| | Puccini Without Words / Kostelanetz & His Orchestra CD Kostelanetz / Puccini CDS
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Our Price: $7.59  CDFor Sale Usually ships in 1-2 days
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Puccini Without Words / Kostelanetz & His Orchestra Music | List Price | $7.99 (You save $0.40) | | Label | CBS Masterworks | | Orig Year | 7/1/1991 | | All Time Sales Rank |  3658  | | CD Universe Part number | 1238355 | | Catalog number | 46285 | | Discs | 1 | | Release Date | Jul 01, 1991 | | Recording Time | 1 10 |
Puccini Without Words / Kostelanetz & His Orchestra Classical Review Additional track information is unavailable.
Purchase Puccini Without Words / Kostelanetz & His Orchestra To buy, Click on price to add to cart | Terri Clark Greatest Hits CD (2004)
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Randy Travis emerged in the 1980s at the forefront of country's New Traditionalist movement, with a sound that recalled classic country balladeers George Jones, Merle Haggard, and Lefty Frizzell. His pure, honest approach to heart-wrenching saloon songs resonated with country audiences in a major way, making him a star. This 20-song collection is a single-disc distillation of Travis's long, fruitful career, and is the perfect place to start exploring his work.
While there are some up-tempo honky-tonk numbers here, it's the slow-burn ballad that is Travis's stock in trade, and there's no shortage of those. From the tormented would-be philanderer of "On the Other Hand" (his first big hit) to the jilted lover of the heartbroken lament "It's Just a Matter of Time," Travis inhabits every song completely, with a voice deeper than anything this side of Tennessee Ernie Ford and full of unadorned emotion. The fact that Travis's career weathered the changes in the country scene long enough ...
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Ralph McTell was at the forefront of a British singer-songwriter movement in the late '60s and early '70s that drew more from American roots music and less from the traditions of the U.K., creating a leaner, more working-class balladry. Over the years McTell has been anthologized more than a few times, yet few single disc collections have really been able to capture the scope of his massive career. THE DEFINITIVE COLLECTION seeks ...
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FOUND PIANOS In the course of my career as what has been called an "itinerant pianist," I have had the occasion to play many different pianos in many different rooms, from grand to humble. The selections on this CD represent a sampling of recordings I have made around southeastern Connecticut. Armed with a Sony minidisc recorder and a stereo microphone, I proceeded to document my stream of consciousness responses to various pianos and their environments. The locations of the recordings are as follows: Lyman Allyn Museum, New London; Pine Point School, Stonington; Calvary Episcopal Church, Stonington; Harkness Chapel, Connecticut College, New London; the home of Jeanne and Peter Humphrey, Stonington; the home of Carol and Hank Mann, Stonington. With the exception of the Harkness Chapel sessions, these are "field" recordings, with some of the vagaries often associated with a spontaneous and unplanned session. The Harkness recordings were made as an afterthought, following a scheduled session I had done for a friend of mine on the chapel's pipe organ. The recorder was still running, so I opened the seven-foot Steinway and had some fun. My thanks to Connecticut College recording engineer, Jim McNeish, for his work in making these pieces available for this CD. I stopped by the Lyman Allyn Museum to check out the piano in preparation for an upcoming gig there...a reception of some kind. I was expecting to find the Steinway grand which I had played before, but, to my disappointment, in its place was a Kreutzmann grand. It did, however, perform rather nicely. I recorded several selections on the small Steinway at Calvary Church in Stonington Borough, and have included one here. The music room at Pine Point School, also in Stonington, has an old Chickering grand which has been around many blocks many times, but I had time to kill, waiting for piano students, and I just happened to have the recorder with ...
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