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(2 Customer Reviews)
Star-studded projects often add up to very little, but Gordian Knot's eponymous debut turns out to be one of the best progressive rock albums released in the last years of the second millennium. And that's thanks to the fact that Sean Malone held on to the reins, guiding the project to its goal of finely crafted guitar-driven instrumental songs. Malone has a prog metal background, so do most of his guests (Cynic drummer Sean Reinert, King Crimson guitarist Trey Gunn, Dream Theater bassist John Myung, along with Ron Jarzombek and Glenn Snelwar). And yet the album only has a couple of tracks that can be qualified as "metal" ("Rivers Dancing," "Singularity"). Everything else falls into the guitar craft of the likes of David Torn and Robert Fripp. "Galois" opens the set with a seductive soundscape. "Code/Anticode" is the album's main showcase, an intelligent prog rocker with a solid rhythm section and a catchy modal melody. "Reflections" manages to make a menacing metal verse and a classical guitar chorus walk hand in hand like two lovers. "Srikara Tal" and "Redemption's Way" work as a soloing frame over a slightly North African percussion backdrop. They feel a bit overstretched, but the guitar work adorning them is worth the extended durations. The album ends with "Grace," a delicate ballad played on the Chapman stick that dissolves into soundscapes to take listeners back to where they started. If it weren't for a couple of overlong or self-indulgent tracks, this album would be a masterpiece. As it is, it still deserves the attention of any guitar fan. ~ François Couture
Gordian Knot was a short-lived band from southern California, by way of Mississippi. They released only one album, a terrific soft rock/harmony pop effort produced by Clark Burroughs of the Hi-Los. Original pressings are considered highly collectible and valuable. The group formed at the University of Mississippi and was led by ex-Mississippi all-American quarterback/guitarist/lead vocalist Jim Weatherly, a native of Pontotoc, MI. The group caught their biggest break after they appeared at a party thrown by Nancy Sinatra, who apparently liked them so much that she asked them to accompany her on a USO trip to Vietnam. According to their liner notes, they were "one of the few groups since the Beatles to possess genuine charm...not a phony showbiz glucose charm, but the real thing." The bulk of the songs for their album were written by Weatherly, and have a edgier, husky country-rock vibe compared with those written by Leland Russell, whose beautiful tunes are comparatively similar to the Association (Burroughs, it should be pointed out, was also a vocal arranger on the Association's Insight Out and Waterbeds in Trinidad! albums). "One Way Street" is the band's lone obligatory jug band entry. The band also appeared as themselves in a 1968 MGM teensploitation flick called Young Runaways, performing an original entitled "Ophelia's Dream." A few years after the release of this album, Weatherly moved to Nashville and became a country singer/songwriter, penning a handful of hits. Weatherly's biggest success as a songsmith came in 1973, however, when he wrote five of the nine songs on Gladys Knight & the Pips' Top Ten album Imagination, including the soulful "Best Thing That Ever Happened to Me" and "Midnight Train to Georgia" ("Midnight Plane to Houston" was the original title), a pop and R&B number one smash in September 1973. It scored two Grammy awards the following year. Weatherly recorded several albums for Buddahin the mid-'70s, and a few
In early 1998 The Laser's Edge signed Sean Malone, a former member of the avant-garde metal band Cynic, for the release of his upcoming instrumental solo album Gordian Knot.
Gordian Knot was conceived as a project to demonstrate Malone's abilities as both composer and performer. Malone's ground-breaking performance on Cynic's 1994 release Focus brought him worldwide acclaim for his bass work and his mastery of the 12-str Gordian Knot Music Review Average Rating: (4.5 out of 5 stars)   Galería de virtuosos No será una continuación de Cynic, pero Sean Malone se ha dado maña para reunir a varios grandes del llamado tech metal y de la música progresiva. El dúo rítmico está integrado por el mismísimo Malone en el bajo y por Sean Reinert en la batería, recordando los viejos tiempos en Cynic y los más nuevos en Aghora. El line up se completa con la inclusión del demente axe-man Ron Jarzombek, ex Watchtower y actual Spastic Ink; Trey Gunn, de King Crimson; y John Myung, de Dream Theater, entre otros.
La música transcurre entre lo apacible del ambient y las arremetidas metal jazz. Malone se centra en el aspecto melódico de las canciones, y si da pié al virtuosismo instrumental y a la improvisación es solo para reforzar la importancia de la melodía en el disco.
Los fanáticos deben estar lamiéndose los dedos en espera del nuevo disco de Gordian Knot, pues reunirá, después de casi diez años, al line up completo de Cynic: Paul Masvidal, Jason Gobel, Sean Malone y Sean Reinert. Aderezará este combo el tambor de Mr. Bill Bruford. ¿Se puede pedir más? Submitted by cesarpita (Lima, Peru)  Was This Review Helpful? Yes No 2 of 2 found this helpful.
Totaly Gordian Knot...The masterpiece of progressive metal "superstars".Fans of guitar music that explores the versatility of the instrument and the expressiveness of it will enjoy this disc. Some of the tracks are flowing and airy, some are aggressive and driving. The solos are really intense and impassioned.If you enjoy technically proficient guitar, tightly composed free-form expressiveness and very expansive play, you’ll enjoy this disc. Submitted by Prog Bart dobrowolny (Chicago,IL,USA)  Was This Review Helpful? Yes No 1 of 1 found this helpful.
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