| | Gershwin - Greatest Hits CD Boston Pops / Gershwin / Vaughan / Yo Yo Ma CDS
| Category | Classical, 20th Century Period, Orchestral/Symphonic, Greatest Hits Collections, Concerto, Opera, Song, Character Piece, Prelude, Quartet, Overture, Tone Poem, March, Rhapsody, Film Score, Lullaby, Musical Comedy, Interlude |
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Gershwin - Greatest Hits Music Composers on Gershwin - Greatest Hits CD : George Gershwin Conductors on Gershwin - Greatest Hits CD : Leonard Bernstein, Louis Lane, Michael Tilson Thomas, John Williams Performers on Gershwin - Greatest Hits CD : Leonard Bernstein, Jeffrey Kahane, Andre Kostelanetz, Katia Labeque, Marielle Labeque, Yo-Yo Ma, Andre Previn, Sarah Vaughan
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Gershwin - Greatest Hits
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$20.19 This unique British musical event was watched and listened to by millions of people. It is a celebration of British tradition that also includes leading international artists ...
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Gershwin - Greatest Hits
$9.99 While the early 2000s bore witness to a bevy of youthful standards singers with earnestly traditional vocals, New Yorker Jane Monheit preceded Norah Jones, Michael Buble, Katie Melua et al. She wowed the jazz world when she was barely out of her teens with her 2000 debut, NEVER NEVER LAND, and quickly ascended to stardom. Monheit's fourth record, 2004's TAKING A CHANCE ON LOVE, expresses her love for movie musicals of the 1930s and '40s.
From both Monheit's song choices and the fervor she pours into these selections, it's virtually impossible to challenge the sincerity of her affection. Monheit opens by finding a truly original, offbeat angle to the oft-visited Fats Waller classic "Honeysuckle Rose" and continues to connect throughout the 11 subsequent tracks. She teams up with the aforementioned Michael Buble on a charged version of the always-lively "I Won't Dance" and finds every ounce of sultriness in "Why Can't You Behave?" and "Dancing in the Dark." As with most of the acclaimed jazz stylists of her day, Monheit possesses incredible vocal shrewdness, but it is her almost spiritual connection to the tunes of a ...
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Gershwin - Greatest Hits
$13.05 Aria (Goth)/Various Artists/Paul Schwartz (Producer): Paul Schwartz .
METAMORPHOSIS is the third installment in Paul Schwartz's popular Aria series and, like its predecessors, it builds contemporary ambient and dance tracks out of excerpts from famous opera arias. The stirring soprano of Broadway's Rebecca Luker, and a full choral backing, are featured throughout METAMORPHOSIS, lending classical credibility to the project. Yet Schwartz's sensibility is unmistakably modern, as proven by his use of keyboards and samples to create textured, driving grooves.
Still, Schwartz employs a full string orchestra, giving ...
| | Peter Cincotti On The Moon CD (2004)
Gershwin - Greatest Hits
$9.59 As a teenage piano-and-vocal prodigy, Peter Cincotti was, predictably, subject to criticisms of being nothing more than a pale imitation of his influences. On his second full-length album, ON THE MOON, however, the New York City native exhibits the type of quiet confidence that normally takes decades to develop. Unlike many talented youngsters, Cincotti is neither rebel nor revivalist. Rather, he combines a bit of the bluesy New Orleans raunch of his mentor Harry Connick, Jr. with a distinctly Big Apple sophistication that's as much Brill Building as it is Blue Note. The result is something at once fresh and accessible, based in classic forms yet quite contemporary.
Phil Ramone's clean, dry production insures that the focus is always placed squarely on Cincotti's vocals, even on the title track and Gerry Goffin & Carole King's classic "Some Kind of Wonderful," both of which seem aimed directly at the Norah Jones-primed pop market. If the ...
| | Il Divo Ancora CD (2005) (Import) Germany
Gershwin - Greatest Hits
$17.09 Knowing how to strike while the iron is hot, the international all-male pop-opera revue Il Divo, assembled by AMERICAN IDOL's Simon Cowell, followed up its 2005 debut (and subsequent Christmas album) with yet another outing in early 2006. Here the dashing vocal quartet--Urs Buhler (Switzerland), Sebastien Izambard (France), Carlos Marin (Spain), and David Miller (U.S.)--stays true to its multi-lingual repertoire, offering up a suitably dramatic Spanish version of Eric Carmen's "All By Myself" ("Solo Otra Vez") and an English/French rendition of "I Believe in You" (with Celine Dion), among other numbers. While the arrangements on ANCORA are lush and majestic, they never overshadow the full, passionate voices of the foursome, who have clearly become used to working together as a powerful group.
2005 studio album that reflects the multi-national ...
| | Music From The New York Stage (1890-1920): Volume 3 - 1913-1917 CDs (1993) (Import) 1913-1917
Gershwin - Greatest Hits
$48.05 Contains early and rare stage performances, originally recorded on discs and cylinders and collected from various public and private libraries.
The third volume of British archive label Pearl Records' series of four three-CD sets compiling original cast recordings of Broadway shows from 1890-1920 covers only a four-year period, from the start of 1913 to the start of 1917. This was a period when imported and homegrown operettas competed with musical comedy revues. Composers Victor Herbert, Jerome Kern, and Irving Berlin were in the ascendant, along with performers Al Jolson, Chauncey Olcott, and Bert Williams, and all are heard from here (Berlin even performs one of his own songs). Jolson, the first Broadway star also to be a major recording star, is especially dominant, being featured on 11 of the 68 tracks. But like its predecessors, this volume suffers from the lack of original cast recordings of some of the most popular songs to emerge from Broadway shows during the period. Of the ten songs introduced in Broadway musicals of the period that topped the charts (according to Joel Whitburn's book Pop Memories), only four are included here. It's not that the recordings exist and haven't been ...
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| | Ned Otter Powder Keg CD (2004)
Gershwin - Greatest Hits
$12.89 Tenor saxophonist and composer Ned Otter is an old-fashioned player in all the best senses of the term. Though a technical master of his horn, he impresses you with his chops without letting them distract you from the music; though well-versed in several generations of styles, he doesn't drag you along on an exhausting journey through jazz history in order to demonstrate his musical erudition. He has a skill set that is rare in jazz musicians: a combination of top-notch technique and exquisite melodic taste. (Having sidemen of the caliber of Billy Higgins and Harold Mabern, not to mention the fine bassist Dennis Irwin, doesn't hurt either, of course.) Otter broadcasts his intentions somewhat with an album title that sounds like it was lifted from the hard bop catalogs of Contemporary or Prestige circa 1955, and neither the tunes nor the playing will disappoint on that score: solid but relaxed renditions of the title track, "Tenderly," and Wes Montgomery's "Road Song" offer some of the album's high points, as do the two Otter originals, "Been There Before" and "Black Sunday," the latter a lovely jazz waltz. The ...
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