Dixie Chicks Wide Open Spaces CD

Dixie Chicks: Natalie Maines (vocals); Emily Erwin (vocals, dobro, banjo, acoustic guitar); Martie Seidel (vocals, fiddle, mandolin).
Additional personnel: Billy Joe Walker, Jr., Paul Worley (acoustic & electric guitars); Mark Casstevens, Billy Crain (acoustic guitar); George Marinelli, Tommy Nash (electric guitar); Lloyd Maines, Tony Paoletta (steel guitar); Matt Rollings (Hammond B-3 organ, piano); Bobby Charles, Jr., Michael Rhodes (bass); Greg Morrow (drums); Tom Roady (congas, shaker, tambourine).
All tracks have been digitally mastered using HDCD technology.
WIDE OPEN SPACES won the 1999 Grammy for Best Country Album. Dixie Chicks were nominated for the 1999 Grammy Award for Best New Artist. "There's Your Trouble" won the 1999 Grammy Award for Best Country Performance By A Duo Or Group With Vocal.
The Dixie Chicks spent the first half of the '90s toiling away on the independent bluegrass circuit, releasing three albums on small labels, before sisters Martie Seidel and Emily Robison decided to revamp their sound in 1995, adding Natalie Maines as their lead singer and, in the process, moving the group away from bluegrass and toward a major label with Sony/Columbia's revived Monument Records imprint. All of this seems like the blueprint for a big pop crossover move and, to be sure, their 1998 major-label debut Wide Open Spaces was a monumental success, selling over ten million copies and turning the group into superstars, but the remarkable thing about the album is that it's most decidedly not a sell-out, or even a consciously country-pop record. To be sure, there are pop melodies here, but this isn't a country-pop album in the vein of Shania Twain, a record that's big on style and glitz, designed for a mass audience. Instead, Wide Open Spaces pulls from several different sources -- the Chicks' Americana roots, to be sure, but also bits of the alt country from kd lang and Lyle Lovett, '70s soft rock (any album that features versions of songs by J.D. Souther and Bonnie Raitt surely fits this bill), even the female neo-folkies emerging on the adult alternative rock stations at the end of the decade. In other words, it hit a sweet spot, appealing to many different audiences because it was eclectic without being elitist but they also had a true star in Natalie Maines, whose powerful, bluesy voice gave these songs a compelling center. Maines was versatile, too, negotiating the twists and turns of these songs without a hitch, easily moving from the vulnerability of "You Were Mine" to the snarl of "Give It Up or Let Me Go." The same goes for the Dixie Chicks and Wide Open Spaces as a whole: they are as convincing on the sprightly opener "I Can Love You Better" or the bright, optimistic title song as they are on the breezy "There's Your Trouble" as they are on the honky tonk shuffle of "Tonight the Heartache's on Me" and the rocking swagger of "Let 'Er Rip." It's a remarkably wide range and it's effortlessly eclectic, with the Dixie Chicks bringing it all together with their attitude and understated musicality -- as debuts go (and this does count as a debut), they rarely get better than this. ~ Stephen Thomas Erlewine
The Dixie Chicks' WIDE OPEN SPACES is flavored with tight-knit harmonies and acoustic instrumentation within the center of very tastefully understated arrangements. Their own acoustic underpinnings of fiddle, guitar, banjo and dobro are complimented and raised up by Paul Worley and Blake Chancey's respectful and organic production. This music is decorated with antique store furnishings, not the usual gaudy, regurgitated guitar licks and cheap generic production tricks. The trio is propelled by their delightful vocals and the very natural and easy country sway that the producer and the fine accompanying musicians have created.

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