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Glass, Philip - Glass: Solo Piano / Philip Glass CD Cover Art

Glass: Solo Piano / Philip Glass CD

 Glass, Philip CDS

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Category Rock, Classical, New Age, 20th Century Period, Opera/Operetta
Live Recording
Glass: Solo Piano / Philip Glass Music


Detailed Glass: Solo Piano / Philip Glass Music Information



Label CBS Masterworks
Orig Year 8/7/1989
All Time Sales Rank   644  
CD Universe Part number 1238242
Catalog number 45576
Discs 1
Release Date Aug 07, 1989
Recording Time 50 minutes
Glass: Solo Piano / Philip Glass Review


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Glass: Solo Piano / Philip Glass Songs


Glass: Solo Piano / Philip Glass Songs Detailed Work Information



1. Metamorphosis, for piano: Metamorphosis One  (5:39)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Metamorphosis For Piano
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass (Piano)
   Date Written  1988
   Country  United States of America
2. Metamorphosis, for piano: Metamorphosis Two  (7:19)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Metamorphosis For Piano
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass
   Date Written  1988
   Country  United States of America
3. Metamorphosis, for piano: Metamorphosis Three  (5:30)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Metamorphosis For Piano
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass
   Date Written  1988
   Country  United States of America
4. Metamorphosis, for piano: Metamorphosis Four  (7:00)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Metamorphosis For Piano
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass
   Date Written  1988
   Country  United States of America
5. Metamorphosis, for piano: Metamorphosis Five  (5:03)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Metamorphosis For Piano
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass
   Date Written  1988
   Country  United States of America
6. Mad Rush, for piano (or organ)  (13:44)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass (Piano)
   Genre  Character Piece
   Date Written  1979
   Country  United States of America
7. Wichita Vortex Sutra, for piano  (6:05)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Philip Glass (1937 - )
   Performer  Philip Glass
   Date Written  1988
   Country  United States of America


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Glass: Solo Piano / Philip Glass Music


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Composers on Glass: Solo Piano / Philip Glass CD : Philip Glass

