| | Tumi Cuba Classics, Vol. 3 CD - Import
Music Of Cuba
Performers include: Ignacio Pineiro, Florencio Calle, Luis Valdes, Gonzalo Asencio, Humberto Pluma, Amado Dedeu, Agustin Pina, Alejandro Rodriguez. Tumi Cuba Classics, Vol. 3 Music Tumi Cuba Classics, Vol. 3 Songs Tumi Cuba Classics, Vol. 3 Review
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A TODOS CUBA LE GUSTA was nominated for a 1998 Grammy Award for Best Tropical Latin Performance.
A lively, spontaneous record that manages to sound both relaxed and forceful at the same time, A Toda Cuba Le Gusta shows off the talents of many of Cuba's elder statesmen of Afro-Cuban jazz. Over gently pulsating conga grooves and low-register ostinatos, such luminaries as pianist Ruben Gonzalez and singer Manuel "Puntillita" Licea float dramatic melodies, as their solo contributions are answered by brass section chords as thick and sweet as cane syrup. Although it is Ruben Gonzalez' presence on this album that gets the most attention, his tendency towards relentless chromaticism becomes tiresome early on, especially when it is contrasted with the exquisite phrasing and tremulous beauty of singers such as Licea, Raul Planas, and Ibrahum Ferrer. As would be expected, the trumpets blare with traditional Cuban bravado, evoking gentle romance and fiery passion with equal ease. Even the resident gringo, Ry Cooder, gets in some choice licks on "Alto Songo." The relative lack of dynamic movement in most of these songs may lead to them blending together in the ear of the listener, but the inherent tunefulness of each ...
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Swiss harpist Andreas Vollenweider continues his exploration of world fusion on this ambitious, genre-blending release. In addition to the usual presence of Vollenweider's electrified harp, on which he manages to combine the instrument's lush, classical sound with unusual rhythmic effects and uncharacteristic tones, KRYPTOS boasts a range of other instruments, including flutes, synthesizer, human choruses, and a variety of percussion.
Stylistically Vollenweider draws on African influences, Greek folk songs, Celtic airs, contemporary Western classical, and dramatic film music. Vollenweider also has a soft spot for mythological themes, as on "Hermes' Wedding" and "Circulus Finalis," which recounts the travels of a hero in musical terms. Vollenweider is clearly building on his successful albums of the early 1980s with KRYPTOS, expanding the reach of his music to encompass the globe.
Personnel: Andreas Vollenweider (vocals, classical guitar, cheng, harp, erhu, bass flute, bamboo flute, clay flute, wooden flute, ocarina, accordion, organ, keyboards, percussion); Mindy Jostyn (vocals, mandolin, violin, fiddle, harmonica, melodica); Joseph Shabalala (vocals); Thomas Fessler (acoustic guitar, electric guitar); Ivan Conti (berimbau, congas); Daniel Pezzotti (cello); Jürg Fuyûzui Zurmühle (shakuhachi); Daniel Binelli (bandoneon); Roman Schmid (oboe, English horn); Michael Brecker (tenor saxophone); Walter Keiser (drums, snare drum, frame drum, percussion); Leonard Eto (drum, cymbals); Ladysmith ...
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Unlike Aussie punk revivalists Frenzal Rhomb and the Living End, the Ben Coyte-fronted Day of Contempt balances melodic hooks and punk metal hysterics on The Will to Live, a powerful, promising EP. From direct, scathing rockers like "The Ghost of Tragedy" and the charged ...
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