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Audio Remixers: Jon Mathias; Mark Moffatt.
Personnel: Grace Knight (vocals, tenor saxophone); Ron Francois (vocals, synthesizer, bass instrument); Bernie Lynch (vocals, synthesizer); Crispin Akerman (guitar); Gisele Scales, Gisele Scales (violin); Mark Bhan, Mark Isham (trumpet); Amanda Vincent (keyboards, synthesizer, glockenspiel); Sam McNally (synthesizer); John Bennetts (drums, cymbals, percussion); Mark Moffatt (drums, drum programming); Gary Kettel (percussion).
This Island Music | List Price | $16.98 (You save $3.99) | | Category | Rock/Pop Albums, Rock CDs, New Wave | | Label | Renaissance | | Orig Year | 1984 | | All Time Sales Rank | 151626  | | CD Universe Part number | 1257601 | | Catalog number | 108 | | Discs | 1 | | Release Date | Mar 10, 2009 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mark Moffatt; Mark Opitz; Nigel Gray; Nigel Gray | | Engineer | Jim Ebdon; David Nicholas; Nigel Gray; Pete Buhlmann; Jim Ebdon; David Nicholas; Nigel Gray; Pete Buhlmann | | Personnel | Mark Isham - trumpet Gary Kettel - percussion Mark Moffatt - drums, drum programming Ron Francois - vocals, synthesizer, bass instrument Sam Mcnally - synthesizer Amanda Vincent - keyboards, synthesizer, glockenspiel Bernie Lynch - vocals, synthesizer Crispin Akerman - guitar Gisele Scales - violin Grace Knight - vocals, tenor saxophone John Bennetts - drums, cymbals, percussion Mark Bhan
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Eurogliders This Island Songs This Island Review
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Purchase This Island CD To buy, Click on price to add to cart | Arlington Road DVD (1999) Widescreen
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$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in ...
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$14.45 After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, ...
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