| | Gone In 60 Seconds Soundtrack CD (1 Customer Review)
The soundtrack set behind GONE IN 60 SECONDS, the Nicholas Cage/Angelina Jolie car theft, uh, vehicle, pumps a pulse of pounding pop, funk, soul, electronic and hip-hop. The collection stands as one of the more flowing mixed artist compilations. There's logic in the song order, and at times the album even sounds like a solo artist's.
Kicking off with one of the odder pairings, The Cult makes a stab at a Dianne Warren original, "Painted on My Heart." British jack-of-all-trades Gomez eases its funky "Machismo" right in besides Moby's gospel-tinged "Flower," while Method Man & Redman, one of the best collaborations since peanut butter met jelly, contribute the wicked old school electronica hip-hop jam "Da Rockwilder." M. Doughty, late of Soul Coughing, provides vocals on techno wizard BT's infectious "Never Gonna Come Back Down." For those in search of familiar material, there's DMX's anthem "Party Up," Apollo Four Forty's twisted electro-novelty tune "Stop The Rock," and a new take on Citizen King's hit "Better Days." GONE IN 60 SECONDS is a consistently enjoyable soundtrack.
Original music composed by Trevor Rabin.CMJ (8/00, p.66) - "...A good mix of mostly techno and hip-hop." Gone In 60 Seconds Soundtrack Music Gone In 60 Seconds Soundtrack Songs Gone In 60 Seconds Soundtrack Music Gone In 60 Seconds Soundtrack Music Review Gone In 60 Seconds Soundtrack CD Purchase Music From Gone In 60 Seconds CD To buy, Click on price to add to cart | Bruce Springsteen Tunnel Of Love CD (1987)
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SWEET TEA was nominated for the 2002 Grammy Award for Best Contemporary Blues Album.
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Tinsley Ellis has some great studio albums in his catalog, but like several blues guitarists, you have to see him live or at least hear him live to experience what the fuss is about. And the guitarist, backed by a strong supporting cast, delivers an exceptionally pleasing and well-rounded set on Live! Highwayman. Beginning with the standard brand of Texas or Austin blues, the musician opens with the mid-tempo "To the Devil for a Dime," which comes off as a blend of Stevie Ray Vaughan and a grittier, rowdier Robert Cray. Cray is also heard somewhat on the heartache soul of "The Last Song," which ...
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Quite often, the music that an artist plays on-stage and records in the studio only reflects a part of what he/she listens to at home. Someone who plays alternative metal on-stage might go home after the concert and listen to Sarah McLachlan or Shawn Colvin; someone who plays in a Celtic band might have a lot of gangsta rap CDs at home. And side projects come about when artists feel an overwhelming need to play something other than what they are best known for. Although guitarists Mick Mullin and Randy Garvine and drummer Dan Ballinger played metal in the band Superhighway Carfire, their side project Slacks (which became a bigger and bigger focus as time passed) is far from metal. Terrestrial, Slacks' second album, favors a style of alternative folk-rock that is twangy, countrified, and earthy but is also spacy and mildly eccentric; Slacks have some of the jam band thing going on (five of the seven tracks are instrumentals), and their work has a definite psychedelic edge. Critic Pete Soyer described Slacks' recordings as music "that mountain men would make in a one-room cabin 80 miles deep into the wilderness," ...
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