| | Eloy Ocean 2 CD - Import Eloy Discography of CDs
 (2 Customer Reviews)
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OCEAN 2 is the 1998 sequel to the 1977 OCEAN album from German progressive rock act Eloy.
Sequel to the German prog rock outfit's 1977 album for EMI,'The Ocean'. Eight tracks. 1998 GUN Records release. Eloy Ocean 2 Songs | 1. | Between Future and Past |
| 2. | Ro Setau |
| 3. | Paralyzed Civilization |
| 4. | Serenity |
| 5. | Awakening of Consciousnes |
| 6. | Reflections From the Sphere Beyond |
| 7. | Waves of Intuition |
| 8. | Answer, The |
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Purchase Ocean 2 CD To buy, Click on price to add to cart | Eloy Tides Return Forever CD (1994) Import
Ocean 2 album
 $15.89 
| | Eloy Power And The Passion CD (1975) Import
Ocean 2 CD music
$12.19 
Origianlly released in 1975, POWER & THE PASSION, is an album organized like picaresque novel, each song a different adventure in the life of a boy named Jaime. This 10 song album/novel, by German prog-rock outfit Eloy, includes "Introduction," "Imprisonment," and "Back Into The Present."
Dutch edition released in 2001 by EMI Records includes a bonus version of "Bells Of Notre Dame."
Much like Eloy's 1973 LP, Inside, Power and the Passion acts as a transitional album. With more weaknesses than strengths, it contains all the elements that would ensure the artistic success of future albums like Dawn and Ocean. For the first time, the group develops a single story over two LP sides. Gordon Bennit (who had penned down the lyrics to "Plastic Girl" from the previous year's Floating) developed a narrative in which Jamie, the son of a scientist, absorbs a "time eroding" ...
| | Eloy Dawn CD (1976) Import; Remastered; Reissued
Ocean 2 music CDs
$10.49 
This remastered version of the 1976 album features 12 tracks from the prog outfit Eloy.
Before recording this album, Eloy's fifth, Frank Bornemann had to rebuild his group. With Klaus Peter Matziol (bass), Detlev Schmidtchen (keyboards), and Jürgen Rosenthal (drums), he had the lineup that would become known as the "classic" Eloy. Furthermore, this version of the band crowned him producer, giving him a wild card to do what he had in mind. Thus the transformation of the group from a blues-rock-influenced avatar of Jethro Tull (circa Benefit and Aqualung) to a symphonic progressive rock group leaning toward Dark Side of the Moon-era Pink ...
| | Eloy Ocean CD (1977) Import; Remastered; Reissued
Ocean 2 songs
$11.65
| | Eloy Silent Cries And Mighty Echoes CD (1978) Import; Remastered
Ocean 2 album
$11.65
| | Eloy Planets CD (1982) Import; Remastered
Ocean 2 CD music
$11.65
| | Mississippi Sheiks Complete Recorded Works, Vol. 1 (1930) CD (1991)
Ocean 2 music CDs
$14.15 
| | Electric Light Orchestra In Concert CD (1996)
Ocean 2 songs
$7.89 
| | Prism Beat Street CD (1983)
Ocean 2 album
$13.19
Upon 1981's Small Change album, Prism fell apart. After the band brought in singer Henry Small to replace Ron Tabak, there were constant disagreements as to which route the group should take: a harder rock & roll one or one that was geared more toward radio pop. This led to a wholesale change within the lineup, and only Small was left when Beat Street was recorded in 1983. Even with Timothy B. Schmit helping out on vocals, Beat Street contains none of Prism's past arena rock charm or instrumental stamina. The tracks are watered-down attempts at playing pop/rock with lyrics that sound as if they've been written overnight. Without John Hall behind the keyboards or Tabak's singing, Prism just wasn't Prism anymore. Lackluster efforts like "Nightmare," "Wired," or "Dirty Mind" are muddled and stale; "Is He Better Than Me" tried to imitate the band's only Top 40 Billboard appearance of "Don't Let Him Know," but contains none of the hooks or the passion; and "Blue Collar" is a wannabe Bachman-Turner Overdrive track. Beat Street was blatant evidence that Prism was on their last legs, and their breakup finally occurred after this album was released. Capitol released an Over 60 Minutes with Prism collection in 1988, but none of Beat Street's tracks made the cut. ~ Mike DeGagne
Upon 1981's Small Change album, Prism fell apart. After the band brought in singer Henry Small to replace Ron Tabak, there were constant disagreements as to which route the group should take: a harder rock & roll one or one that was geared more toward radio pop. This led to a wholesale change within the lineup, and only Small was left when Beat Street was recorded in 1983. Even with Timothy B. Schmit helping out on vocals, Beat Street contains none of Prism's past arena rock charm or instrumental stamina. The tracks are watered-down attempts at playing pop/rock with lyrics that sound as if they've been written overnight. Without John Hall behind the keyboards or Tabak's singing, Prism just wasn't Prism anymore. Lackluster efforts like "Nightmare," "Wired," or "Dirty Mind" are muddled and stale; "Is He Better Than Me" tried to imitate the band's only Top 40 Billboard appearance of "Don't Let Him Know," but contains none of the hooks or the passion; and "Blue Collar" is a wannabe Bachman-Turner Overdrive track. Beat Street was blatant evidence that Prism was on their last legs, and their breakup ...
| | Tori Amos Scarlet's Walk CD (2002) Limited Edition; Special Edition
Ocean 2 CD music
$16.19 
This Limited version of SCARLET'S WALK includes a bonus DVD disc.
SCARLET'S WALK was nominated for the 2004 Grammy Award for Best Boxed Or Special Limited Edition Package.
The most instantly engaging, least cryptic (though still sometimes inscrutable) Tori Amos record since LITTLE EARTHQUAKES, SCARLET'S WALK is a welcome return to form. Ostensibly ...
| | Ronnie I Doo Wop Souvenirs CD (2005)
Ocean 2 music CDs
$6.29
Liner Note Author: Dennis Pettet.
| | Tommy Flanders Moonstone CD (1969) Import
Ocean 2 songs
$20.85
| | Rude Mechanicals Checkin For Squirrels CD (2008) (Import) Import
Ocean 2 album
$27.59
| | Tret Fure True Compass CD (2007)
Ocean 2 CD music
$14.29
Tret Fure's career spans 4 decades. She began her professional work at the age of 16, singing in coffeehouses and campuses in the Midwest, moving to Berkeley where, after performinging weekly on the campus of UC Berkeley where she attended college, she discovered that music really was her life. At 19, she moved to LA to pursue a songwriting and musical career. Within a year she was performing as guitarist and vocalist for Spencer Davis, touring with him and penning the single for his album 'Mousetrap'. She went on to record her own album in 1973 on MCA/Uni Records, with the late Lowell George of Little Feat as her producer. With the success of that release, she opened for such bands as Yes, Poco, and the J Geils Band. While recording her second album, Tret became interested in sound engineering, learning the trade and becoming one of the first women engineers in LA. Over the course of her career she has engineered and produced countless recordings by a variety of artists, including her own work.In the early 80s, Tret left the mainstream music industry. Armed with a fierce desire to retain full artistic control, she began exploring the independent side of the industry and soon discovered the blossoming genre known ...
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