| | Bernstein Century - Bernstein On Jazz - Handy, Brubeck CD Armstrong / Bernstein / Lewisohn Stadium Sym Orch Discography of CDs
Personnel: Leonard Bernstein (piano); Edmond Hall (clarinet); Louis Armstrong, Buck Clayton (trumpet); Trummy Young (trombone); Billy Kyle (piano); Barrett Deems (drums).
Recording information: New York, NY (07/12/1956-01/30/1960). Bernstein Century - Bernstein On Jazz - Handy, Brubeck Music Bernstein Century - Bernstein On Jazz - Handy, Brubeck Review
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Selections recorded in Le Château d'Eau, Borges, France; Westleton Church, Suffolk, England; and DAT Studios, Cricklewood, London.
One of the two works for which composer Gavin Bryars is best known (the other being "Jesus' Blood Never Failed Me Yet"), his epochal "The Sinking of the Titanic" had been recorded three times in the 25 years since its creation. The first, for Brian Eno's Obscure label, was a landmark recording, but went swiftly out of print and became a much sought after collector's item, while the third, a relatively bland performance on Point, was widely distributed in the late '90s. In between, on the independent Belgian label Les Disques du Crepuscule, Bryars recorded what is ...
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Bernstein Century - Bernstein On Jazz - Handy, Brubeck
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After years of being told what she ought to do by record companies and producers, and then putting up with being ignored thanks to the public's fanatic interest in rock & roll, virtuoso jazz singer Carter started her own label. After getting her feet wet with the first few releases, she came up with this double album, which some fans would consider her masterpiece. Eventually it was licensed to Verve. The set is as faithful as possible; a transcription of her nightclub sets with piano trio backing. Interestingly enough, it is not actually recorded at a nightclub per se, because the Great American Music Hall, formerly one of San Francisco's most posh bordellos, is actually more a small theatre, with the set up just intimate enough to pull off this kind of live recording. A pity that the singer herself had to fund the project, because, in 1980, it was much more expensive and complicated to record live than it would become decades later with new technology. And no doubt Carter had to cut a few corners and make do with the results. So, most listeners ...
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Two of the undoubted stars of Dave Godin's "Deep Soul Treasures" series finally have an entire CD devoted to their recordings. As DG puts it, "If ever any recording act could lay claim to representing the acme of 'Deep Soul', ...
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