Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano CD

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano  

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano And Saint-Saens

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano  

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano  

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano  

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano THE BANJO GOES HIGHBROW-Douglas Back-classic 5-string banjo The Banjo Goes Highbrow is a highly entertaining and unique CD featuring classical arrangements and characteristic works for banjo as were typically performed in the concert halls and parlor rooms during the Victorian and Edwardian eras. While classical music on the banjo may seem somewhat of a novelty today, this has not always been the case. During the late 19th and early 20th centuries, in an effort to elevate the banjo from its rather crude mid 19th century minstrel show associations, banjoists developed a repertoire that included everything from arrangements of operatic overtures to transcriptions of virtuoso violin works. Between the years 1880 and 1915, more than 10,000 compositions and arrangements were published in the United States and in England for what is now referred to as the "classic 5-string fingerstyle banjo." Using gut-strung, open-back banjos and bare fingers to pluck the strings, banjoists of the time developed a right hand playing technique modeled after that of 19th century guitarists. Douglas Back is one of just a handful of classic banjo virtuosos in the world today who performs the repertoire and arrangements of the great classic banjoists of yesteryear. Trained as a classical guitarist and considered one of the foremost authorities and interpreters of 19th century American guitar music, Douglas Back took up the classic banjo in 1998 in an effort to help recreate the early 20th century American fretted instrument ensemble known as The Big Trio. The Big Trio was the name newspapers of the time gave to three stellar fretted instrument soloists, Frederick Bacon (1871-1948) on classic 5-string banjo, William Foden (1860-1947) on classic guitar, and Giuseppe Pettine (1874-1966) on mandolin, who joined forces and toured the United States and British Columbia in 1911-12. Though Back originally intended to recreate the guitar position of William Foden (whose guitar music he had previously recorded and published), finding an available banjoist who could play in the style of Frederick Bacon proved to be futile. Taking up the instrument primarily just to fill this role, he soon became fascinated with the nearly forgotten 19th and early 20th century virtuoso classic banjo tradition and began to devote himself to its mastery. He has since gone on to become one of the leading players of this banjo style. Press Reviews: "This is probably the best banjo CD to come my way!"Albert Lyle reviewer for The Banjo (UK) "I was blown away by your CD! I have never before heard single string playing like that!"Don Van Palta-National 4-String Banjo Hall of Fame Inductee "Back's artistry and technique on this CD is outstanding. His lightning finger-style playing smoothly negotiates the challenging Flight of the Bumblebee by Rimsky Korsakov...This CD establishes Douglas Back in the same class as past banjo greats such as Alfred Farland, Parke Hunter and Frederick J. Bacon to whom the CD is dedicated."Lowell Schreyer -FIGA magazine "Banjo aficionados should buy this CD just to see what's possible on the banjo and perhaps how virtuoso players might have sounded like a century ago."David Price-The Banjo Times (UK) Home

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano "I Do" is a special edition CD for Brides-to-be. The rich lyrical violin is joined by acoustic guitar, by string quartet, and by sparkling piano with bass. "I Do" is a recompilation of tracks from Gary Schnitzer's previous CD's, PLUS new music. Enthrall that bride-to-be with an inspiring and endearing engagement gift. And yes, "I Do" has an exquisite performance of that wedding favorite "Canon in D" by Pachelbel. The first half of the recording features music for the ceremony, mostly classical. The second half of the recording is "first dance" tunes. The CD is also beautifully packaged to make an elegant gift item or stocking stuffer. Personnel: Gary Schnitzer (violin). Author: William Butler Yeats.

Elliott Carter: Sonata for Flute, Oboe, Cello & Harpsichord; Sonata for Cello & Piano; Double Concerto for Harpsichord & Piano Recorded in Central Slovakia between March 1994 and August 1997.