| | Dune Soundtrack CD - Import (2 Customer Reviews)
Unavailable in the U.S., this is the soundtrack to David Lynch's 1984 sci-fi epic on Polydor. The 17 track collection features Brian Eno's 'Prophecy Theme' and 16 tracks written,composed & performed by Toto.
Original soundtrack composed by Toto except "Prophecy Theme" (Brian Eno). The original soundtrack to DUNE features 17 tracks from Toto and the Vienna Symphony Orchestra, as well as Brian Eno and Daniel Lanois. Composer: Toto. Personnel: Steve Lukather (vocals, guitar); David Paich, Steve Porcaro (vocals, keyboards); Mike Porcaro (cello, acoustic bass, electric bass, percussion); Marty Paich (strings, keyboards); Jeff Porcaro (drums, percussion); Emil Richards, Robert Zimmitti (percussion). Recording information: Austrophon Studio; Austrophon Studio, Vienna, Austria. Unknown Contributor Role: Vienna Symphony Orchestra. Dune was never going to be an easy film to score. Dense, overreaching, and confusing, David Lynch's interpretation of the canon of Frank Herbert surely didn't leave many stylistic decisions strolling in through the front door. Yet despite the soft rock pabulum of its past, Toto constructed a luxuriant and peculiar soundtrack that injects Dune with a barren majesty the film often failed to create on its own. The Vienna Symphony Orchestra lends these peculiar compositions a much-needed precision. Brian Eno helps out with the haunting synth hymns of "Prophecy Theme." Remarkably, Dune is perhaps the only Lynch film where one could not wish the discovery of Angelo Badalamenti to have come sooner. Equally prescient horror and throwback to Hollywood epics of old -- there is nothing else to imagine but the organic, spiritual futurism of the film itself. ~ Dean Carlson
Dune Soundtrack Songs | 1. | Prologue |
| 2. | Main Title |
| 3. | Robot Fight |
| 4. | Leto's Theme |
| 5. | Box |
| 6. | Floating Fat Man (The |
| 7. | Trip to Arrakis |
| 8. | First Attack |
| 9. | Prophecy Theme |
| 10. | Dune (Desert Theme) |
| 11. | Paul Meets Chani |
| 12. | Prelude (Take My Hand) |
| 13. | Paul Takes the Water of L |
| 14. | Big Battle |
| 15. | Paul Killis Feyd |
| 16. | Final Dream |
| 17. | Take My Hand |
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Art Blakey Quintet: Art Blakey (drums); Lou Donaldson (alto saxophone); Clifford Brown (trumpet); Horace Silver (piano); Curly Russell (bass). Producer: Alfred Lion. Reissue producer: Michael Cuscuna. Recorded live at Birdland, New York, New York on February 21, 1954. Originally released on Bluenote (1521). Includes liner notes by Bob Blumenthal. Digitally remastered by Rudy Van Gelder. This is part of Blue Note's Rudy Van Gelder Editions series. Personnel: Art Blakey (drums); Lou Donaldson (alto saxophone); Clifford Brown (trumpet); Horace Silver (piano). Liner Note Authors: Bob Bluementhal; Leonard Feather. Recording information: Birdland, New York, NY (02/21/1954). Photographer: Francis Wolff. When Art Blakey founded the Jazz Messengers, his initial goal was to not only make his mark on the hard bop scene, but to always bring younger players into the fold, nurture them, and send them out as leaders in their own right. Pianist Horace Silver, trumpeter Clifford Brown, and saxophonist Lou Donaldson were somewhat established, but skyrocketed into stardom after this band switched personnel. Perhaps the most acclaimed combo of Blakey's next to the latter-period bands with Lee Morgan and Wayne Shorter, the pre-Messengers quintet heard on this first volume of live club dates at Birdland in New York City provides solid evidence to the assertion that this ensemble was a one of a kind group the likes of which was not heard until the mid-'60s Miles Davis Quintet. Three of Silver's greatest contributions to jazz before he turned to original soul and funkier sounds are here. "Split Kick" (introduced by the erudite Pee Wee Marquette) is a definitive hard bop vehicle, as Brown and Donaldson dig into their melody and solo lines with deep affection and joy for this music. "Quicksilver" ...
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