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Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma Music | Label | Sony Classical | | Orig Year | 10/25/1990 | | All Time Sales Rank | 5415  | | CD Universe Part number | 1238028 | | Catalog number | 39561 | | Discs | 1 | | Release Date | Oct 25, 1990 | | Recording Time | 50 minutes |
Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma Review
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Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma Songs Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma Music Composers on Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma CD : Wolfgang Amadeus Mozart Genres on Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma CD : Classical Period, Divertimento Performers on Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma CD : Kim Kashkashian, Gidon Kremer, Yo-Yo Ma
Purchase Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma
$38.49 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most devoted fans. As a result, DREAMS is neither the definitive Allman Brothers collection nor the gift to hardcore fans that, say, THE BOOTLEG SERIES is to Dylan-philes.
DREAMS' strengths are considerable. First and foremost, the box contains nearly five wall-to-wall hours of great music. By including everything from early demos to Gregg Allman and Dickie Betts' solo material, DREAMS does a great job of tracing the group's musical evolution from hippie blues band to kings of Southern rock. And, while the unreleased studio version of "Statesboro Blues" included here isn't definitive, it's still mighty good-as are the set's other rarities. Start your Allman Brothers collection with THE FILLMORE CONCERTS; if that grabs you, DREAMS should also find a welcome place on your CD ...
| | Poco Forgotten Trail (1969-74) CDs (1990)
Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma
$15.29 This compilation contains 38 songs, including many new remixes from original master tapes, 6 previously unreleased songs, alternate versions of 3 others, and a comprehensive 36 page booklet, with historic liner notes and photos.
This excellent two-disc collection captures Poco's finest moments from the days when they were laying down the template for all the country-rock music that was to follow. It's hard to remember, but when the Eagles first hit the scene, they were thought by many to be a Poco-wannabe band. Listen to this set and you'll hear why. The Forgotten Trail (1969-1974) culls tracks from Poco's first eight albums, as well as unreleased cuts and singles. From the classic anthem "Pickin' Up the Pieces," which kicks things off, through "You Better Think Twice," "C'mon," "Kind Woman," "From the Inside," "A Good Feelin' to Know," "Crazy Eyes," and on and on, this is wonderful music, ahead of its time in many ways. If Poco had arrived on the scene in the early '90s, they would have been kings of the country charts. Of course, without Poco, country music wouldn't have taken on the rock trappings that it did in the '80s and '90s. As it was, the band was considered too country for the Top 40 rock format of the time, and too rock & roll for country radio. This set is the place to start for an appreciation of the original Poco, when the group was considered to be Richie Furay's band. All the ingredients are here that made their music so delightful: the trademark high-vocal harmonies; Rusty Young's pedal steel guitar wizardry; Furay's patented juxtapositions of sad lyrics against bouncy, harmony-filled tunes; and their ...
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma
$6.25 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp ...
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Mozart: Divertimento, K 563 / Kremer, Kashkashian, Ma
$19.79 Recorded between 1967 & 1983. Includes liner notes by Jim Ladd.
Released to celebrate the 40th anniversary of the release of the first Doors album, THE VERY BEST OF THE DOORS supercedes all former Doors compilations. At two discs and 34 tracks, this is quite comprehensive for a band whose key lineup released only half a dozen albums. In addition to all the expected hits like "Light My Fire," "Hello I Love You," and "Roadhouse Blues," this compilation delves much deeper into the catalogue with fan favorites such as "Not To Touch the Earth" and "Wishful Sinful," as well as a handful of previously obscure rarities. Remastered and newly remixed by original engineer Bruce Botnick and the surviving members of the Doors, THE VERY BEST OF THE DOORS is a solid tribute to the band.
The first Doors album was an important development in the evolution of rock, representing the dark underbelly of the '60s counterculture, the Jekyll to the Beatles/Beach Boys' Hyde. The Doors were the antithesis of windblown Californian pop. Dark, brooding and alienated, every element of the quartet's metier was unveiled on their debut album. In Jim Morrison they posessed one of rock's authoritative voices, while the group's dense instrumental prowess reflected his lyrical mystery. Highly literate, they wedded Oedipian tragedy with counter-culture nihlism and, in "Light My Fire", expressed exotic images previously unheard in pop. How
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