| | Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al CD Brahms / Casals / Schneider, A. / Stern CDS
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al Music | List Price | $8.96 (You save $1.37) | | Label | Sony Classical | | Orig Year | 2/22/1994 | | All Time Sales Rank |  20189  | | CD Universe Part number | 1239170 | | Catalog number | 58994 | | Discs | 1 | | Release Date | Feb 22, 1994 | | Recording Time | 1 17 |
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al Review
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Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al Songs Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al Music Composers on Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al CD : Johannes Brahms Genres on Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al CD : Romantic Period, Sextet Performers on Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al CD : Pablo Casals, Milton Katims, Madeline Foley, Myra Hess, Alexander Schneider [Violin], Isaac Stern, Milton Thomas Purchase Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al To buy, Click on price to add to cart | Commodores CD (1977)
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al
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The Commodores' 1977 self-titled release finds the elements that finally brought the band massive success working in perfect lockstep. In addition to their tight-knit funk, jazzy instrumental prowess, horns, and soulful singing (like many R&B groups of the era, they vocal duties), the Commodores also had great tunes, and struck a popular chord with their smooth, romantic balladry. This strength comes to the fore on COMMODORES, merging the group's penchant for grooves and lush instrumental sounds with dreamy tempos and sweet, soaring melodies.
Nowhere is this more evident than the album's closing cut, "Easy." Lead singer Lionel Richie's performance on this tune presages his own success as an adult-contemporary star in the '80s. The gentle, mid-tempo lope of "Zoom" has a similar feel (thanks in part to the strong, string-sweetened arrangements). But the funk is accounted for; ...
| | Sheryl Crow Tuesday Night Music Club CD (1993)
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al
$11.49 
"All I Wanna Do" won 1995 Grammy Awards for Record Of The Year and Best Pop Vocal Performance, Female; and Sheryl Crow won the Grammy for Best New Artist. "All I Wanna Do" was also nominated for Song Of The Year.
With her gruff, edgy delivery and sweet, seductive timbre, singer-songwriter Sheryl Crow evokes comparisons to tough yet tender blues-rockers like Bonnie Raitt, Lou Ann Barton and Angela Strehli. But Sheryl Crow is too talented to be plugged into any one stylistic bag. TUESDAY NIGHT MUSIC CLUB is a striking debut recording, teeming with the kind of musical curiosity all too rare in contemporary pop--all animated by Crow's remarkable storytelling skills.
From the Beatles overtones of her freedom cry "Run Baby Run" to the sweet pedal-steel inflected gospel of "I Shall Believe," Sheryl Crow brings a post-modern country sensibility to bear on her material (as in the touching "No One Said It Would Be Easy"), more often as a flavor in the stew than as the primary ingredient (like her hit single "All I Wanna Do," which evokes the country cum blue strains of Maria "Midnight At The Oasis" Muldaur). As for her narrative stylings, on "Leaving Las Vegas" she mixes her metaphors to equate relationships to games of chance, tolling themes of duty and resignation that also resonate throughout the jazzy "We Do What We Can." Her characters are up and down, but as the surreal "The Na-Na Song" and the smarmy "What I Can Do For You" make clear, ...
| | Sheryl Crow CD (1996)
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al
$12.59 
"If It Makes You Happy" won a 1997 Grammy for Best Female Rock Vocal Performance.
"Everyday Is A Winding Road" was nominated for a 1998 Grammy for Record Of The Year.
Since crashing the gates with 1993's TUESDAY NIGHT MUSIC CLUB, Sheryl Crow's brand of melodic pop has won her some Grammys and kept her constantly on the road. On the followup album, the one-time background singer retains her sweet delivery laced with gruff edges, while painting her sunny sound with darker shadings. Quirky characters and situations continue to inhabit Crow's songs, whether it's holy rollers and government conspirators ("Maybe Angels") or a homeless evangelist proselytizing outside a supermarket ("Hard To Make A Stand").
While Crow could easily content herself by writing about assorted oddballs, real-life manifests itself assuredly on SHERYL CROW. Her trip to entertain troops in war-torn Bosnia is reflected in the wasted virtues and exploding shells of "Redemption Day." And in "Love Is A Good Thing," she sings pointedly about firearm sales and their consequences.
SHERYL CROW won a 1997 Grammy Award for Best Rock Album.
Recorded at Sunset Sound Factory and Sunset Sound, Los Angeles, California; Kingsway Studio, New Orleans, Louisiana.
Personnel: Sheryl Crow (vocals, acoustic ...
| | Crossroads (1986) CD (1986) Original Soundtrack
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al
$10.45
The ersatz blues story of the film gives Ry Cooder leeway to turn in an impressive blues-derived soundtrack featuring Sonny Terry along with his usual collaborators Van Dyke Parks, Jim Keltner, Nathan East, and others. But it's Cooder's guitar playing that highlights the album. ~ William Ruhlmann
Recording information: Ocean Way Studios.
Unknown Contributor Role: Jim Dickinson.
Arrangers: ...
| | Beatles For Sale CD (1964)
Brahms: Sextet No 1, Piano Trio No 1 / Casals, Stern, Et Al
$15.65
It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles, but the weariness of Beatles for Sale comes as something of a shock. Only five months before, the group released the joyous A Hard Day's Night. Now, they sound beaten, worn, and, in Lennon's case, bitter and self-loathing. His opening trilogy ("No Reply," "I'm a Loser," "Baby's in Black") is the darkest sequence on any Beatles record, setting the tone for the album. Moments of joy pop up now and again, mainly in the forms of covers and the dynamic "Eight Days a Week," but the very presence of six covers after the triumphant all-original A Hard Day's Night feels like an admission of defeat or at least a regression. (It doesn't help that Lennon's cover of his beloved obscurity "Mr. Moonlight" winds up as arguably the worst thing the group ever recorded.) Beneath those surface suspicions, however, there are some important changes on Beatles for Sale, most notably Lennon's discovery of Bob Dylan and folk-rock. The opening three songs, along with "I Don't Want to Spoil the Party," are implicitly confessional and all quite bleak, which is a new development. This spirit winds up overshadowing McCartney's cheery "I'll Follow the Sun" or the thundering ...
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