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Radiohead - Creep DS Cover Art
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Radiohead Creep CD Single - Import

 Radiohead Discography of CDs

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Japanese edition of the band's first hit single from 1993,backed with three non-album tracks: 'Yes I Am', 'Blow Out'(Remix) and a live version of 'Inside My Head' recorded at the Cabaret Metro in Chicago. Standard jewelcase. EMI release.
Creep Music


Detailed Creep Music Information



List Price $22.98 (You save $2.63)
Category Rock/Pop Albums, Rock CDs, CD singles, British
Label EMI Latin
Orig Year 1993
All Time Sales Rank   36420  
CD Universe Part number 1246181
Catalog number 8129
Discs 1
Release Date Oct 15, 2002
Mono/Stereo Stereo
Additional Info Bonus Tracks; Japan
Radiohead Creep Songs


Radiohead Creep Album Track Listing



1.Creep (Album Version)  
2.Yes I Am  $0.99
3.Blow Out (Remix)  
4.Inside My Head (Live)  
Creep Music


Creep Other Versions



Radiohead
Creep  (1993) Limited Edition; Extended Play
Vinyl Record$10.85
Creep Review


Creep Music Reviews



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Radiohead: Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway.
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Using the textured soundscapes of The Bends as a launching pad, Radiohead delivered another startlingly accomplished set of modern guitar rock with OK Computer. The anthemic guitar heroics present on Pablo Honey and even The Bends are nowhere to be heard here. Radiohead have stripped away many of the obvious elements of guitar rock, creating music that is subtle and textured yet still has the feeling of rock & roll. Even at its most adventurous -- such as the complex, multi-segmented "Paranoid Android" -- the band is tight, melodic, and muscular, and Thom Yorke's voice effortlessly shifts from a sweet falsetto to vicious snarls. It's a thoroughly astonishing demonstration of musical virtuosity and becomes even more impressive with repeated listens, which reveal subtleties like electronica rhythms, eerie keyboards, odd time signatures, and complex syncopations. Yet all of this would simply be showmanship if the songs weren't strong in themselves, and OK Computer is filled with moody masterpieces, from the shimmering "Subterranean Homesick Alien" and the sighing "Karma Police" to the gothic crawl of "Exit Music (For a Film)." OK Computer is the album that establishes Radiohead as one of the most inventive and rewarding guitar rock bands ...

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The B-sides of the incredible "Fake Plastic Trees" are more gentle than those of the "High and Dry" EPs. Part one has two (shock!) non-LP tracks, "India Rubber" and "How Can You Be Sure." Both are the subdued, acoustic side of the band, as per The Bends' "Nice Dream." Part two contains acoustic versions of "Fake Plastic Trees," "Bullet Proof...I Wish I Was," and "Street Spirit (Fade Out). Only the last of these is worth writing mommy about, really. ~ Jack Rabid
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Once the incredible OK Computer went platinum, proving (at last) to be as impressive to the populace as to the press, Capitol salivated for quick new product, with a new LP two years away. Fortunately for the company that made Sinatra and the Beatles famous, their powerhouse Oxford five had been releasing B-sides in the U.K., on the back of the singles "Paranoid Android," "Karma Police," and "No Surprises." Presto!! Out pops this seven-song mini-LP, basically the LP's "Airbag" and six B-sides. Mind you, Radiohead are effective judges of their own material. Unlike many U.K. bands, they never serve up a non-LP track so fantastic it should have made the first team. But Airbag is a fine purchase, as their lesser material is still provocative, ambitiously stretching (Thom Yorke and pals take a few chances, such as the spacy instrumental here, "Meeting in the Aisle"), and, as usual, clash several moods together at once. So, if you didn't buy the expensive English singles, get this. You can't go wrong with the pile-driving "Palo Alto." Like the other true standout, "Polyethylene, Pts. 1 & 2," it deliciously comes off its hinges on a dirty-sounding guitar slash in the chorus (a nerve-racking churn comparable to the Kinks' smashed-up riff in "You Really Got Me"), triggering a descending, scary guitar trill that oddly echoes the keyboard solo in Frankie "Boom Boom" Cannon's 1963 number 3 hit "Palisades Park." Typically traumatic! One loud boo, though, to all concerned, for omitting the fine, gently moving "Lull" (from the "Karma Police" U.K. ...

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