Bob Marley Songs Of Freedom CD

Includes liner notes by Rob Partridge, Rita Marley, Derrick Morgan, John "Rabbit" Bundrick and Timothy White.

During his all-too brief life, Bob Marley established himself as one of the giants of modern music; he stands on par with the likes of Miles Davis and Bob Dylan, performers who took established musical forms and revolutionized them, who continually evolved their vision throughout their careers. From his first single, the bouncy "Judge Not," through a loose, live rendition of the haunting "Redemption Song" performed at his last stage appearance, SONGS OF FREEDOM documents Bob Marley's musical legacy better than any previous compilation, and probably, better than any likely to come.

Marley was at his peak at the time of his death in 1981, meaning there is no filler or weak material here, only four solid discs of great songs. His philosophical evolution is easily seen: listen to a rude-boy anthem, like the early hit "Simmer Down," next to a later exploration of Rastafarianism, such as "Crazy Baldheads," and eventual statements of pan-Africanism in songs like "Zimbabwe" and "Africa Unite." Musically, Marley's music expanded just as far. He utilizes Stylistics-like harmonies on "High Tide Or Low Tide," incorporates early-80's R&B into the sound of "Could You Be Loved," and even throws a basic blues shuffle into the alternate mix of "Three Little Birds."

SONGS OF FREEDOM is exhaustive and beautifully packaged. It is loaded with previously unreleased material, songs from the Ska years, the late-60's Lee Perry productions, and all of the highlights of the Island years. There are extended versions of famous singles like "Exodus" and "Jammin'" so that we can hear dub aspects of the music that only Jamaicans and hardcore fans were previously aware of.

Outside Jamaica, reggae begins and ends with Bob Marley. SONGS OF FREEDOM goes a long way to explain why.

Engineers include: Lee Perry, Carlton Lee, Alex Sadkin.

Personnel includes: Bob Marley (vocals, guitar); Aston Barrett (guitar, bass); Earl "Chinna" Smith (guitar); Dean Fraser, Tommy McCook (saxophone); Rita Marley, Peter Tosh, Judy Mowatt, Marcia Griffiths (background vocals).

Producers include: Leslie Kong, Clement Dodd, The Wailers, Johnny Nash, Lee "Scratch" Perry.

4 Cds

Entertainment Weekly (10/2/92, p.58) - "...the entire first disc amply displays the Wailer's early ska and rock-steady fire....there are tons of fascinating obscurities and previously unreleased cuts...a collector's wet dream..." - Rating: B+
Entertainment Weekly (11/26/99, p.99) - "...a satisfying overview of one of music's greatest careers." - Rating: A
Q (11/92, p.131) - 5 Stars - Indispensable - "...virtually every song is shot through with an ever-dawning sense of freedom.....his music is all a matter of spirit and that spirit was simply larger and more generous than any other contemporary musician....This set is an almost overwhelming celebration of the richness and abundance of Marley's career..."
Dirty Linen (Dec./Jan. 92/93, p.53) - "...even if you already own all of the Wailers' Island recordings on CD as well as various vinyl `bootlegs' of earlier Wailers material (such as the BIRTH OF A LEGEND albums), there is still more than enough fresh material to make this a worthwhile purchase..."
Melody Maker (10/10/92, p.39) - "...a treasure chest of melodic militancy almost unimaginable in these censorphobic times..."
Musician (1/93, p.88) - "...Whether you seek the bedrock of Ras Bob's formidable legacy or new insights into his stylistic inventions, SONGS OF FREEDOM paints a full-length portrait that casts a gigantic shadow..."
Village Voice (3/2/93, p.5) - Ranked #1 in the Village Voice's list of the 10 Best Reissues Of 1992.
Stereo Review (2/93, p.120) - "...includes just about everything he did worth hearing....It's well remastered, too, and the accompanying booklet conveys the essence of the man and his accomplishments far more succinctly than any current biography..."
NME (Magazine) (12/18/99, p.28) - 9 out of 10 - "...profiles the whole of Marley's musical life....It shows how [he] married fierce, brave insurrectionary lyrical statements with some of the most poignant and lovely melodies on tape....as pure and sweet and powerful as the day he sung it."