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Eloy Chronicles I CD

 Eloy Discography of CDs
3 stars (1 Customer Review)

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About as "proggy" as progressive rock gets, Chronicles I is a keyboard satiated compilation from Germany's Eloy, and is a sparkling album from beginning to end. With barely any vocals at all, frontmen Frank Borneman on guitar and Michael Gerlach on synthesizer create atmosphere through sheer electronic mastery on each and every track. Pure keyboard work, at times uninterrupted for minutes, sets the precedent for some dazzling symphonic rock with a bite. The clarity and briskness of the notes emanating from the synthesizers takes the listener by storm, while each cut contains it's own image in itself. The main reason for releasing this album was to give Eloy fans a collection of tracks with an improved sound, since many of their studio albums prior to 1986 suffer from poor production and low dynamics. The music here sounds brilliant, with "Mysterious Monolith '93" and "Silhouette '93" catapulting the crispness of the keyboards to the epicenter of the tracks. Representing their late-'70s and early-'80s era, with tracks from Ocean, Planets, Colours, Silent Cries and Mighty Echoes, and Time To Turn, this "best-of" spotlights the band in the most glorious portion of their career. While much of their music does contain lyrics, isolated here is their instrumental work, overloaded with clean, explosive energy. ~ Mike DeGagne

1993 compilation of the German prog rock outfit's finest tracks re-recorded. 10 tracks.
Chronicles I Music


Detailed Chronicles I Music Information



List Price $13.99 (You save $2.34)
Category Rock/Pop Albums, Pop CDs, Progressive, Rock, Greatest Hits Collections
Label SPV
Orig Year 1993
All Time Sales Rank   143939  
CD Universe Part number 1244977
Discs 1
Release Date Dec 06, 1993
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Import
Eloy Chronicles I Songs


Eloy Chronicles I Album Track Listing



1.Poseidons Creation
2.Apocalypse, The
3.Silhouette
4.Mysterious Monolith
5.Sphinx
6.Illuminations
7.End of an Odyssey$1.87
8.Time to Turn$0.99
9.Spirit in Chains
10.Say It Is Really True
Chronicles I Music Review


Customer Chronicles I Reviews 




Average Rating: (3 out of 5 stars) 3 stars

3 stars Great songs but missing something of the originals
This is not a compilation of previous releases, rather Eloy went back to the studio and re-recorded from scratch some of their finest material from their classic progressive rock period of the 70's and 80's, but using 1990s production/technology. The choice of songs is excellent, but I'm afraid when I want to hear them, I don't listen to this CD anymore; I listen to the originals. Why? Well, part of the charm of classic progressive rock was the time period itself, with all its production limitations. Hearing perfectly lock-step, digitized samplers programmed by seasoned men looking back on the past is not as satisfying as hearing old analog equipment played by aspiring youngsters making a musical adventure no one has heard before. The remakes have a self-conscious quality that is distracting. The originals have an innocent sense of exploration. The drumming is particularly distracting because it is given a heavy-metal production (loud, reverbed) that I never heard during the 70's/early 80s and betrays the spirit of the times. Besides Jurgen Rosenthal is much better on the originals than the new drummer. If you really want to survey this band at its best period, spend the money to buy "Dawn," "Ocean," "Silent Cries..." and "Planets", not these remakes. By the way, Chronicles 2 is later material where the production differences are not so much an issue.
Submitted by Pablo (Napa Valley, USA)
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Although the 50-year copyright limit on recordings in Europe has resulted in many shoddy unlicensed reissues of popular recordings still in print in their legitimate versions, it also allows fans and collectors to assemble and present valuable rare and out of print material that the major labels have buried in their vaults and are likely never to unearth again. A good example is this, British reissue label Sepia Records' Think Pink! A Kay Thompson Party. Thompson (1909-1998) is a legend, even though she was not a star, her many accomplishments including authoring the series of children's books about Eloise, the precocious six-year-old who roams the halls of the Plaza Hotel; coaching Judy Garland and others for their singing in MGM movie musicals of the '40s; and headlining an acclaimed, but little documented nightclub act with the Williams Brothers (including a young Andy Williams) in the late '40s and early '50s. She also made studio recordings sporadically, among them a 1955 LP for MGM Records called Kay Thompson Sings, as well as appearing extensively on radio during its heyday and, occasionally, on TV and in films. Such sources, plus private recordings, have been compiled by Thompson's biographer Sam Irvin for this collection, which, astonishingly, is a three-and-a-half-hour triple-CD set. And, at that, it isn't even complete; it deliberately picks up the Thompson story where an earlier collection, 2003's The Queen of Swing Vocals & Her Rhythm Singers, issued by Baldwin Street Music, left off in the late '30s, then follows her to the end of the '50s. It does so non-chronologically, instead grouping the three discs into themes: CD one is "The Studio Recordings"; CD two "Rarities and Live Performances"; and CD three "Demos, Covers, Comedy, and Eloise." As such, the most conventional Kay Thompson comes at the start, with ten of the 12 tracks from Kay Thompson Sings (the other two are novelties held for the third CD), which make her seem to be a good interpretive traditional pop singer of the '50s in the mold of, say, Peggy Lee. Other tracks culled from singles reinforce this impression until the end of the disc, which contains excerpts from Thompson's one big featured role in a movie musical, 1957's Funny Face, in which she held her own against Fred Astaire. The second disc begins with an attempt to re-create what a nightclub performance by Thompson and the Williams Brothers might have been like, using some of their few recordings and airchecks. As the disc goes on, it moves backwards in time to the late '30s, emphasizing Thompson's abilities as a vocal arranger, then back up to the mid-'40s, with some examples of her work at MGM. The third disc ...
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cdu4asppid music 1244977 cdu4pidall cdu4pls7 ver232cdu cdu4all 12/6/2009 7:28:31 AM