Genres on Glass: Solo Piano / Philip Glass CD : Character Piece

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Composing the music for a theater piece revolving around the life and work of photographer Eadweard Muybridge must have seemed a natural fit for Philip Glass, as Muybridge's stop action studies of people and animals in motion have a clear visual analogy in Glass repeating musical cells. Scored for his ensemble accompanied by a chamber orchestra, The Photographer is one of the works bridging the gap between his earlier compositions up through Einstein on the Beach and his later pieces for more traditional instrumentation. The unusual feature here is the presence of violinist Paul Zukofsky in what amounts to a soloist's role, his sawing lines often reminding one incongruously of a hoe-down. While the opening vocal version of "Act I" has an almost too precious and dainty feel, the remainder of the album chugs along at a robust pace familiar to fans of Glass' music. When the final section bursts to life after a lengthy prologue, the brass sputtering, the basslines percolating, one can hardly fail to admire his ability to excite an audience on a visceral level, even as one feels slightly guilty at the ease with which one has been manipulated. ~ Brian Olewnick Personnel: Philip Glass (organ, keyboards); Dora Ohrenstein (vocals); Paul Zukofsky (violin); Theodore Israel, Lewis Eley, Maureen Gallagher, Jeanne Ingram, Judy Geist, Marin Alsop, Jill Jaffe, Carol Pool (strings); Jack Kripl (flute, soprano saxophone, alto saxophone, baritone saxophone); Eddie Carroll, Lew Soloff (trumpet); Ron Sell, Bob Carlisle (French horn); Jim Pugh, Alan Raph (trombone); Michael Riesman (piano, keyboards, synthesizer, bass synthesizer). Recording information: Greene Street Recording Studio, New York, NY (1982).
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Additional recording for this disc took place at The Complex, Los Angeles, California. Songs From Liquid Days became Philip Glass' most popular and successful recording. The title holds the clue to the music's accessibility: These are songs, providing a more familiar and comfortable format for appreciating the world of minimalism than Glass' operas or instrumental pieces. Working with such lyrical collaborators as David Byrne and Suzanne Vega, he created art music which sounds radio friendly. There is also great variety displayed on this album. While the musical backing is unmistakably Philip Glass, the arrangements and vocal treatments range from the coolly subdued chamber music of "Freezing," featuring the Kronos Quartet and Linda Ronstadt, to the appropriately electrifying and almost new wave-ish "Lightning." The album's highlight, however, is the opener, a ten-minute opus called "Changing Opinion." With unusually oblique lyrics courtesy of Paul Simon, it condenses the odd excitement and drama of a minimalist opera into a single, creative burst of melody, rhythm, and momentum. The minimalist composers originally wanted to reconnect Western art music with a broad, popular audience. On that basis, Songs From Liquid Days may be their single greatest achievement. ~ Freddy Stidean
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Originally released in 1973, this live recording finds the British boogie-band stadium rockers at their mature best, performing their unique take on blues and jazz classics like "Seventh Son," "Going to New York," and "Let's Work Together." There's an extended instrumental passage on "Flight," and "Mesopopmania" highlights Colin Cooper and Peter Haycock's Allmans-style dueling guitars, while "So Many Roads" features a gorgeous Peter Green-style guitar workout, and "Shake Your Love" is a bone-rattling Bo Diddley-esque jam. Originally released in 1974 on Polydor, this 12 track live album, recorded in front of a very loud & enthusiastic New York City audience, was a top seller in the U.S. This British blues/rock combo led by Peter Haycock become one of AOR radio's favorite Recorded live at The Academy Of Music, New York, New York. Includes liner notes by Alan Clayson. Contains 12 tracks. Climax Blues Band includes: Peter Haycock. Personnel: Colin Cooper (vocals, guitar, saxophone); Peter Haycock (vocals, guitar); John Cuffley, Derek Holt (drums). Audio Remixer: Jeffrey Lesser . Liner Note Author: Alan Clayson. Recording information: The Academy Of Music, New York, NY. Illustrator: Dave Heffernan. Photographer: Cosimo Scianna. Climax Blues Band: Colin Cooper (vocals, guitar, saxophone); Peter Haycock (vocals, guitar); Derek Holt (bass, drums); John Cuffley (drums).
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Recording information: Greene Street Recording, Inc., New York, NY (1981); The Living Room, Inc., New York, NY (1981). Personnel: Philip Glass (organ); Jill Jaffe (violin, viola); Elliot Rosoff, Mayuki Fukuhara, Anahid Ajemian, Sanford Allen, Carol Pool (violin); Julien Barber, Maureen Gallagher, Linda Moss, Harold Colleta, Sol Greitzer, Al Brown, Lois Martin (viola); Jonathan Abramowitz, Seymour Barab, Frederick Zlotkin (cello); Jack Kripl (flute, piccolo, clarinet, bass clarinet, soprano saxophone); Paul Dunkel (flute); Jerry Kirkbride (clarinet); Jon Gibson (soprano saxophone); Richard Peck (tenor saxophone); William Rueckenwald, William Rohdin, Wilmer Wise (trumpet); Larry Wechsler, Joe Anderer, Robert Carlisle, Sharon Moe (French horn); Robert Smith , Dennis Elliot , Alan Raph (trombone); Michael Riesman (piano, organ, synthesizer, bass synthesizer); Emu Lator (percussion).
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This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, with lyrics warm with memories of childhood neighborhoods and deceased loved ones, resulting in an alternating current of joy and sadness. Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul gets worked into these grand anthems. Chassagne delivers some spellbinding vocals on "Haiti," while the tinkling piano and strings on "Crown of Love" conjure up a heartbroken surfside prom. In 2004, this made many critics' year-end lists, and it's no wonder--the songs on FUNERAL are so packed with unique instrumentation, mesmerizing build-ups, and galvanizing tempo changes that they seem culled from some enigmatic, decade-spanning rock anthology. Recording information: Hotel 2 Tango (08/2003-??/2004); Win & Regine's Apartment, Montreal, Canada (08/2003-??/2004). Photographer: Hilary Treadwell. Arcade Fire: William Butler (synthesizer, xylophone, bass instrument, percussion); Richard Reed Parry (double bass); Win Butler (bass guitar); Régine Chassagne, Howard Bilerman. Personnel: Win Butler (vocals, acoustic guitar, electric 12-string guitar, piano, synthesizer); Régine Chassagne (vocals, accordion, recorder, piano, synthesizer, xylophone, drums, percussion); Howard Bilerman (guitar, drums); Timothy Kingsbury (acoustic guitar); Anita Fust (harp); Jessica Moss, Sophie Trudeau, Owen Pallett, Sarah Neufeld (violin); Genevieve Heistek (viola); Michael Olsen, Mike Olsen (cello); Richard Reed Parry (accordion, piano, organ, synthesizer, xylophone, upright bass, percussion); Pietro Amato (horns); Will Butler (synthesizer, xylo
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