| | Chris Knight CD Chris Knight Discography of CDs
(3 Customer Reviews)
With Chris Knight's debut album, released on MCA Nashville's sister label Decca, critics of the new country sound of the late '90s began to hold out hope that Nashville could return to the genuineness that it had been so lacking for years. That hope was rooted partly in Knight's singing, full of country-rock phrasing clearly modeled after Knight's hero, Steve Earle, but even more so in Knight's songwriting. His flair for describing the lower-middle class in Middle America, their difficulties making a living, and run-ins with the law, evokes Earle and even early Bruce Springsteen. For example, "Love and a .45," co-written with Fred Eaglesmith, describes how two lonely people on opposite sides of the law, a cop and a prostitute, find each other. One of Knight's most literate songs, "The River's Own," details the singer's father's (and ultimately, his own) union with the river that runs by the family farm. And on the album's most poignant song, Knight tells the story of "William," a boy who "grew up hard and mean," beaten by his father, only to inflict some of the same pain on his family as an adult and die in a drugstore robbery. The only problem with this album is the instrumental arrangements. Some of Nashville's top studio musicians perform, and therein lies the rub. While technically proficient, the playing never matches up to the raw energy of Knight's songs. Thus, recording for a major label was a double-edged sword. On the one hand, it gave Knight a chance to be a major force in starting a new trend in country music, but on the other, the music might have been more effective had it been recorded live for a small independent record label. ~ Brian Wahlert
All tracks have been digitally mastered using HDCD technology.
Personnel: Chris Knight (vocals, acoustic guitar, electric guitar, background vocals); Kenny Greenberg (guitar, acoustic guitar, electric guitar); Dan Dugmore (acoustic guitar, electric guitar, steel guitar); Richard Bennett (acoustic guitar, electric guitar, tiple, bouzouki); David Grissom (acoustic guitar, electric guitar); Russ Pahl (steel guitar); Glen Duncan (fiddle); Tammy Rogers (viola); Tim Krekel (harmonica); Tony Harrell (accordion, pump organ, Mellotron); Michael Rhoades, Chad Cromwell (drums); Eric Darken (percussion); Christy Seamans, Kenny Meeks, Marilyn Martin (background vocals).
Audio Mixer: Joe Hayden.
Recording information: Eddy Creek Marina, Lake Berkley, KY; House Of Gain; Javelina Studios; Quad Studios, Nashville, TN; Treasure Isle.
Photographer: Mark Tucker .
Unknown Contributor Roles: Kenny Greenberg; Phil Madeira; Buddy Miller.
Personnel: Chris Knight (vocals, acoustic & electric guitars); Dan Dugmore, Kenny Greenberg (acoustic & electric guitars, steel guitar); David Grissom (acoustic & electric guitars); Richard Bennett (acoustic & electric guitars, tiple, bouzouki); David Grissom (electric guitar, guitar); Russ Pahl (steel guitar); Glen Duncan (fiddle); Tammy Rogers (viola); Tim Krekel (harmonica, background vocals); Tony Harrell (accordion, Mellotron, organ); Phil Madeira (Hammond B-3 organ); Glenn Worf, Michael Rhodes (bass); Chad Cromwell (drums); Eric Darken (percussion); Christy Seamans, Kenny Meeks, Marilyn Martin (background vocals).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Entertainment Weekly (2/6/98, p.63) - "Newcomer Knight plows the same gritty ground as Steve Earle and Townes Van Zandt on an impressive set of original story-songs. Often cinematic in his imagery and spare on instrumentation, he's best at profiling dark characters whose violence bubbles just below the surface..." - Rating: A- Chris Knight Music | List Price | $9.97 (You save $1.82) | | Category | Rock/Pop Albums, Rock CDs, Country, HDCD, Contemporary Country | | Label | Decca Nashville | | Orig Year | 1998 | | All Time Sales Rank | 5838  | | CD Universe Part number | 1250106 | | Catalog number | 70007 | | Discs | 1 | | Release Date | Feb 10, 1998 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Frank Liddell; Greg Droman | | Engineer | Dan Lefler; Greg Droman; Joe Hayden | | Recording Time | 48 minutes | | Personnel | Eric Darken - percussion Kenny Greenberg - acoustic & electric guitars, steel guitar Dan Dugmore - acoustic guitar, electric guitar, steel guitar Richard Bennett - acoustic guitar, electric guitar, tiple, bouzouki Michael Rhodes - bass Chad Cromwell - drums Tony Harrell - accordion, pump organ, Mellotron Marilyn Martin - background vocals Russ Pahl - steel guitar Phil Madeira - Hammond B-3 organ
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Chris Knight Music Review Purchase Chris Knight CD To buy, Click on price to add to cart | Kelly Willis What I Deserve CD (1999)
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$14.15 A couple years before releasing his 1998 Decca debut, Chris Knight demoed some of his songs with that disc's eventual co-producer, Frank Liddell. These were the days before computer software made it easy for home recording, so Liddell wound up recording Knight in an old trailer on Knight's Kentucky farm. Ten years down the road, these tapes ...
