| | Soda Stereo Comfort Y Musica Para Volar (MTV Unplugged) CD Soda Stereo Discography of CDs
 (4 Customer Reviews)
UNPLUGGED is an enhanced audio CD which contains regular audio tracks and multimedia computer files, including interviews with the band members.
Additional personnel includes: Andrea Echeverri (vocals); Tweety Gonzalez (Fender Rhodes piano, synthesizer, programming); Iain Baker (keyboard).
Recorded live on March 12, 1996 at MTV studios, Miami Beach, Florida.
With an increasing incorporation of programming into their sound, what do these Argentine super-rockers sound like UNPLUGGED? Well, the group does bend the rules a bit with some keyboards and electric guitar. But the set certainly has the intimate, sedate quality that often accompanies the MTV-sponsored show. True to its subtitle, this recording is "Flying Music," drawing on the band's more expansive, intoxicating material from the '90s.
"Te Para 3" ("Tea for Three") stands out for its bittersweet, bluesy guitar and organ, lilting string passages, and Cerati's lovely, mournful warble. The punky Andrea Echeverri of Aterciopelados does a guest duet with Cerati on "En La Ciudad De La Furia," a dreamy picture of nocturnal urban air travel. "Angel Electrico" has a grittier edge, with Cerati offering some piercing guitar riffs, while "Sonoman" is a hard-rocking, bleep-and-bloop electronica interlude.
Soda Stereo: Gustavo Cerati (vocals, acoustic & electric guitar); Zeta Bosio (acoustic guitar, bass, background vocals); Charly Alberti (drums, percussion).
Personnel: Gustavo Cerati (acoustic guitar, electric guitar); Zeta Bosio (acoustic guitar, background vocals); Ezequiel Fainguersch (bassoon); Tweety Gonz�lez (Fender Rhodes piano, sampler); Iain Baker (keyboards); Charly Alberti (drums, percussion).
Audio Mixer: Eduardo Bergallo.
Recording information: Los Estudios MTV, Miami Beach, FL (03/12/1996).
Director: Antoinette Zel.
Photographers: Roberto Cepeda; Gabriela Malerba.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Comfort Y Musica Para Volar (MTV Unplugged) Music | List Price | $9.99 (You save $0.50) | | Category | International Albums, Latin CDs, Spanish, Latin Rock, Live Performances, Enhanced CD, Latin Pop, Rock En Espanol, Rock | | Label | Ariola International | | Orig Year | 1996 | | All Time Sales Rank |  12761  | | CD Universe Part number | 1252844 | | Catalog number | 14225 | | Discs | 1 | | Release Date | Nov 12, 1996 | | Studio/Live | Live | | Mono/Stereo | Stereo | | Producer | Paula Golbin | | Engineer | Eduardo Bergallo; Peter Yianolos | | Personnel | Gustavo Cerati - vocals, acoustic & electric guitar
Charly Alberti - drums, percussion
Zeta Bosio - acoustic guitar, background vocals
Ezequiel Fainguersch - bassoon
Also: Andrea Echeverri, Tweety Gonzalez, Iain Baker |
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This double-CD set managed to sneak onto the market in the mid-'90s, below the radar of all but the most diligent fans and the best record stores. Across their history, through two different "original" lineups, and the variants and offshoots of the more enduring second incarnation (as well as its splintering into at least two groups sharing some of the same repertoire), and releases on more than half a dozen labels, Renaissance piled up a significant body of music. Astonishingly, this double CD was the first serious attempt in a quarter century to compile the best parts of the output of both versions of the group, covering a period of 13 years, from 1969 until the dissolution of the second lineup in 1982, and it succeeds despite the vast changes in sound and personnel represented. The slightly more pop-oriented material off of the original group's second album, for example, is quite jarring in the wake of two tracks off the first, which are much more intense virtuoso showpieces; on the other hand, "Love Goes On" and "Love Is All" serve as a bridge to the smoother, more elegant sound of the second "original" lineup. Interestingly, although the material from the first lineup's two albums sounds very good, the music from the second version of the group, from Prologue and beyond, is astoundingly crisp, clear, ...
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They say being in a band is like being in a gang… when they’re not saying being in a band is like being married. Overlook the fact that, by those standards, Mickey and Mallory Knox would’ve been better off just starting a band called Natural Born Killers, then consider the clichés’ implications. Both speak to the combustibility and compatibility that make rock ‘n’ roll truly invincible. Which is all well and good, but the truth is being in a band is like hitting 21 in blackjack again and again and again. Luck is the ultimate x-factor, even more so than chops and chemistry.How else can you explain the study in contradiction that is Seattle’s pile driving Point One? They play unapologetically assaultive hard rock… with a brain and a conscience. They distill equal parts Metallica and Radiohead into their crushing compositions… hailing from an environment that prefers sedate indie-rock introspection. It’s fitting that vocalist Lenny Hotrum and bassist Darren Howard, the volatile quartet’s principal songwriters, approach their craft from diametrically opposing standpoints, yet make it work.“Len kind of brings the heavier element… you know, the de-tuning, the screaming and stuff,” Howard reveals. “I try to bring more melody and more interesting chords, different styles, make things a little more cinematic sounding.”Celestial is more like it. Point One’s third full-length, Unlucky Stars (following 2002’s Stress Related Injuries and 2005’s The Absence) careens recklessly from seething yet melodic anthems like “Cruel” to sleazy biker bar throwbacks like “Monochrome Mistress,” yet boasts almost seamless continuity. ...
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