| | Prism Best Of CD Prism Discography of CDs
(2 Customer Reviews)
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This compilation includes the band's best-known hit, 1981's "Don't Let Him Know" (co-written by Bryan Adams), and showcases the rest of their modest collection, which is mostly spirited attempts at a bland genre of music: watered-down synth rock. Call them art-rock lite, or hard adult contemporary. A hybrid of Sweet, Styx and the Little River Band, Prism goes for space-oddity flavor with lines like "On Mercury they're crazy about my stellar rock and roll, and I always seem to sell out at the Martian astrobowl" (from "Spaceship Superstar") and "The planet dies and no one cries" (from "Take Me to the Kaptin"). And oddest of them all, "Armageddon's" drum intro sounds quite similar to Metallica's intro to "Am I Evil?" (recorded several years later). Eerie. ~ Gina Boldman
Audio Mixers: Bob Rock; Geoff Turner; Rodney Higgs; Jim Nipar.
Prism: Ron Tabak, Darcy (vocals); Tom Lavin (guitars); Allen Harlow, Lindsay Mitchell , A.B. Bryant (bass guitar); Rocket Norton, Rodney Higgs (drums); Andy Lorimer, John Hall, Henry Small.
Personnel: Lindsay Mitchell , Tom Lavin (vocals, guitar); Henry Small (vocals, keyboards); Ron Tabak (vocals); Allen Harlow (guitar); Andy Lorimer, John Hall (keyboards); Rodney Higgs, Rocket Norton (drums).
Prism Best Of Songs | 1. | Good to Be Back |
| 2. | Don't Let Him Know |
| 3. | American Music |
| 4. | Party Line |
| 5. | Cover Girl |
| 6. | Armageddon |
| 7. | See Forever Eyes |
| 8. | Spaceship Superstar |
| 9. | You Walked Away Again |
| 10. | Virginia |
| 11. | Mirror Man |
| 12. | Satellite |
| 13. | Turn on Your Radar |
| 14. | Night to Remember |
| 15. | Flyin' |
| 16. | Young and Restless |
| 17. | Take Me to the Kaptin |
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$14.79 Winner of the title "Seattle's best Guitarist" in the Yamaha sponsored Seattle Guitarstars contestFeatured on BET television networks Jazz Discoveries Show"A virtuoso deserving star status." Charles Cross The Rocket "My jaw literally dropped in appreciation of his incredible skill." Rhonda Dicksion New Times"In a constellation of musical stars Matt Horton is a supernova." Mark Crawford Nevada State JournalHeritage Music ReviewMatthew Horton A Guitarist For All Seasons By Doug BrightEven among the many talented musicians that populate Seattle's acoustic music scene, Matthew Horton is a stand-out. While many choose to specialize, Horton is a master of many styles who has played the kind of venues most locals only dream about. Yet there is nothing of the arrogant self-proclaimed superstar in Horton's unassuming manner. A transplant to this rich Northwest musical environment, he's been assiduously honing his act, his technique, and his portfolio of original compositions in the region's "unplugged" music spots, garnering the respect of fellow musicians, media people and consumers alike. A native of Nevada, Horton got an early musical start in a direction very different from most guitarists of his age. "When I was 10 my mom got me Kenny Burrel's "JAZZ GUITAR FORMS," he recalls. "My dad played some piano, and my folks got me a guitar and lessons with this older jazz player in Reno, and I learned a lot of pop instrumentals." When I initially got into classical, I saw Carlos Montoya. I was about 14, and I was really amazed that he could do all that with one guitar. It was like juggling except ...
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