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$14.15 Heart of Stone adds to Chris Knight's already impressive collection of hardscrabble songs reflecting life in rural, small town America. In the dozen tunes here, the Kentucky native explores, with an unflinching honesty, the lives of troubled ordinary folks. There's the meth-maker in "Hell Ain't Half Full" who sees a world where there's no law, no love, and "God wasn't paying much attention at all", and the working man in "Another Dollar" ...
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$16.45 John Kruth is turning into a major talent. Kruth’s humor is sly… (with) an understanding of how to craft a first-class lyric, offering a character study with all of Paul Simon’s scalpel-sharp focus and twice Simon’s wit. - The Star Ledger (Newark, New Jersey)His music is truly singular. It’s fun. It’s like Shel Silverstein colliding head-on with a Kalahari Bushman barn dance. – The Valley AdvocateJohn Kruth is impossible to peg – his omnivorous approach yields a wealth of riches, ranging from Mid-Eastern jams to Waits-like blues ballads to squirrelly jazz-pop ditties. - Dallas Morning NewsJohn Kruth makes great albums – Adrian BelewThe cat daddy of eternal hipness. - Beatle Bob (St. Louis)Everywhere You've Never Been - John Kruth's sixth album mixes catchy folk/pop tunes like Since I Quit Drinkin' Coffee and Too Much Purple with an exotic feel provided by four Moroccan drummers including Brahim Fribgane who has worked with Peter Gabriel. The disc also features reeds by George Young of Saturday Night Live and Paul Simon fame along with Klezmatic trumpeter Frank London and bass by Dave Dreiwitz of Ween. Lots of poetic lyrics over cool acoustic grooves. Eccentric, quirky, angular, and humorously abstract,Kruth isn't easy to categorize. He could be described as alternative pop/rock and alternative folk-rock (depending on the song. Even though Kruth isn't a jazz artist per se one can tell that the more abstract forms of jazz have influenced his work. Kruth has been influenced by Bob Dylan, the Rolling Stones, Neil Young, and the Beatles, but he isn't as accessible as those rockers; instead, he combines his folk-rock and British Invasion influences with the angularity and abstraction of avant-garde jazz. Kruth doesn't think twice about moving from one instrument to another. Mandolin is his main instrument but he is also heard on banjo, dulcimer, harmonica, ...
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| | David Allan Coe Just Divorced/Darlin' Darlin' CD (2005) (Import) Germany
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$27.49 Germany's Bear Family Records hits the second from last leg of its David Allan Coe two-fer reissue program with this pair of albums released in 1984 and '85, respectively, when Coe was edging toward "legend" status -- meaning he was about to be kicked off the radio charts altogether to make room for Garth Brooks, Trisha Yearwood, and the next generation of Nashville hitmakers. Both recordings were produced by Billy Sherrill. Just Divorced features one of Coe's greatest vocal performances in his reading of Johnny Cunningham's "Mona Lisa's Lost Her Smile," which proved to be a bona fide hit. The layered strings and organ work are slick but they add such warmth and depth in contrast to Coe's voice that it works to devastating effect. Coe wrote over half the record, and his own tunes work best on the rest -- "He's Taking It Hard (She's Taking It Easy)," "Sweet Angeline," the stunning third part to "For Lovers Only," and "Thief in My Bedroom" round out the "downside" of the disc. Coe's "Just Divorced" and "It's Great to Be Single Again" sound a little disingenuous coming form the emotional weight of the first half, but they're fine songs nonetheless. The album closes with a soul tune -- believe it or not -- Jerry Butler's fantastic "For Your Precious Love" is carried off convincingly as a country song -- complete with first person confessional as an intro.
Darlin' Darlin' is one of the strangest records in Coe's catalog. For starters, Coe wrote only two songs on the set, a spiritual song called "Mary Go Round the Birth of Jesus," and the fourth and last part of "For Lovers Only," which closes the album. Musically, this is a big production number -- even for Sherrill. There are keyboards winding through everything, big backing vocals, and layered pedal steel and electric guitars. Some of the covers are curious choices as well: Smokey Robinson's "My Girl," a soul holdover from Just Divorced, and J.J. Cale's "Call Me the Breeze." The rest were written by the then-current crop of Nashville songwriters, like the spooky minor key "She Used to Love Me A Lot," and Sherrill's brilliant "My Elusive Dreams." There is also a duet on the disc: "Don't Cry Darlin'" puts Coe in the company ...
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