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Eloy - Inside CD Cover Art
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Eloy Inside CD

 Eloy Discography of CDs

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Originally released in 1973, INSIDE is the second album by the German progressive-rock ensemble Eloy. Led by singer/guitarist/sci-fi enthusiast Frank Bornemann, the group specializes in sprawling, technically accomplished pieces, as embodied by the extended opener, "Land of No Body." Despite achieving success in Germany, Eloy never won over a large international audience, yet INSIDE shows the band's sonic kinship with acts such as Jethro Tull and Hawkwind.

Remastered reissue of the German prog rock outfit's 1973album, their second overall & first for EMI. 6 tracks including 'Land Of No Body' and 'Inside'. 2000 release. Standard jewelcase.

INSIDE is a 1973 release by German space rockers Eloy.

Remaster.
Inside Music


Detailed Inside Music Information



List Price $11.98 (You save $3.89)
Category Rock/Pop Albums, Rock CDs, Pop, Progressive
Label EMI Electrola
Orig Year 1973
All Time Sales Rank   28699  
CD Universe Part number 1247710
Catalog number 22681
Discs 1
Release Date Apr 29, 2008
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Remastered
Eloy Inside Songs


Eloy Inside Album Track Listing



1.Land Of No Body
2.Inside
3.Future City
4.Up And Down
5.Daybreak
6.On The Road
Inside Review


Inside Music Reviews



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Origianlly released in 1975, POWER & THE PASSION, is an album organized like picaresque novel, each song a different adventure in the life of a boy named Jaime. This 10 song album/novel, by German prog-rock outfit Eloy, includes "Introduction," "Imprisonment," and "Back Into The Present." Dutch edition released in 2001 by EMI Records includes a bonus version of "Bells Of Notre Dame." Much like Eloy's 1973 LP, Inside, Power and the Passion acts as a transitional album. With more weaknesses than strengths, it contains all the elements that would ensure the artistic success of future albums like Dawn and Ocean. For the first time, the group develops a single story over two LP sides. Gordon Bennit (who had penned down the lyrics to "Plastic Girl" from the previous year's Floating) developed a narrative in which Jamie, the son of a scientist, absorbs a "time eroding" drug and finds himself in Paris, in the year 1358. He meets Jeanne, whom he introduces to marijuana. After time spent in jail following ...
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This remastered version of the 1976 album features 12 tracks from the prog outfit Eloy. Before recording this album, Eloy's fifth, Frank Bornemann had to rebuild his group. With Klaus Peter Matziol (bass), Detlev Schmidtchen (keyboards), and Jürgen Rosenthal (drums), he had the lineup that would become known as the "classic" Eloy. Furthermore, this version of the band crowned him producer, giving him a wild card to do what he had in mind. Thus the transformation of the group from a blues-rock-influenced avatar of Jethro Tull (circa Benefit and Aqualung) to a symphonic progressive rock group leaning toward Dark Side of the Moon-era Pink Floyd was completed with the release of Dawn. A concept album co-written by Bornemann and Rosenthal, it tells the tale of a man who after a sudden death comes back as a ghost. He tries to pass on his newly acquired knowledge to his loved one (Jeanne, also the name of the girl in Power and the Passion). The album ends with his dissolving ...
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Sorry, there is no artwork available at this time
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Landing's string of captivating psychedelic-into-shoegaze releases continues apace with the lovely Seasons. Having now created more of a trademark sound for themselves -- balancing post-Slowdive blissout with a deft, light touch that results in any number of rich but never overpowering songs -- the quartet really comes into their own on the eight-song release (not counting the occasional brief instrumental break). Aaron Snow's singing shows welcome variety here; while always understated, more than once he's mixed upfront instead of being constantly in the haze, which can provide a gentle tension on songs like "Encircled." Adrienne Snow remains no slouch either; her lead turn on "First Snow" -- a wonderfully evocative title alone that the music easily matches -- is a slow-motion siren call sliding sweetly among the digital delay effects. The opening "Fall Song" readily demonstrates how well it can come together; not two and a half minutes long, it's a masterpiece in miniature, the lead guitar figure backed by a rich full-band arrangement that allows plenty of space amid the blur. The short codas at points make for fine additions to the flow of the record; the swirling, spaced keyboards on "(Through Fallen Leaves)" and the gentle space out of "(Into the Woods)" need no further justification for their presence than that. The combination of "Ruins in the Morning" and "(So Cold)" is arguably the album highlight, the lush guitar overdubs and soothing Aaron Snow vocal giving way to, amusingly enough, as perfect a Low tribute song ever recorded. Certainly one can easily imagine Alan Sparhawk on vocals and Mimi Parker on the steady drumming. Ending with the almost anthemic (in its own way) "Blue Sky Away," just upbeat and straightforward enough without sounding like a radical difference from the rest of the album and fading out on a final keyboard flourish, Seasons is one fine listen. ~ Ned Raggett "Seasons is a great Technicolor wash of out of sync psychedelic Byrdsong and vague Country-tinged languor, with its male and female vocals misting up in front of the speakers like breath on a cold day."-David Keenan, The Wire "Landing has finally emerged as a band with not only a lot of fantastic noise to be thrown around, but a great deal of melody to accompany it." -BrainwashedLanding has achieved something once very common and now so unique - they've built their career and following completely by themselves, with little reliance upon outside help. From releasing their own records, to tours with Windy & Carl, to serving as the Yume Bitsu backup band, to forming a space rock supergroup ...
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GREEN MIND (1991) is Dinosaur Jr.'s major-label debut, following five years on the esteemed indie SST. It's kind of surprising that the band made it to the majors at all, because the original lineup of guitarist/singer J. Mascis, bassist Lou Barlow, and drummer Murph had imploded quite publicly and viciously in 1989. Though Murph drums on three tracks and noise-scenester Don Fleming plays acoustic bass on one, GREEN MIND is almost entirely a one-man show. The results are surprisingly tuneful and assured, with the leadoff single "The Wagon" being the catchiest, poppiest song Mascis had delivered to that point. Elsewhere, "Puke and Cry" and the pummelingly hypnotic "Thumb" are as powerful as any of the noise-pop roars on indie releases like YOU'RE LIVING ALL OVER ME. Quite possibly the most consistent Dino Jr. album, GREEN MIND is a powerful and melodic grunge-pop nugget. After temporarily suspending the band, J Mascis first snuck out "The Wagon" as a Sub Pop single, then a little while later released the group's first major-label album, Green Mind. More of a solo project than a group effort -- Lou Barlow was out and then some, Murph only drums on three tracks, a few guests pop up here and there -- it's still a great album, recorded and performed with gusto. Such a judgment may seem strange given Mascis' legendary image as the überslacker, but clearly the man knows how to balance how to convey himself with getting the job done. "The Wagon" itself kicks off the album, an even quicker and nuttier sequel to the peerless "Freak Scene" -- Don Fleming of Gumball fame adds some of the music and background vocals, but otherwise it's Mascis and Murph cranking it and having a blast. When Mascis goes into one of his patented over-the-top solos, it all feels just right -- this is loud rock music for putting a smile on your face, not beating up people in a pit. The remainder of the album floats and rumbles along in its uniquely Dinosaur Jr. type of way, as apt to find poppy hooks, singalongs, and soft strumming as it is ...
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