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Spongetones Oh Yeah! CD

 Spongetones Discography of CDs

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The Spongetones return after a long absence with 1991's Oh Yeah! They effectively pick up where they left off in the '80s with their infectious Beatlesque power pop. Easily their best songwriting, and a good place to get acquainted with the band. ~ Chris Woodstra

Their first three CDs, Beat Music, Torn Apart, and Where-Ever-Land were all three very positively reviewed in Rolling Stone Magazine.This, their fourth record was released on Black Vinyl Records-owned by power pop icons Shoes to rave critical acclaim and provides nothing but fun and excitement.Piloted by ringing guitars, honking harmonicas and songs so infectious they could almost be branded sinful, the album tastefully blends charming Merseybeat roots with a dash of Kinks infested fury and resonant folk rock ala the Beau Brummels. (quote by Beverly Paterson)
Oh Yeah! Music


Detailed Oh Yeah! Music Information



Category Rock/Pop Albums, Rock CDs, Pop, New Wave, Power Pop
Label Black Vinyl
Orig Year 1991
All Time Sales Rank   314826  
CD Universe Part number 1244343
Catalog number 37641
Discs 1
Release Date Jul 13, 1999
Studio/Live Studio
Mono/Stereo Stereo
Spongetones Oh Yeah! Songs


Spongetones Oh Yeah! Album Track Listing



1.Not So
2.Always Carry On
3.Got Nothing Left to Hide
4.Oh Yeah!
5.Infatuation
6.Are You Gonna, Do You Need to (Love Me)
7.Return the Boy
8.Somewhere in the World
9.Brand New Start
10.Now Is Now
11.Words and Music
12.Am I Dancing or What?
13.Stupid Heart
14.Goodbye
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The SpongeTones • Beat Music • RipeteOne of the things that keeps me listening to rock & roll is its almost magical power of spontaneous generation. As one vine withers away, healthy new shoots appear in the most unlikely places. Among the more promising of the new breed are the SpongeTones, a neo-Merseybeat group from Charlotte, North Carolina. Though the band coalesced out of a pool of local musicians who played Beatles covers at a Charlotte club, the SpongeTones' maiden LP is full of nothing but originals. From the jump to it opening bars of the beat raver "Here I Go Again" to the woozy, slow-mo psychedelia of "Eloquent Spokesman," the grooves on Beat Music are aglow with a forward-thrusting musical abandon that recalls the glory days of many of the most familiar British Invasion front-liners, including the Beatles, the Dave Clark Five, the Zombies and the Who of "Anyway, Anyhow, Anywhere." But the SpongeTones' music has little of the rote, dogmatic obeisance of mere revivalism; instead, it sounds like the soundtrack to a party so good it could never happen in real life.My favorite cut is "Cool Hearted Girl," which wraps an irresistible guitar hook around a pumping, "She's a Woman"-style tune. But this is the sort ...
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This is a collection of singles and rare tracks recorded by David Bowie on the Deram label. Recorded between 1966 and 1968. Includes liner notes by Mark Adams. Prior to his transformation into the Thin White Duke, Ziggy Stardust or any of a half dozen personas that he's taken on throughout his career, David Bowie was just another art student struggling to make the leap to fame and fortune. THE DERAM ANTHOLOGY is a fascinating look into the early workings of a legendary artist. Bowie's mucking about for a hit included Anthony Newley-influenced numbers ("Rubber Band"), a novelty song ("The Laughing Gnome") swinging London lounge ("Love You Till Tuesday") and pale imitations of early Pink Floyd ("She's Got Medals.") Other more notable attempts to distinguish these numbers included adding lots of orchestration ("The London Boys"), weather-related sound effects ("Please Mr. Gravedigger") and kitschy banjo and clavinet arrangements ("Did You Ever Have A Dream"). ...
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The reissue of BLACK SNAKE DIAMOND ROLE includes five songs not included on the original LP release. Originally released in the U.K. on Armageddon (4). Includes liner notes by Grant Alden. This is Robyn Hitchcock's first solo album, though it has strong sonic links with efforts by his previous group The Soft Boys, who had disbanded just prior to this recording. The Soft Boys' artistically triumphant UNDERWATER MOONLIGHT bore no commercial rewards (they were unable to even find a US label to pick it up) and the band split. All of the band members play on this album, though the overall sound is noticeably not that of The Soft Boys. There's a bit less raucous tumble in the arrangements and production. That said, this is a solid album full of numbers which have become Hitchcock classics, including "The Man Who Invented Himself," "Brenda's Iron Sledge," and "I Watch The Cars." The Soft Boys' fusion of the energy of punk and the baroque textures and melodic twists of psychedelia was ahead of its time, but for the group's leader, Robyn Hitchcock, that had become a problem. Brilliant as their music was, hardly anyone was listening when the Soft Boys released their masterpiece, Underwater Moonlight, in 1980 -- so a year later the band was ...
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Principally recorded at Hyde Street Studios, San Francisco, California in 1988 and 1989. Originally released on Twin/Tone (89175). EYE is a solo album that Robyn Hitchcock recorded and released during the years he and his band The Egyptians had a string of albums for A&M Records. It harks back to his early solo efforts, such as I OFTEN DREAM OF TRAINS, and is imbued with a personal sense of place and history. The songs range from pastoral reveries to novelty-mystical hybrids. The simple instrumentation (primarily acoustic guitar and piano, overdubbed in varying combinations and quantities) is nearly orchestral in its thoughtful arrangements. A palpable loneliness runs through Hitchcock's themes of remembering, forgetting, imagining, wanting, losing, and dreaming. This album serves to further delineate the artist's skills as a guitarist. The range between his complex Soft Boys electric dueting with Kimbery Rew, to these flat- and finger-picked acoustic guitar workouts is quite impressive indeed. One listen to the instrumental "Chinese Water Python" will swiftly turn the head of anyone who's only heard Hitchcock ...
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This reissue of I OFTEN DREAM OF TRAINS includes five songs that weren't on the original album but were added as bonus tracks ...
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