguished company: drummer Elvin Jones, trumpeter Woody Shaw, and saxman Joe Henderson. Young was clearly taken by the explorations of saxophonists Coleman and Coltrane, as well as the tonal expressionism put in place by Sonny Rollins and the hard-edged modal music of Miles Davis and his young quintet. But the sound here is all Young: the rhythmic thrusting pulses shoved up against Henderson and Shaw as the framework for a melody that never actually emerges ("Zoltan" -- one of three Shaw tunes here), the ...
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$8.45 The Rudy Van Gelder Edition of OUT TO LUNCH includes an essay by Bob
Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
Before leaving the U.S. for Europe and his premature date with destiny, reedman/composer Eric Dolphy collaborated with Blue Note auteur Alfred Lion in early 1964 to produce his finest, most forward-looking recording. Having already stretched the bebop vocabulary beyond its breaking point as a sideman and leader, Dolphy finally zeroed in on his ideal vision of freedom and form with OUT TO LUNCH, creating a style of group interplay that remains unique more than 30 years later.
That's because in vibraphonist Bobby Hutcherson, bassist Richard Davis and 19-year-old drummer Tony Williams, Dolphy encountered a dauntless, intuitive rhythm section that could delineate time without stating it, while ...
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This is part of the Blue Note Rudy Van Gelder Editions series.
SPEAK NO EVIL is a significant recording for two main reasons. Firstly, it is one of the first in a long string of stunning solo sessions by Shorter that showcase both his masterful saxophone abilities and his eclectic compositional style away from the leadership of Art Blakey and Miles Davis. Secondly, it combines members of the three mightiest ensembles of the period; Freddie Hubbard and Shorter worked together in Blakey's Jazz Messengers, Shorter, Herbie Hancock and Ron Carter formed three fifths of Miles Davis' legendary quintet and Elvin Jones ...
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$10.69 THE LAWS OF JAZZ recorded in New York on April 2 & 22, 1964. FLUTE BY-LAWS recorded on August 25 & September 13, 1965 and February 24, 1966. THE LAWS OF JAZZ originally released on Atlantic (1432). FLUTE BY-LAWS originally released on Atlantic (1452). Includes liner notes by Bob Altshuler and Les Carter.
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