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Adams / London Sinfonietta - Adams: Chamber Symphony, Grand Pianola Music / John Adams CD Cover Art
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Adams: Chamber Symphony, Grand Pianola Music / John Adams CD

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Category Classical, 20th Century Period, Symphony
Chamber Symphony
Adams: Chamber Symphony, Grand Pianola Music / John Adams Music


Detailed Adams: Chamber Symphony, Grand Pianola Music / John Adams Music Information



List Price $16.97 (You save $3.82)
Label Nonesuch
All Time Sales Rank   6567  
CD Universe Part number 1242804
Catalog number 79219
Discs 1
Release Date Oct 25, 1994
Mono/Stereo Stereo
Recording Time 53 minutes
Adams: Chamber Symphony, Grand Pianola Music / John Adams Review


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Adams: Chamber Symphony, Grand Pianola Music / John Adams Songs


Adams: Chamber Symphony, Grand Pianola Music / John Adams Songs Detailed Work Information



1. Chamber Symphony  (21:46)
   Composer  John Adams (1947 - )
   Conductor  John Adams
   Genre  20th Century Period / Symphony
   Date Written  1991
   Ensemble  London Sinfonietta
   Period  20th Century
   Country  USA
   Recording  Studio
   Venue  CTS Studios, London
   Recording Date  02/1993
2. Grand Pianola Music  (30:58)
   Composer  John Adams (1947 - )
   Conductor  John Adams
   Genre  20th Century Period
   Date Written  1982
   Ensemble  London Sinfonietta
   Period  20th Century
   Country  USA
   Recording  Studio
   Venue  CTS Studios, London
   Recording Date  02/1993


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Adams: Chamber Symphony, Grand Pianola Music / John Adams Music


Elements featured on Adams: Chamber Symphony, Grand Pianola Music / John Adams CD



Composers on Adams: Chamber Symphony, Grand Pianola Music / John Adams CD : John Adams

Conductors on Adams: Chamber Symphony, Grand Pianola Music / John Adams CD : John Adams

Ensembles on Adams: Chamber Symphony, Grand Pianola Music / John Adams CD : London Sinfonietta

Genres on Adams: Chamber Symphony, Grand Pianola Music / John Adams CD : 20th Century Period, Symphony

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Music For Mallet Instruments Personnel: Steve Reich (marimba); Nurit Tillis (piano, organ); Edmund Niemann (piano); James Preiss (vibraphone, percussion); Bob Becker , Russ Hartenberger (marimba, percussion); Tim Ferchen (marimba); Garry Kvistad (glockenspiel, percussion); Thad Wheeler (glockenspiel).
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Track Listing of songs: Whispering; Lullaby Of the Leaves; Alone; Five foot two, eyes of blue; Concerto d'automno, for voice & orchestra; Lover, song; Show Boat, musical in 2 acts: Only Make Believe/Why Do I Love You; Caribbean Honeymoon; Nightingale Sang in Berkeley Square, A; Only a rose; Top Hat, White Tie and Tails, song; Funiculi Funicula, for voice & orchestra; What A Perfect Combination; Somewhere Over ...
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Personnel: Henry Brant (harp, flute, piano, marimba); Daniel Kobialka (violin, viola); Lawrence Wallace, Michael Barbour (violin); Helmut Braunlich (viola); Michael Finckel (cello); Michael Kelly (clarinet, bass clarinet); Carole Augmann (bassoon); Emil George (French horn); Lewis Paer (double bass); Adam Rudolph (drums).
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Composer Henry Brant is a significant figure in contemporary music and, in 2006, is the second to last man standing who participated in the first wave of American modernism (Elliott Carter is the other). Brant has never been well represented on recordings but, thanks to Innova, listeners are finally getting a comprehensive overview of the extensive catalog of this pioneer of American avant-garde, whose couple of hundred works span from the early '30s to the present time. Innova's The Henry Brant Collection, Vol. 2 includes three pieces belonging to the concerted genre, featuring a soloist or soloists along with an instrumental backing of some kind. As Brant has always trod his own path, reinventing the wheel with each new piece, it is inevitable that he should turn out a few duds, and unfortunately the opening work on Innova's The Henry Brant Collection, Vol. 2, Nomads, is one of them. It is a "third stream" triple concerto presented at Oberlin University in 1974 for improvised voice, saxophone, and a jazz drummer as soloist, with the Oberlin Wind Ensemble providing the ripieno, the only part of Nomads that is composed. The wind band tromps through music that would be suitable for a 1960s AIP-produced horror film as the improvised voice hollers about God knows what, the saxophone attempts to out-Pharoah Sanders Pharoah Sanders, and the drummer produces a jumble of drums. Nomads is staggeringly awful -- like a tape that Alexander von Schlippenbach would have burned. However, as a "party piece" for a get-together of aspiring composer types, Nomads might have some functionality.
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