| | Eloy Chronicles I CD Eloy Discography of CDs
(1 Customer Review)
 |
|
Our Price: $11.65 CDFor Sale Usually ships in 1-2 days (Only 1 available)
|  |
About as "proggy" as progressive rock gets, Chronicles I is a keyboard satiated compilation from Germany's Eloy, and is a sparkling album from beginning to end. With barely any vocals at all, frontmen Frank Borneman on guitar and Michael Gerlach on synthesizer create atmosphere through sheer electronic mastery on each and every track. Pure keyboard work, at times uninterrupted for minutes, sets the precedent for some dazzling symphonic rock with a bite. The clarity and briskness of the notes emanating from the synthesizers takes the listener by storm, while each cut contains it's own image in itself. The main reason for releasing this album was to give Eloy fans a collection of tracks with an improved sound, since many of their studio albums prior to 1986 suffer from poor production and low dynamics. The music here sounds brilliant, with "Mysterious Monolith '93" and "Silhouette '93" catapulting the crispness of the keyboards to the epicenter of the tracks. Representing their late-'70s and early-'80s era, with tracks from Ocean, Planets, Colours, Silent Cries and Mighty Echoes, and Time To Turn, this "best-of" spotlights the band in the most glorious portion of their career. While much of their music does contain lyrics, isolated here is their instrumental work, overloaded with clean, explosive energy. ~ Mike DeGagne
1993 compilation of the German prog rock outfit's finest tracks re-recorded. 10 tracks. Eloy Chronicles I Songs | 1. | Poseidons Creation | |
| 2. | Apocalypse, The | |
| 3. | Silhouette | |
| 4. | Mysterious Monolith | |
| 5. | Sphinx | |
| 6. | Illuminations | |
| 7. | End of an Odyssey | $1.87 | |
| 8. | Time to Turn | $0.99 | |
| 9. | Spirit in Chains | |
| 10. | Say It Is Really True | |
| Chronicles I Music Review Average Rating: (3 out of 5 stars)   Great songs but missing something of the originals This is not a compilation of previous releases, rather Eloy went back to the studio and re-recorded from scratch some of their finest material from their classic progressive rock period of the 70's and 80's, but using 1990s production/technology. The choice of songs is excellent, but I'm afraid when I want to hear them, I don't listen to this CD anymore; I listen to the originals. Why? Well, part of the charm of classic progressive rock was the time period itself, with all its production limitations. Hearing perfectly lock-step, digitized samplers programmed by seasoned men looking back on the past is not as satisfying as hearing old analog equipment played by aspiring youngsters making a musical adventure no one has heard before. The remakes have a self-conscious quality that is distracting. The originals have an innocent sense of exploration. The drumming is particularly distracting because it is given a heavy-metal production (loud, reverbed) that I never heard during the 70's/early 80s and betrays the spirit of the times. Besides Jurgen Rosenthal is much better on the originals than the new drummer. If you really want to survey this band at its best period, spend the money to buy "Dawn," "Ocean," "Silent Cries..." and "Planets", not these remakes. By the way, Chronicles 2 is later material where the production differences are not so much an issue. Submitted by Pablo (Napa Valley, USA) Was This Review Helpful? Yes No
| Have you heard this album? |  |
Purchase Chronicles I CD To buy, Click on price to add to cart | Genesis Wind & Wuthering CD (1976)
Chronicles I album
$10.49 Peter Gabriel was such a charismatic frontman and unique singer/lyricist ...
| | Shadow Gallery Tyranny CD (1998)
Chronicles I CD music
$14.65
| | Porcupine Tree Signify CD (1997)
Chronicles I music CDs
$10.39 The first proper album by the full band, Signify was the next great step forward for Porcupine Tree, a distinct advancement in how well the foursome could completely rock out as well as find its own ...
| | Happy The Man Better Late... CD (1984)
Chronicles I songs
$14.39
| | London Symphony Orchestra Kashmir: Symphonic Led Zeppelin CD (1997)
Chronicles I album
$11.35
| | Lightning Seeds Dizzy Heights CD (1996)
Chronicles I CD music
$12.79 This album is one of those pop records that has something memorable in every track. Ian Broudie ...
| | Psycho Key La La Land CD (2002)
Chronicles I music CDs
$15.89
| | Piranhas Erotic Grit Movies CD (2002)
Chronicles I songs
$13.89
| | Elvis Costello Delivery Man CD (2004) (Import) Japan
Chronicles I album
$38.09
| | Cex Know Doubt CD (2005) Extended Play
Chronicles I CD music
$7.35
| | David Lee Garza 30 Del Recuerdo CDs (2006) Remastered
Chronicles I music CDs
$9.85
| | Tom Morrell How The West Was Swung, Vol. 14: Live At Scotty's International Guitar Show St. Louis, CD (2006)
Chronicles I songs
$13.85
| | Elvis Costello Armed Forces CD (1979) Digipak; Special Edition
Chronicles I album
$11.49
| | Think Pink! A Kay Thompson Party CDs (2009)
Chronicles I CD music
$21.65 Although the 50-year copyright limit on recordings in Europe has resulted in many shoddy unlicensed reissues of popular recordings still in print in their legitimate versions, it also allows fans and collectors to assemble and present valuable rare and out of print material that the major labels have buried in their vaults and are likely never to unearth again. A good example is this, British reissue label Sepia Records' Think Pink! A Kay Thompson Party. Thompson (1909-1998) is a legend, even though she was not a star, her many accomplishments including authoring the series of children's books about Eloise, the precocious six-year-old who roams the halls of the Plaza Hotel; coaching Judy Garland and others for their singing in MGM movie musicals of the '40s; and headlining an acclaimed, but little documented nightclub act with the Williams Brothers (including a young Andy Williams) in the late '40s and early '50s. She also made studio recordings sporadically, among them a 1955 LP for MGM Records called Kay Thompson Sings, as well as appearing extensively on radio during its heyday and, occasionally, on TV and in films. Such sources, plus private recordings, have been compiled by Thompson's biographer Sam Irvin for this collection, which, astonishingly, is a three-and-a-half-hour triple-CD set. And, at that, it isn't even complete; it deliberately picks up the Thompson story where an earlier collection, 2003's The Queen of Swing Vocals & Her Rhythm Singers, issued by Baldwin Street Music, left off in the late '30s, then follows her to the end of the '50s. It does so non-chronologically, instead grouping the three discs into themes: CD one is "The Studio Recordings"; CD two "Rarities and Live Performances"; and CD three "Demos, Covers, Comedy, and Eloise." As such, the most conventional Kay Thompson comes at the start, with ten of the 12 tracks from Kay Thompson Sings (the other two are novelties held for the third CD), which make her seem to be a good interpretive traditional pop singer of the '50s in the mold of, say, Peggy Lee. Other tracks culled from singles reinforce this impression until the end of the disc, which contains excerpts from Thompson's one big featured role in a movie musical, 1957's Funny Face, in which she held her own against Fred Astaire. The second disc begins with an attempt to re-create what a nightclub performance by Thompson and the Williams Brothers might have been like, using some of their few recordings and airchecks. As the disc goes on, it moves backwards in time to the late '30s, emphasizing Thompson's abilities as a vocal arranger, then back up to the mid-'40s, with some examples of her work at MGM. The third disc ...
|
|
|