| | Four Skins One Law: The Very Best Of The 4-Skins CD - Import Four Skins Discography of CDs
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Our Price: $18.39  CDFor Sale Limited Availability
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ONE LAW is a limited edition picture disc that comes in a tin can package with five color postcards.
Contains 41 tracks. One Law: The Very Best Of The 4-Skins Music Four Skins One Law: The Very Best Of The 4-Skins Songs | 1. | One Law For Them | $0.99 | |
| 2. | Yesterday's Heroes | $0.99 | |
| 3. | Low Life | $0.99 | |
| 4. | Plastic Gangsters | |
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One Law: The Very Best Of The 4-Skins Review
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In July 1973, Elvis returned to Memphis, this time to the source of Southern soul, Stax Studios. Apparently, the very idea of working with Elvis was intimidating and the Stax musicians couldn't overcome their awe, so Elvis had to leave the building. In his absence, the rhythm tracks were laid down. He then returned to add his vocals, a practice only used during the last few years of the soundtracks, when he was too bored to show up and work. From all of this, five songs were attempted and one was completed, and they're instantly forgettable. Elvis returned in December to Stax with a mix of his band and some Nashville cats, recording 18 tracks in a week. In between, he had tried a session at his Palm Springs home that didn't work, although three almost ponderously sincere ballads were completed. All in all, RCA had 30 new Elvis songs, enough quality material for two strong albums of 12 tracks each. Unfortunately, the material was issued as three cheesily packaged albums of a mere ten tracks each. Raised on Rock, Good Times, and Promised Land all have something to offer, but the lesser material dilutes the impact of the strong and the sound ranges from O.K. to atrocious, thus producing more evidence of Presley's growing mediocrity. ~ Neal Umphred
In July 1973 Elvis returned to Memphis, this time to the justly famed source of Southern soul, Stax Studios. After a couple of days, several of Stax's most famous musicians came in, including the marvelous rhythm section of Donald "Duck" Dunn, bass, and Al Jackson, drums. Apparently, the very idea of working with Elvis was intimidating and the group couldn't overcome their awe, so Elvis had to leave the building. In his absence, rhythm tracks were laid down. He then returned to add his vocals, a practice only used during the last few years of the soundtracks, when he was too bored to show up and work. From all of this five songs were attempted, one completed, and it's instantly forgettable. Elvis returned in December to Stax and with a mix of his band and some Nashville cats, recording eighteen tracks in a week. In between, he had tried a session at his Palm Springs home ...
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MEET THEODORE BIKELBorn 1924 in Vienna, Theodore Bikel was thirteen when he and his parents left Austria for Palestine. Fluent in Hebrew, Yiddish, and German with a respectable command of English and French, he intended to study and eventually teach comparative linguistics. In 1946 Bikel entered London’s Royal Academy of Dramatic Art from which he graduated with honors two years later. It was also at this time that he began to develop a serious interest in the guitar and folk music.But he was first to make his mark as an actor. Sir Laurence Olivier was so impressed with Bikel’s performance in several small London theatre productions that he offered him a role in his production of A Streetcar Named Desire starring Vivien Leigh. Bikel soon took over the second male lead, Mitch, ...
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